Angels on the Moon by Thriving Ivory

Angels on the Moon by Thriving Ivory
A couple of quotes from various web sites and the lyrics follow:

From Angels on the Moon at wikipedia:

Songwriter and keyboardist Scott Jason told Songfacts that "Angels on the Moon" was also inspired by the U2 song "Where The Streets Have No Name".[2] The line, "Don't tell me if I'm dying, `cause I don't want to know" is a way of saying that life should be lived to the fullest, because a person's time on earth is unknown and if tomorrow never comes, there will be no regrets.

Another quote from a blog post at dosomething.org:

CelebsGoneGood: "Angels on the Moon" was inspired by the tragic events of September 11. Does it still get a strong reaction today?

Clayton Stroope: It's one of the first songs we wrote and recorded together. Although it can be monotonous to sing the same songs night after night, the reaction from the crowd gives it new energy. Because of the lyrics, the song takes on a different meaning for each individual person. Last night, a fan drove 4 hours to see our show. Her mother suffered from breast cancer and the song has a special meaning for her.

Angels on the Moon - Lyrics

Do you dream that the world will know your name,
So tell me your name (tell me your name)
And do you care, about all the little things,
Or anything at all (or anything at all),

I wanna feel all the chemicals inside,
I wanna feel (I wanna feel),
I wanna sunburn just to know that I'm alive,
To know I'm alive (to know if I'm alive),

Don't tell me if I'm dying,
Cause I don't wanna know,
If I can't see the sun,
Maybe I should go,
Don't wake me cause I'm dreaming,
Of angels on the moon,
Where everyone you know,
Never leaves too soon

Do you believe in the day that you were born,
Tell me do you believe, (do you believe)
And do you know that every day's the first of the rest of your life,

Don't tell me if I'm dying,
Cause I don't wanna know,
If I can't see the sun,
Maybe I should go,
Don't wake me cause I'm dreaming,
Of angels on the moon,
Where everyone you know,
Never leaves too soon,

This is to one last day in the shadows,
And to know a brothers love,
This is to New York City angels,
And the rivers of our blood,
This is to all of us,
To all of us,

So don't tell me if I'm dying,
Cause I don't wanna know,
If I can't see the sun,
Maybe I should go,
Don't wake me cause I'm dreaming,
Of angels on the moon,
Where everyone you know,
Never leaves too soon,

Yeah you can tell me,
All your thoughts about the stars,
That fill polluted skies,
And show me where you run to,
When no one's left to take your side
But don't tell me where the road ends,
Cause I just don't wanna know,
No, I don't wanna know,

Don't tell me if I'm dying,
Don't tell me if I'm dying.

Sydney Life 2012 (21 Sep - 21 Oct 2012)

Cover - Sydney Life - Art and About 2012
Page 12 - Sydney Life - Art and About 2012
Page 13 - Sydney Life - Art and About 2012
21 SEPTEMBER - 21 OCTOBER 2012
CENTRAL WALKWAY
HYDE PARK NORTH

With a unique lens on who we are and the city we live in, the finalists in this year’s much-loved Sydney Life exhibition capture our city in fresh and surprising ways.From a close-up on the personal to a wide-angle view on our collective joys and sorrows, the stunning large-scale photographs of this year’s 22 finalists are as diverse, interesting and exciting as Sydney itself. Wander beneath the canopy of leaves and see images that reveal a city which never ceases to fascinate.

Sydney Life Tours

Join Sydney Life judge Sandy Edwards for a free tour of this year’s exhibition.

Meet at Archibald Fountain.

Friday 21 September, 7-8pm
Saturday 13 October, 2-3pm

Hyde Park North
Free

Sydney Life judging panel

Liane Rossler

Known as a passionate ambassador for issues relating to design and the environment, Liane presented Happy Talk with Heidi Dokulil at last year’s Art & About Sydney. Other recent work includes Supercyclers, a design project focused on clever and beautiful re-use of waste shown at Milan Design Week. Liane was also a co-founder and former designer and director of Dinosaur Designs.

