Wednesday, April 18, 2012
'Rock' / 2 of 12 / Charles - Russell St / Melbourne (Sun 08 Apr 2012)
Labels:
Melbourne 2012,
Pasteup,
Russell St,
Street Art,
Sun 08 Apr 2012
Tuesday, April 17, 2012
Red on the Edge - Erskineville (Sun 17 Oct 2010)
Recently downloaded all my iPhone photos for the first time and was pleasantly surprised with a few. This was one of them.
Red Eyes and Blue Eyes - Union Lane / Melbourne (Fri 06 Apr 2012)
Blue Eyes - that would be me. Gives an idea of the Red Eyes scale. They were quite impressively big.
Monday, April 16, 2012
The Foldup Chair - The High Line / Chelsea / New York (Tue 16 Aug 2011)
While I am reminiscing, a few more photos from last year in New York. Funny how a bit of time between viewings, reveals a new way of appreciating photos that were overlooked the first time around.
Just like the shadows in this one, the pavement lines also and how the lone foldup chair (have no idea why it was there) interacts with the passerby's.
Labels:
Chelsea,
Joel Meyerowitz,
New York,
shadows,
The High Line,
Tue 16 Aug 2011
iPad Origami Collage Screenshot - High Line / Chelsea / New York (Tue 16 Aug 2011)
The Joel Meyerowitz book had me reminiscing about the recent trip to New York (Aug 2011) and I was just looking through some of the photos from that trip which I still have on my iPad. Always impressed with the iPad's Origami Slideshow presentation and the random sequencing and presentation of the photos from a photo folder. Just grabbed this as a screen shot as this one rolled passed.
Labels:
Chelsea,
Joel Meyerowitz,
New York,
The High Line,
Tue 16 Aug 2011
Book - Joel Meyerowitz by Colin Westerbeck (Mon 16 Apr 2012)
Just arrived today. A two page spread from the book that caught my attention follows ..
Joel Meyerowitz (*) writes about this photo on page 42 ..
During this time, I was trying to make photographs about the 'all of it'; pictures without a central subject. I wanted all the information, near and far, to hold our interest equally, and I wanted colour to be an intricate part of the content. I was trying to unlock photography from the aesthetic of the decisive moment - a difficult thing to give up.A great book to have.
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