
Max S. Gerber (*) on Process (*):
focusing on the how distracts from the why.via The Daily Edit – Max S. Gerber iPhone Promo (*) by A Photo Editor (*).
Don't Wonder "What if?" - Jenny P
find the beauty (*) placed in the garden and nurtured (*) by a higher source (*), the same source (*) that nurtures (*) you, that gives life (*) to all beings. To me, when I see the garden that my wife Tanya works so diligently (*) to make fruitful and beautiful, I am humbled (*).via August 11th, 2014 … Fuji X100s …Observations (*) by Streetshooter (*).
[..] follow your curiosity. Passion and interest cannot be faked. Your subconscious is wiser and smarter than you think. Follow what your subconscious tells you.via Advice for Young Street Photographers by Eric Kim.
[it] isn't really about martial arts. It's about life (*) and philosophy (*), and how to turn a negative (*) into a positive (*), how to defuse a situation by the way you handle it.via Joe Hyams dies at 85; former Hollywood columnist, bestselling author (*) by Dennis McCellan (*).
Having experiences (*) is so important, but having exactly the right experience is not always necessary. [..]via Why experiences are important, but having the right experience is not (*) by Do What You Love (*).
However you feel (*) about your .. [situation] right now, think about how you can make the most of the situation you are in to learn (*) something, try (*) something, or build (*) one more connection (*) before, perhaps, you move on.
The whole point of life (*) is to figure it out for yourself. To love (*) the challenge (*) and live in the process (*). It can’t flourish in the light (*) of others. Comparison is the surest path (*) to bitterness (*) and grief (*). Explore (*). See your power (*). See what you can do. Success (*) is not being better than everyone else. It’s finding you.via Living the Better Life (*) by Spencer Lum (*).
By looking, you will learn to see. [..]via How to Become a Photographer (*) by Leicaphilia (*).
it takes time to see, but the secret will slowly reveal itself, and eventually you will see what is good and the essence of everything.
Perhaps she just loved taking pictures; perhaps they kept her company or even prevented her, for a while, from falling apart. Perhaps it never crossed her mind that she was an artist.via 'Vivian Maier' Brings Nanny-Photographer's Life Into Focus (*) by Ella Taylor (*).
the beauty of nostalgia (*):via PROJECT PROFILES: Juan Aballe’s Country Fictions (*) by Jorg Colberg (*).
It’s easy to admire something that was popular in the past (*), because you already know a priori you’re in good company.
In other words, you’re basically putting yourself into a company you admire.
Photography is the medium of nostalgia (*): any photograph by construction shows us the past (*).via PROJECT PROFILES: Juan Aballe’s Country Fictions (*) by Jorg Colberg (*).
This is a time of nostalgia: regardless of where you look, we have become backwards looking, rehashing what was there in all kinds of ways [..]
We can’t let go of the past because we can’t stand the present (*).
Is that what it is?
I am very conscious of taking an image and that does take some of the spontaneity out of it. Where the spontaneity comes back in is that I always leave room for luck (*) - the random occurrence that you can’t make happen. There is always an element of chance.via Arts Preview: Philip-Lorca Di Corcia, The Hepworth Wakefield to June 1 (*) at the yorkshireeveningpost.co.uk (*).
Street photography (*) has always been about capturing the fleeting nuances that somehow coincide and create a sum larger than its parts in public view, for those astute enough to notice. The magic lies in the subtleties, not the obvious; learn to do it right, or move on...via In Your Face- Photo Complaints III (*) by Reciprocity Failure (*).
If we want to change (*) something we need to understand (*) it better, and we don’t understand things better by looking at the same photographs again and again.via Interview: Anders Birger (*) by disphotic (*).
I find people who work with photography as a way to explore (*) something for themselves really interesting, it’s like if I can understand something I can make other people understand it and that seems much more important.
There is comfort in being told what you already know: It essentially tells you that you are right after all (even if you’re not). But there also is a strange kind of comfort in being told what you don’t know (*). You’re challenged (*), it is true, but you’re also being made aware that there are other ways to see the world, that, provided you’re a little open, there is space to grow.via Review: Beautiful by Loredana Nemes (*) by Jorg Colberg (*).
Every photograph that we take, and share, is energy transfer. We use photography to communicate the energy we originally felt. Great photographs do this extremely well (think of the classics) while others fail miserably. Still others might need additional insider information to be able to achieve their purpose (*) [context (*)]. But all have the same role to play.via The Truth About Photography (*) by Paul Melcher (*).
since I had come across by chance the casa-museo (*) where the playwright Lope de Vega (*) lived from 1610 until his death in 1635, I ventured in to get a glimpse of domestic life in Spain’s theatrical Golden Age. It is a handsome three-storey house with a pretty walled garden which Lope described as his “guertecillo”, his little kitchen garden. It still has an orange, a fig and a pomegranate tree, a covered well, box hedges and a small potager with tomato, pepper and chilli plants.via A Writer’s home in Madrid – casa-museo Lope de Vega (*) by The Magpie Press (*).
You must master (*) your craft and then put it aside and concentrate (*) on the more difficult aspect of the work.via Instant Connections: Essays and Interviews on Photography (*) by LENSCRATCH (*) from selected a quote (*) by Photographs on the Brain (*).Those are the issues that you have to search (*) for.
- What is it that you want to do (*) with that craft?
- What do you want to express (*)?
- What do you want to explore (*)?
- What do you want to find out (*)?
- What do you want to present (*) to people?
regardless of your position in life, you always have the option of pursuing your dreams (*) and passions (*).via 10 Lessons Andre Kertesz Has Taught Me About Street Photography (*) by Eric Kim (*).
Follow your dreams (*), and they will take you where you want to be.