Moshe Rosenzveig

Moshe Rosenzveig is the founder and director of Head On Photo Festival, the world’s second-largest event of its kind which runs in Sydney annually in May.

His career spans over 30 years as a photojournalist, commercial photographer, educator and an award winning television producer/director whose work has been screened, published and exhibited in Australia and overseas.

Sandy Edwards

Sandyis the founder of ARTHERE – an organisation that provides services to photographers for exhibitions and projects in Sydney and Australia. She is also a curator at Stills Gallery,Sydney’s most established photography gallery
Page 14 - Sydney Life - Art and About 2012
Page 15 - Sydney Life - Art and About 2012
The Sydney Life Prize

Congratulations to Sally McInerney, the 2012 winner of the Sydney Life Prize. The judges determined that Sally’s image ‘Shark in pool, Dover Heights’ was the most outstanding work in the selection of 22 finalists, and have awarded her the prize of $10,000.
The 2012 Sydney Life Prize - Sally McInerney - Shark in pool

The Finalists

1. 01 Adrian Cook (*) / blog (*): Dog Day Afternoon. Winner of the Wenty Park Mongrel Cup 2011.


2. Marco Bok (*) / SMH:Tue 10 Jan 2006 (*): Lifesavers Bondi Beach. Candid photo of a lifesaving exercise. From a large unpublished series on Bondi Beach made whilst living there.


3. Garry Trinh (*) / Google (*): Super Size Hamburger. A re-examining of everyday life in Sydney.


4. Graham Monro (*) / blog (*): Modern Family. A typical Sydney family in 2012, everyone is connected, but no one is talking.


5. Jennifer Blau (*) / blog (*): It’s time to wake up and become sustainable. Walking in the bush opposite her home on Sydney’s North Shore, Robyn calls for a more sustainable life.


6. Maylei Hunt (*) / Google (*): Let Them Eat Wedding Cake. Sydney residents have been taking the streets to protest for the Equal Rights for Gay Marriage in Australia. It’s time.


7. Ingvar Keene (*): Cormac Malabar Pool. Last light and last swim after a long hot summer day.


8. Louise Whelan (*) / Google (*): By the Pool. Kira Hula Hoops beside the pool for the 75th Anniversary of North Sydney Pool.


9. Lyndal Irons (*) / blog (*): Wash n’ Wax Ronaldinho. Youths spend Saturday night playing football at a late night carwash in Concord. From the series Parramatta Road.


10. Jenny Evans (*) / Google (*): Above Sydney. Dudley Page Reserve in Dover Heights provides a stunning view of Sydney Harbour.


11. Hugh Peterswald (*) / Google (*): Celebrity Wave Sydneysiders crowd to see US television celebrity Oprah as she leaves from her lunch in Bondi.


12. Matt Kaarma (*) / Google (*): Contact. Whilst Sydney parties, dines and dances, soldiers stationed on the outskirts of the city train hard for war.


13. Tamara Dean (*): Chelsea & Caroline Hibernian House. From my new series depicting images of young contemporary Australian women within their environments.


14. Daniel Gibbs (*) / blog (*): Secret Women’s Business. Girls on a school excursion in Botany Bay National Park huddle around an Aboriginal Elder to learn some secrets; I was excluded!


15. Roman Balla (*): Winter Sunseekers. My mother is 86 this year. On sunny winters days she tries to warm herself and her guinea pig "Squeek".


16. Richard Payne (*): Women Shopping in Auburn. Sydney is a diverse city and I wanted to show the diversity of life through an image of an every day activity.


17. Sally McInerney (*) / Google (*): Shark in pool, Dover Heights. Someone had added a shark to an estate agent’s auction sign overlooking the ocean.


18. Alex Davies (*) / Google (*): Hubub. Justin Shoulder drifts through Hyde Park as Hubub during APEC protests Sydney.


19. Ann-Maree Moodie (*) / Google (*): Bunnies on the Line. Sometimes there is such a thing as too much lovin’ and intervention is required – warm, soapy water and a day in the sun hanging from the quintessential icon of the Australian backyard.


