Searching - Jennifer Percy (Sat 01 Oct 2016)

Jo and Tokyo Students - Gold Palace / Kyoto (Sat 15 Sep 2012)

Jennifer Percy on Searching:

We often think of searching as a kind of movement, a forward motion through time, but maybe it can also be the opposite, a suspension of time and memory

via The Searchers by Jennifer Percy.

Temple - Kyoto (Fri 14 Sep 2012)

Memory - Pamela Bradley (2016)

flower - Glebe (Tue 30 Aug 2016)

Pamela Bradley on Memory:

I've been doing a lot of that lately: testing my memory. But I wonder if what I am remembering is really as it was; memories are so elusive, unstable, and fragmentary things; shifting and changing over time.

via Maybe I'll Be Cleverer Tomorrow A Reflection on a Complex and Often Prickly Father/Daughter Relationship by Pamela Bradley.

On Remembering - Reciprocity Failure (Sun 20 Dec 2015)

I can't remember where I took this one - Somewhere between Ultimo and Chippendale (Fri 04 Dec 2015)

Reciprocity Failure writes:

What possible life lesson is to be learned when one can no longer remember, let alone understand?

via Good Riddance 2015... by Reciprocity Failure.

On Going Back - The Passage of Time - Joel Meyerowitz (Sun 09 Aug 2015)

200 Year Timeline (photo.net) - Circular Quay / Sydney (Wed 16 Jul 2003) Sunset in the Sails - Circular Quay / Sydney (Sun 09 Aug 2015)

Joel Meyerowitz on Photography:

it's the going back that counts.

via Ordinary Places by Joel Meyerowitz.

I would have to say Circular Quay is not an ordinary place, based on the throng of tourists and locals down at the Quay yesterday.

It was a magnificent sun soaked winters day afternoon, with thousands of people enjoying the light, space and atmosphere of the nautical gateway to the City, at the footsteps of the Sydney Opera House.

We were in town for a Birthday Lunch for Janice who we lost in April . The lunch at Customs House was spectacular, not only for the view and food, but the company of Janice's immediate family. Janice would have loved it. And that we were all there together, remembering her.

Afterwards, we strolled around the Quay, through The Rocks, under the Sydney Harbour Bridge and back. As we strolled past the Bounty, I was reminded of my 2003 photo above (along with my photo.net post made back then) and made a similar photo as the sunset.

Looking at the scene yesterday and the photos now, what surprised me was that after 12 years, how similar the two scenes were. At the macro level, the Bounty and the Opera House, appear identical, but I am sure when I look closely, there will be micro changes representing maintenance and technological progress that 12 years brings.

With these two photos, also comes the change in my "vision", my cameras (Canon IXUS S100 then and Canon S120 now, and a few in between) and words. As they say, "same same, but different". The difference probably being my experience in photography and life. In many ways, the camara is now an extension of my hand, I know what it sees and it knows what I feel through the resulting photos it exposes and brings to my life and this world. I am constantly and pleasantly surprised by the power of photography and what it reveals to me.

The two photos represent a passage of time in themselves and my implied meaning assigned to the Jul 2003 photo, along with my words at photo.net back then. Together now, the two photos above, represent the passage of 12 years of time in my own life where everything has changed so much.

So pleased we went back and I now have these photos and memories. Without the photos, the motivation to make them and assigning some connection to them, these memories and thoughts would most likley be lost.

As always, thanks Joel Meyerowitz. I never know where a thought and a few well chosen words will take me.

Jo, Patricia, Fabian, David, Pam, Gavin and Geoff - Customs House Forecourt / Circular Quay (Sun 09 Aug 2015)

On Photography and Memory - Trent Parke / Suzie Keen (Fri 13 Mar 2015)

Jenny and Joanne - St George Hospital (Sun 21 Jun 2009)

Trent Parke on Memory and Photography:

I’m really interested in the subconscious and memory and how those things can suddenly re-surface, especially through photographs.

via The Black Rose: an odyssey born of loss by Suzie Keen.

On Photographic Projects - Trent Parke (Wed 27 Aug 2014)

Untitled - Milan Station (Aug 2005)
Untitled - Milan Station (Thu 28 Aug 2014)
Trent Parke (*) writes On Projects (*):

Most of my projects last for years. I don’t feel I can achieve anything worth saying in a few weeks in a place. I have always been interested in why I am drawn to something and why I eventually push the camera button. Most of it comes from memory, the subconscious and events I experienced growing up.

via An interview with Trent Parke - Try Hard Magazine (*) by Try Hard Magazine (*).

Both stops in Milan (*) were short (about an hour) and these were quick shots taken with baggage in hand, explaining the wonkiness of each photo. I always remembered the 2005 photo and see it often amongst my favourite photos (*) on Picasa.

In 2005 (*) were heading north to Interlarken (*) from Genoa (*) and Jenny was with us. This time we heading to Bologna (*) from Zurich (*).

The Canon Pro1 (*) I used in 2005 has always been my favourite camera and the sensor gave beautiful textured and coloured images [see here (*)]. It was definitely a quirky camera, but my favourite.

It stopped working in January 2009 on our last Main Range (*) walk with Jenny. An omen of sorts I should think. It's last few images were ghostly white with faint silhouette's of Jenny and Joanne at the Summit (*) of Mt K.

I have said it few times here over the years, when I have talked about past photos, I think I saw my photos better back then. I was less knowledgeable and more naive. In some ways it has helped me understand what Bono (*) was trying to say in front of large crowd of fans at the base of the Brooklyn Bridge (*) looking into Manhattan (*) when he said (*) it was about:

a time in our lives when we did not know how powerful it was not to know.

Finally, as Trent's quote from above mentions, I think these two photos are about memory (*) and the subconscious (*). They are also about change - even though nothing really looks that different about the roofs, nine years have passed and so much has changed. Maybe that's what I was trying to say here (*) about change (*) before we departed.

So, I am happy to have these two photo, the opportunity to make them and these random thoughts here now.

On Memory - Melting Asphalt (Tue 20 May 2014)

Hold Out - Barcelona (Wed 07 Aug 2013)
Melting Asphalt (*) writes On Memory (*):

[..] memories don’t seem to live ‘in’ the photographs. Instead, each photo is like a key, which triggers or accesses a memory (*) that actually lives in your mind. But without the photo to act as a key, there may be no other way to access the memory (*). What then? If a memory (*) is rendered inaccessible, it’s lost. Sometimes you lose memories by synaptic degradation; other times, by misplacing a photo.

via Your Oddly-Shaped Mind (*) by Melting Asphalt (*).