Saturday, October 9, 2010

Intersection - Airport Tarmac / Lyon - Mon 7 Sep 2009

Intersection - Tarmac (Lyon Saint-
Exupéry
Airport) / Lyon - Mon 7 Sep 2009 (picasa)

Walking across the tarmac to board our EasyJet Flight from Lyon to Toulouse. Could not help but get my camera out and take this photo. Drawn to the green pedestrian strip and the red and white chains and witches hats. Don't think I had come across a green and white pedestrian strip before.

Friday, October 8, 2010

Sydney Life 2007 (2-21 Oct 2007)

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Every year, around 500,000 people come to see Sydney Life in Hyde Park North. Set in the context of one of the City’s most popular outdoor public spaces, the evocative artworks provide a unique Sydney experience.

The judges were spoilt for choice. From 620 images submitted, 26 have been chosen.

The result is a truly democratic exhibition, featuring works by emerging and established artists from across the spectrum of the art form, including documentary, press and art photography.

We sought to include optimistic and fun images, such as Jenny Evans’s Elvis Goes to the Races, and joyous ones like Christine Gleisner’s Martin and Maggie. Dean Sewell’s Tamara, Jack and Ruby is a contemplative portrait of family life, while Elaine Campaner’s The Harbour View, made out of kitsch objects, seems like a comment on the aspects of our city’s character that are superficial but charming.

It would not have been appropriate to exclude images which are poignant, such as Andrew Quilty’s Days Passed and Joan Cameron-Smith’s Housed by Thought No. 8, respectively of an old man watching the Anzac Day Parade and a young boy lost in thought. Nor did we want to exclude those which raise thorny social or environmental issues, such as Garry Trinh’s Welcome Home, about migrant communities feeling under siege, and Simon McGrath’s Urban Landscape, which alludes to our deepening concern over water shortages.

I would like to thank the City of Sydney and AMP Capital Investors for supporting the project. Thank you, too, to my fellow judges. Finally, I thank the photographers for their distinctive perspectives which so eloquently capture the possibilities of life in this terrific city.

The Sydney Life Prize, valued at $10,000, is comprised of $5,000 cash from the City of Sydney plus a $5,000 investment in an AMP Capital Sustainable Share Fund. It is awarded for the work judged most outstanding in the exhibition by the judges: Sandy Edwards (Curator, Sydney Life and Curator, Stills Gallery), Christine Morrow (Curator, Museum of Contemporary Art) and Bec Dean (Curator, Australian Centre for Photography).

New this year is the People’s Choice Award, sponsored by FUJIFILM Australia. Vote at the Art & About Free Catalogue and Information Booth in Hyde Park North and be in the draw to win a digital camera. The winning photographer will receive FUJIFILM Australia product worth $3,000.

Sandy Edwards, Curator Sydney Life


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The Photographers and their Photos

Fiona Morris - Girls from Guangdong Province, Chinese New Year
Christine Gleisner - Martin and Maggie, 2007
Jenny Evans - Elvis Goes to the Races
Paul Blackmore - Lambo Wings
Dean Sewell - Tamara, Jack and Ruby
David Matheson and Eszter Marosszeky - Lounge-room, Lilyfield, 2007
Ingvar Kenne - Kellyville
Joan Cameron-Smith - Housed by Thought No. 8
Joanne Saad - Ipar (Voted People's Favourite)
Elaine Campaner - The Harbour View (Breakfast in Sydney)
Simon McGrath - Urban Landscape
Andrew Quilty - Days Passed
Neil Bailey - Sydney Museum
Ivan Buljan - Ms Paula Horvat Dreaming
Steven Siewert - 38° at 2pm
Martin Mischkulnig - Eila
Ali Nasseri - Aged Care is no Place for a Young Person
R. Ian Lloyd - Artist Guo Jian studies himself for a painting
Wendy McDougall - Park in a Park (in a park!)
Adrian Cook - Easter, Marrickville, NSW
Steve Christo - Mini Triathlon
Tanya Lake - Jelly Wrestling
Tom Williams - Evening, Kings Cross, 2006
Matt Kaarma - Basketball
Gary Trinh - Welcome Home
Quentin Jones - Fly Boys


Catalogue (pdf)

Sydney Life 2006 (3-22 Oct 2006)

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Sydney Life

Every year, around 500,000 people come to see Sydney Life in Hyde Park North. The resonance of these images, and their evocative setting in one of Sydney’s most popular public spaces, provides a unique representation of the city’s amazing variety.