20. Bryce Watanasoponwong (*): We look great. Three Sikh followers view their self-posed image, taken on a mobile phone, during the Vaisakhi festival at Martin Place.


21. Cassandra French (*): Historic Chinese Market Gardens. I would love to see these heritage gardens protected and preserved. They are under serious threat from the neighbouring cemetery which is looking for more land for burial plot


22. Deb Kent (*): Cake on a Hot Summer’s Day. On a sweltering hot summers day the rosy cheeked party girls stand watching their cakes melt away.

Bamboo Leaves - Green on White with Blue - Alexandria / Sydney (Sun 29 Jan 2012)

Bamboo Leaves - Green on White with Blue - Alexandria / Sydney (Sun 29 Jan 2012)

Splendid isolation - Sebastian Smee - Weekend Australian, 8-9 Jan 2005

Splendid isolation - Sebastian Smee - Weekend Australian, 8-9 Jan 2005, R14
Splendid isolation - Sebastian Smee - Weekend Australian, 8-9 Jan 2005, R15
From the text of the article above Splendid Isolation - Sebastian Smee - Weekend Australian, 8-9 Jan 2005, R15. (*) ..

All these paintings, like the geology that so fascinated both artists, were fastidiously composed. In Willimas case, the compositions were partly inspired by the Chinese landscapes he had seen on a trip to China in 1976.

"Dynamic symmetery" was his underlying principle. Rather than constructing a simple, balanced form around a central point. Williams tried to achieve a dynamic relationship between various elements in his work, often around an empty core.

He had learned some of the principles of dynamic symmetery from George Bell at Bell's private art school in Melbourne. But his sensitivity to them was enhanced by his exposure to Asian art. Many of Australia's greatest landscape artists have been similarly influenced by Asian principles of composition - John Olsen, Ian Fairweather, Rosalie Cascoigne and Joe Furlonger, to name just a few - no doubt because the idea shifting elements relating to each other around an empty core seems tailor-made fro the Australian landscape, with its absence of obvious focal points.

"One of the few thoughts I have ever had about Australia is that it is the oldest continent, in the sense that it is flat," Williams said "and I have always been fascinated to think that the water leaves the Snowy Mountains, leaves Kosciuszko. If you tip a bucket of water up in Kosciuszko, seven months later it comes out in Adelaide - seven months, because the landscape is horizontal."

Recently found a copy of this in an old folder. I had thought of it many times over the years and really enjoy the paintings of Fred Williams (follow label below). I remember reading this while we were staying at Boonoona Ski Lodge in January 2005. I had my large format camera with me and the article helped me find some transparencies from the time in the mountains during that summer visit.

Decisions - Bernadette Jiwa / Sally Haldorson (Tue 13 Jun 2017)

Leaves - Glebe (Thu 08 Jun 2017)

Bernadette Jiwa (from Story of Telling) on Decisions:

we don’t need more time, we just need to decide.

via Hunch: Turn Your Everyday Insights Into the Next Big Thing by Sally Haldorson.

Tree - Tompkins Square Park - Alphabet City / New York (Wed 17 Aug 2011)

Tree - Tompkins Square Park - Alphabet City / New York (Wed 17 Aug 2011)
Stumbled across this blog - NY Through the Lens - New York City Photography (*) - recently and added it to me Google Reader.

It sparked my interest because of the photography content and the interesting stories about the 5 boroughs of New York, particularly the Lower East side of Manhattan which I spent a bit of time exploring on the recent trip to New York.

This story - Street corner and ode to Bob Arihood. Alphabet City. East Village, New York City. (*) - popped up today on my Reader. Its a story of the Lower East side area known as Alphabet City where the north to south running avenues of Manhattan are named by the letters of the alphabet, not the more well known numbered avenues a bit further to the west.

The post was sparked by the passing of a local identity and photographer by the name of Bob Arihood (*). I read the post with interest and it brought back some recent memories for me ...

