Empathy - Eric Kim (Sun 26 Mar 2017)

Vic - "10 years since I was last here, but he remembered me" - Downtown Milkbar and Coffee Lounge / Manuka / Canberra (Mon 27 Mar 2017)

Eric Kim on Empathy:

To shoot personal street photography is to only photograph what appeals in your heart. To use your street photography as a tool to empathise with your subject. To show your own soul through the photos you shoot of others.

via How to Shoot Personal Street Photography by Eric Kim.

Annie Leibovitz - Sydney Morning Herald (Nov 2010)

The Annie Leibovitz exhibition Annie Leibovitz: A Photographer’s Life 1990–2005 has just opened at Sydney's Museum of Contemporary Art. Here are three articles that have featured in the Sydney Morning Herald over the last two weeks.

Annie Leibovitz - Spectrum (Cover) / Sydney Morning Herald - 06 Nov 2010
A life in Photography by Robert McFarlane - Spectrum (Page 6) / Sydney Morning Herald - Sat 06 Nov 2010
A life in Photography by Robert McFarlane - Spectrum (Page 7) / Sydney Morning Herald - Sat 06 Nov 2010
Life and death, put into perspective by Joyce Morgan - Sydney Morning Herald - Wed 17 Nov 2010 (Article)
Annie Leibovitz - The Diary - Sydney Morning Herald - 19 Nov 2010
Also see Beyond the flashing bulbs of fame by Andrew Taylor (Sun 14 Nov 2010) ..

Leibovitz's disdain for celebrity is reflected in "Annie Leibovitz: A Photographer's Life 1990-2005", which opens at the Museum of Contemporary Art on Friday.

Just a third of the exhibition features the high-profile names that have turned Leibovitz into a celebrity. There are more images of family and friends and 40 photos include documentary shots of lives ruined by war in the former Yugoslavia and Rwanda.

MCA's director Liz Ann Macgregor said these were her favourite works: "Two of these unforgettable images achieve their strength by showing what is not there – in the absence of victims, we see only the aftermath of war and the bloodshed left behind."

In contrast, Leibovitz said the intimate shots of her parents on the beach and brother and father posing bare-chested, arms crossed, were her "most important work".

"It tells the best story, and I care about it. You don't get the opportunity to do this kind of work except with people who you love: people who will put up with you."

I have enjoyed seeing the personal side of Leibovitz's work and will definitely go to the exhibition.

Have a copy of Susan Sontag's (Leibovitz's Lover) Monograph On Photography which I bought in Canberra in 2002. It seemed an odd relationship because of Sontag's views on photography. I could empathise with their situation with Sontag's journey with Breast Cancer and I remember following the news of Sontag's final weeks and then reading Sontag's New York Times Obituary.

Like all professional photographers, there is definitely a private side to Leibovitz's Photography and I am sure most photographers like myself want to see the private side.

I look forward to viewing the exhibition. I saw the exhibition's book a few years ago. What I really look forward to, though, is the Landscape Photograph work which will feature in future book titled Pilgrimage.

Song Writing - Struggle and Empathy - Tim Levinson - Spectrum (Sat 09 Mar 2013)

Primitive Markings #1- Swanston / Erskineville (Jan 2013)
Tim Levinson (*) talks to Bernard Zuel (*) on Empathy (*) and Struggle (*) in creating in song writing:

''Part of who I am is, I think, I can empathise (*),'' he says. ''I used to think it was the most normal thing in the world but I realise it's one of the qualities I've been left with, for better or for worse.

''In songwriting, quite often you either come from a point of view of struggle … whether that be heartbreak or circumstances. That allows you to write with conviction.

''For me, I have often seen little windows of that struggle (*) or that heartbreak and it gives me an access point I don't necessarily fully understand. I look at those little cracks of light that come through as an invitation to look into it more.''

via 'The best music is written with conviction' (*) by Bernard Zuel (*).

Primitive Markings #2 (Erasure) - Swanston / Erskineville (Feb 2013)

"If I were braver, I'd smile at you." - Enmore (12 Nov 2010)

"If I were braver, I'd smile at you." #1 - Enmore - Fri 12 Nov 2010
Can somehow empathise with this little character.

"If I were braver, I'd smile at you." #2 - Enmore - Mon 15 Nov 2010
Spot the Guerrilla Knitting on the sign post. A lot of it around the inner city and will post a few photos over the next few weeks (will tag with Guerrilla Knitting).

On Photography - on the edge of meaningless - Mark Cohen (YouTube)

Street Portrait - Jinbocho (*) / Tokyo (Thu 20 Sep 2012)
Mark Cohen (*) On Photography (*):

It is not some kind of exact analytical science going on here.

It's right on the edge of meaningless, but it's in there and that is what makes it so fascinating.

via Mark Cohen - Street Photographer (YouTube) (*).

Definitely one of my favourite photography related quotes (*) so far - something I can empathise with and relate to, which probably says something about me and how I view the world.