Just Because I Really Love You (c) - Bologna (Fri 29 Aug 2014)Colin Pantall (
*) writes on
Story Telling (
*) and
Photography (
*) through the
2014 Booker Prize (
*) awarded to
Richard Flanagan (
*) who:
worked for 12 years to tell this story. He told it as a love story because he says that while war stories dark about death, war also illuminates love (*) which is the greatest expression of hope (*). It's what we live (*) for.
And because it's what we live for, it's what we want to read about. Flanagan has every reason to be self-indulgent and wallow in his father's misery, but it seems like he's translating the story for readership. He's reaching out, he's editing (*), he's adapting (*), he's simplifying (*), he's making it a story that has been written for the reader. It's written on the reader's terms.
Colin questions and challenges
Photographers (
*)
I think an interesting question here is how often do photographers do this?; go out to the reader and sacrifice their self-indulgence to tell the story well? How often do they do this, how often don't they do this?
via
Whatever Evil is, it wasn't in that Room (
*) by
Colin Pantall (
*).