During the recent trip to New York (*) I spent a couple of days exploring parts of New York I had not even heard of before. One place was Alphabet City on the Lower East. Decided I would explore these areas by wandering around at random after looking at my well used crumpled A4-size Map of Manhattan. Looking at the map I saw the area had a number of parks which I thought I would visit and sit in for a while to just observe what the locals were doing,

Started out at Washington Square Park (*) and then moved quickly onto Union Square Park (*). Both were full of local market stalls and I quickly passed them by as they were crowded with the tourists.

Thought I would try my luck at the next park, Stuyvesant Park (*), a bit further to the east and hopefully away from the tourist crowds. Found it easily and it was what I hoped it would be - a small park for the locals of the Lower East side. There were many seats and tables in the shade provided by the many leafy trees that filled the small and inviting Park.

As it was quite hot, I decided to sit for a while and just observe the going ons in the park. Indeed it was a park for the locals and time quickly passed and I nodded off for a while into a dreamy sleep.

When I woke I sat a while longer and then moved onto the next park - Tompkins Square Park (*). This park was bigger and busier, and there was an eclectic mix of people there. I can remember dog owners walking their little friends (actually one was probably the biggest dog I had ever seen), street people, joggers, people walking home after a days work and others just like me sitting in the park. I can still hear a small band singing religious pop songs on the edge of the park near the Flea Market Cafe (*).

As I look at Bob's (*) photos (*) (*) I can remember the time and I can sense and feel the place. His photo from 27 July 2011 (*) put a smile on my face, particularly when I read the comment - Joe gets photographed a lot these days (*).

For me, his photos give me a strong connection of place and being there, even if it was just for part of an afternoon. At the same time Bob's photos motivate me and give me a strong desire to return to New York for an extended period of time and just do what I did that day back Wed 17 Aug 2011 (*).

Bob seemed like great guy and his passing is no doubt moving time for those that knew him. He leaves a legacy which I (and many others) will no doubt explore further both online and hopefully in person when I next go to New York.

On Love, Inspiration and Purpose - Khalik Allah (Fri 01 Aug 2014)

Love Foundation - Amsterdam (Tue 20 Aug 2013)
Khalik Allah (*) responds to the following question On Inspiration (*) and purpose (*):

Question: how did you find your purpose (*)? how did you know? how do you tap into that thing that inspires (*) you deep within and never leaves? thank you. Bless

Khalik Allah (*): When you’re in love (*) you’re inspired (*). Love (*) is magnetic. If I love photography (*) then I’m just gonna keep being with it. If you wanna consistently remain inspired (*) then you gotta have a purpose (*) bigger than photography (*), and then do it for that purpose (*).

via Tumblr (*) by Khalik Allah (*).

Obviously applicable to everything in our lives. Nice to see it so clearly abstracted and stated. Thanks Khalik (*).

Favourite Photos - How much beauty in decay! - Hyde Park/Sydney - Dec 2001

Leaf - How much beauty in decay! - Hyde Park/Sydney - Wed 27 Dec 2001 (picasa)
A photo I took after work during the Christmas New Year period of 2001. Fires were burning all round Sydney and the sky was covered in smoke which resulted in a strange orange colour which can be seen in this photo. At the time I was reading much about photography and various photographers. This particular photo was inspired by Eliot Porter.

Eliot Porter was a photographer I found early on in my photography journey and self-education. It was easy to appreciate his work (google). He was a pioneer of colour photography (more here) and his life work was bequested to the Amon Carter Museum in 1990 shortly before he died (NYT Orbituary).

Not sure how I found him, but his name seems to appear whenever landscape photographers start talking about Colour Landscape Photography when compared to Black and White Landscape Photography, particularly that of Ansel Adams (looking at the size of the wikipedia entries, it is easy to see who was more popular both as a photographer and selection of photographic technique).

Found some interesting information about him searching the web (google). Also, found some of his books (along with those of Australia's own Peter Dombrovskis) in the National Library of Australia and would often take a look at them in NLA's reading rooms when in Canberra. Many of his photos resonated with my own vision and definitely influenced me when taking landscape (even streetscape and travel) photos, particularly in the Snow Mountains.

