I have a Google Alert for Trent Parke, an Australian Photographer who is a member of Magnum and in-public (who BTW have just celebrated their 10th birthday).
Most days I will get one or two alerts come through on my Google Reader. Normally, they don't lead to anything interesting or something I don't already know about him. However, I received an alert that quickly drew my attention. It was titled:
Geoff Dyer on Trent Parke (2010).
As Andrew Bruce posted today on Trent's Facebook Wall:
easily the best piece of writing on Parke to date
Have to agree and it is definitely worth a read.
A bit of a ramble to follow. I have known of Geoff Dyer for sometime. At least since around the time of the publication of his book, the The Ongoing Moment (Guardian Review - 16 Oct 2005). A novel and rather modest approach to writing about photography - he claims that he does not even own a camera:
"I am not a photographer ... I don't even own a camera."
I enjoyed the book and appreciated his knowledge of photography. In particular I enjoyed his writing style and the metaphors he used to get his ideas across - you will see this in his article on Trent.
[on writing about the book, The Seventh Wave] The surface of the sea is a film separating two worlds, that of water and that of air. Though absolute the distinction is perpetually on the brink of dissolving, melting away. People fly through the water as if suspended in a turbulent sky, or float through great clouds of aquatic light. That’s what water is for Parke and Autio – liquid light. Forms dissolve, blur, swim into and out of focus. Quick and silver, the water is a flash-flood of mercury.
On to Trent Parke. I have followed his progress since he was photographer with the Sydney Morning Herald back in the early 2000's. He had two photos in the first Sydney Looking Forward Exhibtion back in 2002. I wrote about one of the photos here. Indeed the post is one of the more popular pages residing in my little blog.
In 2003 I bought two copies of the two books he had published at that stage:
Both books appear to be long out of print, by the looks of the Amazon Used Books prices.
Looks like I have done alright with these purchases (they were about $50 each from the Stills Gallery). I could not help myself other than to buy two copies of each. They were just beautiful. I have a soft/weak spot for photography books. I can remember catching the train after work, upto Kings Cross and then walking into Paddington to the Stills Gallery. I took quite a few photos with my litte IXUS. Must drag them out of the archive to find out the exact date of purchase of the books. A job for another day.
I will close with a quote from Geoff Dyer's article on Trent:
Later works will continue but intensify the Dream/Life vision so that, at its most extreme, Sydney becomes a kind of ghost city, in the process of being annihilated by light. A passer-by will be transformed into an accidental super-hero: Solar-man, a bleached absence of pure radiance! (Part of the fascination of this picture is of the photographer-as-magician kind: how did he do that? The difference between magic and photography is that the spell remains unbroken even when the technical explanation - which, in any case, I cannot recall - is forthcoming. [GeoffE: maybe some discussion here will help: How is this done? (Trent Parke) at photo.net - 31 Mar 2004)]
An article by the Sydney Morning Herald's Tim Clayton giving some background to the working environment that Trent Parke evolved.
