Showing posts with label Fri 21 Sep 2012. Show all posts
Showing posts with label Fri 21 Sep 2012. Show all posts

Tuesday, November 5, 2013

On Looking - Jennifer L. Roberts / RoughType (Sun 03 Nov 2013)

Yellow - Amsterdam (Tue 20 Aug 2013)
Orange - Tokyo (Fri 21 Sep 2012)
Green - Seoul (Tue 11 Sep 2012)
Green - Lisbon (Wed 14 Aug 2013)
Blue - Tokyo (Fri 21 Sep 2012)
Blue / Black - Tokyo (Thu 20 Sep 2012)
Water (3 of 3) - Nyhavn / Copenhagen (Thu 22 Aug 2013)
Black - Sydney (Thu 24 Mar 2011)

Jennifer L. Roberts (*) writes On Patience (*):
just because you have looked at something doesn’t mean that you have seen it. Just because something is available instantly to vision (*) does not mean that it is available instantly to consciousness. Or, in slightly more general terms: access is not synonymous with learning. What turns access into learning is time and strategic patience (*).
via A lesson in strategic patience (*) by Nicholas Carr' (*).

Friday, December 14, 2012

On Captions - New Colour Guide - John MacLean (Thu 13 Dec 2012)

Bitumen - Skytree / Sumida / Tokyo (Fri 21 Sep 2012)

John MacLean (*) On Captions (*):
The titles nullify the viewer’s question: "What is it?" When that question is answered, the next question might be: "Why is it?"
via Books of the Year: John MacLean's New Colour Guide (*) by Dan Abbe (*).

Wednesday, November 7, 2012

On Remembering - Family Photographs - Colin Pantall (Tue 06 Nov 2012)

Orange - Asakusa Kannon Temple / Tokyo (Fri 21 Sep 2012)

Sometimes photography seems abstract, but then something happens that makes it concrete.
Colin Pantall (Tue 06 Nov 2012)
Sometimes you read an almost random post by someone you don't even know - you it find so pertinent and you are deeply touched and you learn something about life and yourself. Today is one such day ..

Colin Pantall (*) writes (*) on the passing of his Mother-in-Law, Elizabeth, last weekend:
I think it was a relief in some ways that she died, because she wasn't independent and it wasn't the way she wanted to live, but at the same time it was a massive shock. Not because of the death, but because of the passing of an era, the end of a living history. You can keep history alive in various ways, but when the person who witnessed it goes, it does spell the end of a chapter. It doesn't mean we should forget it, but there is still some part of a time that has gone. Things have moved on.
He also talks about how someone is remembered through photographs and our memories.

On Photography, he writes:
things are also preserved and the family album does this admirably. It's a shorthand of memory, of history, of an edited and at times idealised past, where certain things are hidden and certain things taken away - sometimes in retrospect. Even so, we still look at it quite objectively as something quite factual.
However, complementing the photos (if they were made and are available), there are the memories to draw upon and the cues (*) that inspire them:
But Elizabeth didn't have those old photos, so I wonder how she will be remembered. Just as words are sometimes better than photographs, so is food. I remember her Slovenian cooking, her gingerbread, her puddings, her cakes and so does my wife.
I have learnt that it is important to remember and in some ways this has become my life purpose (*). As Colin reminds us, there are photos as well as our memories - what we remember.

eljeiffel (*) for me is all these elements of remembering, remembering not only Jenny (*) and those that have gone before us, but my own legacy (*) - the scratches and fractures (even if it is just a couple of photographs of the colours orange and blue, and the hidden memories they evoked in me) I will leave on this world when I am gone.

Blue - Asakusa Kannon Temple / Tokyo (Fri 21 Sep 2012)

Wednesday, October 31, 2012

Intersection #2 - Sumida / Tokyo (Fri 21 Sep 2012)

Intersection #2 - Sumida / Tokyo (Fri 21 Sep 2012)

Always looking for something new in the familiar. I like the touch of yellow.

Intersection #1 - Sumida / Tokyo (Fri 21 Sep 2012)

Intersection #1 - Sumida / Tokyo (Fri 21 Sep 2012)

The Michael Hoppen Gallery (*) on Daido Moriyama’s Photographic Journey
In his ceaseless wandering and photographing – in the repetition – we see the artist's faith in the journey; the idea that by virtue of searching and looking, something will be found.

Moriyama inherited this philosophy from Jack Kerouac's (*) On the Road (*).
via Tights and Lips (*).

Thursday, October 25, 2012

On A Touch of Squalor - Daido Moriyama / Telegraph (Tue 23 Oct 2012)

Garbage Bins - Sumida / Tokyo (Fri 21 Sep 2012)

Daido Moriyama (*) is quoted in Daido Moriyama: Low life in Tokyo (*):
I’ve never been attracted to places that are very hygienic. I like a touch of squalor.
The a touch of squalor quote reminded me of my Eiffel Days (*) and the superbly named book A Touch of Class: Learning to Program Well with Objects and Contracts (*).

Tuesday, October 23, 2012

Friday, October 5, 2012

Blue Pipe - Skytree - Sumida / Tokyo (Fri 21 Sep 2012)

Blue Pipe - Skytree (*) - Sumida (*) / Tokyo (*) (Fri 21 Sep 2012)

As is usual for me, we go to major tourist attraction, the brand new and very high Tokyo Skytree (*) Tower, and this is what I come back with, a photo of a blue pipe crossing a storm water drain.

Drawn to the blue and the receding darkening to black. The subtle vertical rust lines towards the bottom really make it for me. Another personal favourite from the trip.