At the UNSW I found the book Eliot Porter: photographs and text (a great article) by Eliot Porter. Learnt a lot from the text and photos selected for the book. The following is a quote (see my photo.net page) from the book, which helped form my photographic vision ..

"It is the beauty of nature that I try to represent by photography. What this expression means to most people, I am quite sure, is such features as flowers of spring, autumn foliage, mountain landscapes, and many other similar aspects about aesthetic qualities of which no one would care to offer contradiction. That they are beautiful is indisputable, but they are not all that is beautiful about nature; in fact they are only the obvious and superficial aspects of nature - which anyone may observe with half and eye. They are the peaks and summits of nature's greatest displays. There is no doubt about their importance; they could not be dispensed with. Underlying and supporting these brillant displays are slow, quiet processes that pass almost unnoticed from season to season, unnoticed by those that think that beauty in natures is all its gaudy displays.

Much is missed if we have eyes only for the bright colors. Nature should be viewed without distinction. All her processes and evolutions are beautiful or ugly to the unbiased and indiscriminating observer. She makes no choice herself; everything that happens has equal significance. Nothing can dispensed with. This is a common mistake that many people make; they think that half of nature can be destroyed - the uncomfortable half - while still retaining the acceptable and the pleasing side; their idea is a paradise where nature stands still. Withering flowers blooming, death follows growth, decay follows death, and life follows decay - in a wonderful, complicated, endless web the beauties of which are manifest to a point of view attached to vulgar restricting concepts of what constitutes beauty in nature. Thoreau, who observerd all aspects of nature throughout his life, repeatedly remarked on the beauty of the unaccepted. 'How much beauty in decay!' he exclaimed on examining a worm-eaten leaf. To him the sere, brown leaves of winter were as beautiful as the fresh green of spring. This was a principle that has remained important for me throughout my career."

A fairly long quote, but for me was definitely something worth remembering.

This link provides a great summary of the life and works of Eliot Porter. I like the ending quote ..

The final paragraphs on the art of photography touch on his views to color, composition and emotional content of his images:

"Sensitivity cannot be faked by trickor devise; it has no substitute, and any attempt to replace it with mechancial contrivances is certain to be apparent to the more discerning critics. Not all photographs have to be inspired to be worth making, but the best, rare photographs are the result of a a force at least very close to inspiration. Formulized work becomes impersonal, an all the individuality of authorship tends to disappear. It unquestionably has its uses, but it is not art."

The book itself echoes Porter's ability to redact nature's chaos into a single harmonious image, and is a well-deserved tribute to this pioneer of color nature photography.

The following was one of my favourite Eliot Porter photos:

Pool in a Brook, Brook Pond/New Hampshire by Eliot Porter - 04 Oct 1953 (Carter Museum)
I recently thought of Eliot Porter and the above photo, when I took the following photo during the 2010 Ord River Marathon:

Ord River Reflections - 2010 Ord River Marathon - Sun 14 Jun 2010

Tree - Dianshanhu / Qingpu / Shanghai (Sat 23 Oct 2004)

Tree - Dianshanhu / Qingpu / Shanghai (Sat 23 Oct 2004)
Remember shooting this with my new Canon 300D DSLR on a tripod. I like the apparent isolation of the tree and some of the leaves on the tree that are blurred from the movement caused by a strong wind. A closer inspection of the sky reveals a number of stars. Looks great printed about A3 size. Lots of intricate detail which I like to have in a photo.

The Arrow - The Way of the Bow / Paulo Coelho

Directional Arrow - Avenue du Mont-Royal / Montreal (Thu 25 Aug 2011)
From Paulo Coelho's (*) short story, The Way of the Bow (*)..

The Arrow

The arrow is the intention.

It is what unites the strength of the bow with the centre of the target.

The intention must be crystal-clear, straight and balanced. Once the arrow has gone, it will not come back, so it is better to interrupt a shot, because the movements that led up to it were not sufficiently precise and correct, than to act carelessly, simply because the bow was fully drawn and the target was waiting.