From 800 images submitted by 410 photographers, 26 artworks have been chosen by a panel of judges. Again, there is a good mix of established and emerging artists from across the spectrum of the art form, including press, documentary and art photography.

The emphasis this year seems to be upon Sydneysiders enjoying their leisure time. Portraits of people flourishing in their domestic environments such as Joanne Saad’s ‘Karaoke Friends, 2006’, Danny Huynh’s man with his chook in Fairfield, or Martin Mischkulnig’s ‘Ingrid Hoffman with her collection of ‘50s and ‘60s aprons,’ capture worlds hidden behind the suburban fence. Just outside, Adrian Brown’s ‘Cul de Sac 7’ argues that housing estate dead-ends are the place where the next generation of Socceroos are building their skills.

Some photos dwell on the diversity of the city’s subcultures, while others encompass broader cultural activities such as the outdoor cinema and surfing, or capture the beauty of Sydney’s iconic parks. This year’s images are mainly celebratory in tone, however, there are some which speak to alienation, both human and from the natural environment, such as Beverley Veasey’s wonderful ‘Goat, Capra Hircus, at the Royal Easter Show.’

I would like to thank the City of Sydney and AMP Capital Investors for their support of the project. Thank you, too, to my fellow judges. Finally and foremost, thank you to the photographers for capturing with such poignancy the many possibilities for life this wonderful city offers.

The Sydney Life Prize, valued at $10,000, is comprised of $5,000 in cash from the City of Sydney plus a $5,000 investment in the AMP Capital Investors Sustainable Future Australian Share Fund. It will be awarded for the most outstanding work in the exhibition, as decided by a distinguished panel of judges: Sandy Edwards (Curator, Sydney Life and Curator, Stills Gallery), Alan Davies (Curator of Photographs, State Library of NSW) and Bec Dean (Curator, Australian Centre for Photography).

Sandy Edwards, Curator Sydney Life


The diversity of Sydney’s communities is magnificently captured in these photographs mounted on large-scalecanvas against the leafy backdrop of Hyde Park North. Take a wander down the central boulevard and admire these stellar images.

FREE SYDNEY LIFE
CURATORIAL TOURS
Wednesday 18 October and
Saturday 21 October at 1pm
Bookings Essential:
Telephone (02) 9246 7626


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The Photographers and their Photos

Gregory McBean - The Baron and Baroness de Boyd (a.k.a. John and Jeanette)
Martin Mischkulnig - Ingrid Hanging her Aprons
Adrian Brown - Cul-de-sac 7
Jonathan Reid - Sydney Park – St Peters
Marco Bok - Mitch and Kay, Hyde Park, 1 July 2006
Kelly Mitchell - Skaters – Martin Place
Tamara Dean - Harmony Day
Beverley Veasey - Study of a Goat, Capra Hircus, at the Royal Easter Show
Steven Siewert - Not a Dry Eye in the House
Quentin Jones - Surfing from Space
Peter Solness - Dharawal Engravings and Sydney Skyline
Martin Mischkulnig - Guan Wei in Boat
Vera Hong - Rebecca
Steve Christo - Fire in his Belly.
Karl Sharp - “Revolution” (soccer fans)
Moshe Rosenzveig - Tango
Anne Zahalka - Chinese New Year Parade
Paul Blackmore - Backyard Wedding
Sasha Ruth Woolley - Natasha, 2005 (From the Limelight Series)
Danny Huynh - Culture and Cultivation
Steven Lojewski - Without a Trace, Enmore, 2006
Belinda Allen - Sacred Site – Angophoras, Royal National Park
Jeff Darmanin - Autumn in Sydney, 2006
Annette Willis - Niki and José 2006
Lee Valentine - Red

At www.archive.org - Sydney Life 2006, Art and About 2006
At Google: Programme (pdf as html)

Wednesday, October 6, 2010

The Cole Classic by Steve Christo - Sydney Life 2010

The Cole Classic by Steve Christo - Hyde Park/Sydney - 29 Sep 2010 (picasa)

Funny how photos (like music) take you back in time and in your memories. Recently saw the above photo at the 2010 Sydney Life Exhibition in Hyde Park.

Occasionally I hear or read about The Cole Classic, typically around the time of year which it is run (Jan/Feb). It was originally held at Bondi, but it moved to Manly some years ago.

Graham Cole was the founder of the The Cole Classic (see end of this post for more details). He was Sydney Solictor and a very keen swimmer. He was also the Landlord of the first house that I moved into when I had finished my University Degree in late 1982. Robyn, Mal and I moved into a 3 bedroom two storey terrace in Ebley Street, Bondi Junction in Jan 1983.

