Showing posts with label Adam Marelli. Show all posts
Showing posts with label Adam Marelli. Show all posts

Thursday, December 10, 2015

On Photography and the Ordinary - Adam Marelli (Wed 09 Dec 2015)

Untitled - Fushimi Inari-taisha - Kyoto (Fri 14 Sep 2012)

Adam Marelli on Photography and the Ordinary:

The more ordinary the better.
via What did Japanese art do to photography: Part 2 by Adam Marelli.

Another common term photographers use to describe the ordinary is banal, being the hallmark of my own photography. In Japan in Sep 2012 I was at my banal best.

Friday, November 21, 2014

On Venice - Mirsada Hadzic / Adam Marelli (Fri 21 Nov 2014)

Untitled - Venice (Wed 10 Sep 2014)

Adam Marelli (*) writes on the Words and Photos (*) of Mirsada Hadzic (*):
there is nothing more reassuring than reading the words of a perfect stranger who is saying exactly what you feel
via Venice, through the eyes of a Writer, Mirsada Hadzic (*) by Adam Marelli (*).

Thursday, April 10, 2014

On Apprenticeship - Adam Marelli (Thu 10 Apr 2014)

Untitled - Alexandria (Thu 03 Apr 2014)

Adam Marelli (*) writes On Apprenticeship (*):
an apprentice, no one usually cares who you are, what you do, and if you ever succeed. It is the master who gets all of the attention and that’s just fine, because like an unripe vegetable the apprentice is not yet fit for human consumption.
via Eric Chevalier: The Blacksmith’s Apprentice (*) by Adam Marelli (*).

Always the apprentice (*) in life (*), and that's just the way I like it.

Wednesday, January 22, 2014

On Photography - Adam Marelli (Tue 21 Jan 2014)

Street Portrait - Lisbon (Wed 14 Aug 2014)

Adam Marelli (*) writes On Photography (*):
When you pick up a camera the options are limitless.

The worlds of spectacular and lack luster are very close to one another.

Anyone who has taken a shot they love (*) knows that the shot before and the shot after were failures (*).

As photographers, we swim in a visual world where things can go either way, in the fraction of a second.

But when we can anticipate (*) and understand (*) how our decisions (*) can impact an image, that awareness (*) lets us become more than observers.

We become authors.
via Danny Lyon Domino Player (*) by Adam Marelli (*).