The move to Bondi Junction was a big change from the sheltered and idyllic surrounds of Wesley College where we had all spent 3-4 years living and studying. It also marked the beginning of our careers in our chosen professions. We enjoyed the change and having a place to live outside of the University. The Eastern Suburbs Railway had recently been completed and with a 5 minute walk to the Bondi Junction Railway Station, it was a quick trip to Town Hall and then a short walk to where I worked (almost 30 years later I still work in the same building but there have been plenty of moves and changes along the way).

Every month I paid the rent and I would wander down to the then P&O Building to give Graham's Secretary a cheque. He would often come out of his office and we would have a chat. In these chats I did get to hear some swimming stories and that he loved surfing at Bondi. At some stage he did mention The Cole Classic (in 1983 the first Cole Classic was swum with 101 swimmers participating).

He was always a very accomodating Landlord and he allowed us to do some wallpaper removal and painting to one of the rooms (the Red and White striped wallpaper a previous tenant had put up, was a bit much for Robyn, whose room it was). Around the same time he indicated he needed to paint the railings of the balcony to the front upstairs bedroom. He said he would come round one weekend to get it done. Mal and I gave him a hand and the job was done quickly over a couple of weekends.

Ebley Street - Bondi Junction - 30 Sep 2010 (picasa)

Moving forward just over 27 years ..

Coincidently, the day after I took the above Sydney Like 2010 Photo, I had to go to Bondi Junction for an appointment. Decided after the appointment I would go around to the old place (it was not far), have a look and take a couple of photos.

Not much has changed from the outside except for a new coat of paint - it was a dark green in the early 1980's. The Balcony railing was still there, I remember that weekend we painted it way back in the late summer of 1982/1983.

The Waverley Tower still hovers over Bondi Junction and Waverley, but it now has a lot more antenna's - mobile phones were certainly not mainstream public technology in the early to mid 1980's.

Ebley Street - Bondi Junction - 30 Sep 2010 (picasa)

Sadly, I remember reading in 2000 that Graham had died of a heart attack while swimming at his beloved Bondi Beach. From the Sydney Morning Herald dated the 06 Dec 2002 in an article titled At the Cole face:
He was 72 and had been told by his doctor to take things easy after developing a heart murmur. "But the surf called," says his son. "He went out, had a good surf, was talking to his mates on the beach, had a heart attack and died on the beach. It was unexpected. The guy was fit and robust. But it was a perfect way for him to go. He orchestrated it well."
I also remember reading this article in the Sydney Morning Herald in February this year. It gives an insight into how much The Cole Classic has grown.

It is such a long time ago now, I have trouble remembering much more than heading down to Bondi Beach after work to catch some waves on a newly purchased bogey board.

However, the most obvious memory for me of the place is the phone call I received there from my Mother in Wagga Wagga on the evening of Sunday 24 Jul 1983 to tell me my father had died of heart failure that evening at our Family Doctor's surgery after playing a game of hockey that afternoon. He was just a few months past his 47th Birthday. He lived just a couple weeks longer than Jenny.

Funny the things you remember when you see a photo.

From the History page of the www.coleclassic.com ..

How it all began

Graham Cole was a keen ocean swimmer, regularly swimming and body surfing at Bondi Beach. In 1981 he travelled to Hawaii with a team from the Tattersals Club to swim in the Waikiki Roughwater. He returned with a desire to establish a similar event in Sydney, reasoning that Australian beaches and strong beach culture were deserving of such an event and that it should be open to all members of the community who had done the necessary training. In 1982 Graham wrote;
The event is not a race but a challenge to all persons to stretch themselves in body and mind to swim a reasonable distance through surf. It will, I hope, be an incentive to persons to involve themselves in the self-discipline required to get fit; obtain confidence in their ability through swimming, to achieve a pride in having performed something that is, perhaps slightly above average, and finally to receive (in the form of an appropriately prepared Certificate or medal) some recognition of their accomplishment.
In 1983 the first Cole Classic was swum with 101 swimmers participating.

Sydney Life 2005 (4-23 Oct 2005)

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Sydney Life 2005 (4-23 Oct 2005)

Sydney Life is one Sydney's most successful art projects. The leafy main boulevard of Hyde Park North provides a superb backdrop for these large-scale photographic slices of Sydney Life that offers insights and delight to Sydneysiders and visitors, day and night.

Selected by a panel of judges from an open submission, Sydney Life is both a prestigious and democratic exhibition, giving the opportunity for both experienced aand emerging photographers to have their work displayed. Twenty-six artworks have been selected from almost 900 images by 450 photographers. The image judged the best is awarded the $5,000 City of Sydney Photography Prize.

The selection this year is a tad more serious than in previous ones. A mood of surprise and eccentricity contrasts with the images of recreation and water that have dominated the exhibition in prior years.

As curator, I believe such developments reflect the growing strength and longevity of this wonderful project. I would like to thank the City of Sydney for their ongoing support of photography and artistic endeavour. I would also like to thank the photographers for their visions of the City we know and love. It is their commitment to portraying our world which creates the iamges that become etched in our collective memories.

Thank you also to my fellow judges, Pat Corrigan AM (Art Patron) and Russell Storer (Curator, Museum of Contempory Art).

Sandy Edwards, Curator Sydney Life


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The Photographers and their Photos

Robert Billington - The Last Tanners of Sydney
Cherine Fahd - Looking Glass, Luna Park 2
Geoffrey Day - The Last Stand
Moshe Rosenzveig - Yasmina
Jim Anderson - The Quick and the Dead
Fiona Morris - Fair Day
Tara Johns - Mujtabas Dinner
John Ogden - West meets East
Anni Payne - James the Shark
Alina Gozin'a - Old Timers
Joshua Glenn Heath - Breathing City Lights
David Hancock - Rose and Lance, La Perouse, June 2005
Andre Martin - Homebush Bay Hill
Petrina Hicks - Deb
Peter Rae - Returned Mother and Her Child
Vera Hong - Daniel, Liverpool City Motel, the Home of Sweat Dreams
Therese Sweeney - Simon packs Coriander
Ingvar Kenne - Tempe Plane Spotting
Dean Sewell - Hillsdale
Alan Tan - Boxing
Hayley Craig - Ani Preparing for her Wedding
Ruby Davies - Athletes 1 (Pegasus)
Neil Bailey - Reptile House
Martin Mischkulnig - Danny
Willian Yang - Rainbow Angels, Sydney Gay and Lesbian Mardi Gra, 2003
Tim Barker - Donald

At www.archive.org - Catalogue (pdf), Sydney Life 2005, and Art and About 2005

Monday, October 4, 2010

Composition - The Minds Eye by Henri Cartier-Bresson (Extract)

The photographer’s eye is perpetually evaluating.

A photographer can bring coincidence of line simply by moving his head a fraction of a millimeter. He can modify perspectives by a slight bending of the knees. By placing the camera closer to or farther from the subject, he draws a detail—and it can be subordinated, or he can be tyrannized by it.

But he composes a picture in very nearly the same amount of time it takes to click the shutter, at the speed of a reflex action.

Sometimes it happens that you stall, delay, wait for something to happen. Sometimes you have the feeling that here are all the makings of a picture—except for just one thing that seems to be missing.

But what one thing? Perhaps someone suddenly walks into your range of view. You follow his progress through the view-finder. You wait and wait, and then finally you press the button—and you depart with the feeling (though you don’t know why) that you’ve really got something.

Later, to substantiate this, you can take a print of this picture, trace on it the geometric figures which come up under analysis, and you’ll observe that, if the shutter was released at the decisive moment, you have instinctively fixed a geometric pattern without which the photograph would have been both formless and lifeless.


Composition in The Minds Eye by Henri Cartier-Bresson. Originally from The Decisive Moment (full text here).

Anyone who has ever looked through a viewfinder, taken a photo and cared will be able to relate to the above.

Low Tide - "A photographer can bring coincidence of line simply by moving his head a fraction of a millimeter" - Padstow/Cornwall - Tue 09 Sep 2009

Workers - "You wait and wait, and then finally you press the button" - Lyon/France - Thu 17 Sep 2009

Haunted by Steven Siewert - Sydney Life 2004 (12 Oct 2004)

Sisters (Jenny and Joanne) - Sydney Life 2004 - Hyde Park/Sydney - 12 Oct 2004 (picasa)

Jenny and Joanne in pose in front of Steven Siewert's photo titled Haunted.

Jenny had just given her first ever talk at the Sydney Breast Cancer Foundation's Pink Ribbon Lunch where she was one of the Guest Speakers.

After the lunch we walked back through Hyde Park North to look at the Sydney Life 2004 photos.

I asked Jenny and Joanne to replicate the happy look in the background photo - not often you see Jenny and Jo not smiling in front of a camera :-) Felt a bit mean asking them to do this, but they put on a good show for the camera.