But never hold back from firing the arrow if all that paralyses you is fear of making a mistake. If you have made the right movements, open your hand and release the string. Even if the arrow fails to hit the target, you will learn how to improve your aim next time.

If you never take a risk, you will never know what changes you need to make.

Each arrow leaves a memory in your heart, and it is the sum of those memories that will make you shoot better and better.

Plenty of great metaphors for our life experiences here.

For The Love Of The Game by CabGodot (9 Nov 2010)

For The Love Of The Game by CabGadot
A fantastic video from a Sydney Cab Driver (CabGodot) where he takes a French passenger on 13 min cab ride across town. Along the way they have a great conversation about Graffiti in Sydney, Paris and the world. CabGodot leaves his passenger with the following:

Have as much fun as they let you, and then some more, because that way you are getting away with something. It's what Graffiti is all about. It's about getting away with stuff."

Favourite Photos - Erskineville/Sydney June 2004 - Trees and Shadow

Trees and Shadow - Erskineville - Wed 16 Jun 2004 (picasa)
Just a very simple photo I like. Pass here each work day as I walk up Swanston Street to Erskineville Railway Station. In winter, when the trees lose their leaves, they project interesting shadows onto the wall of this Terrace House. The trees are now much bigger and the shadows produced are not quite the same. Have taken many shots of this wall over the years, but I have not been able to get a better shot than this first photo.

Have seen many interesting photos that play with shadows. A tribute article (9 Niv 2002) by Robert McFarlane for the late Ingeborg Tyssen helped me to start looking out for shadows. A quote from the article I liked was:

'Whenever possible I carry a loaded camera ... I react without too much thought. Rarely do I wait for a situation to resolve itself. Nor do I direct or provoke people. The important aspects are composition, texture and light.'

A nice way to look a photography and when I look at my own photographic evolution, I guess I have unknowingly tried to look for at least the same three points - 'composition, texture and light'.

Shortly after Ingeborg Tyssen death in 2002, the Art Gallery of NSW arranged a Memorial Exhibition of some her work. I was really impressed by the simplicity and effectiveness of many of her photos. Indeed, for the most part, it was about 'composition, texture and light'. I also have a copy of her book - Ingeborg Tyssen: Sydney photographs.

The following was one photo, I really enjoyed and was a great 'play' on the use of a shadow ..

Tree#55 (1983) from Tree Series (Ingeborg Tyssen)
Another photo reveals the framing trick employed ..

Tuscon/Arizona - 1982 - see here (Ingeborg Tyssen)
I can't really remember, but I expect these simple shadow photos, helped me to see many shadow photos that I have taken over the years. One humble attempt in 2007 follows:

Tree Shadow - Wilson Street/Newtown - Jul 2007(picasa)
Liked the positioning of the shadow of the tree trunk across the path segment - beautifully aligned for a random photo. Also the top of a real tree apparently growing out of a shadow and the position of the air vent. Nothing great, but I was happy and entered it in the 2007 Sydney Life photo competiion which closed a few days later (of course to no avail :-).

A few more random shadow related photos that I could easily find just now, follow:

Pyrmont Bridge - Darling Harbour/Sydney - Thu 31 Jul 2003 (picasa)

Tree Shadow - Perisher Valley - Tue 6 Jan 2004 (picasa)

Pole Shadows - Wellington/NZ - Tue 5 Nov 2002 (picasa)

Shadow (and Silohuette?) - Circular Quay/Sydney - 8 Dec 2002 (picasa)
I think one thing that has helped me think more about shadows in photography, is the strong Australian sunlight. I have found when travelling in the UK and Europe, the sun does not seem to shine as much and when it does it is not particularly strong, and the shadows don't seem to be as prevelant. In Australia, shadows are hard to avoid, so you need to work with the stronger Australian light or you just avoid taking photos at these times.

In writing this, I have just thought of photos that employ the use of the Silohuette. Will write something about this at a later stage as I have also employed the use of silohuette's in many of my photos over the years and is another aspect of photography I enjoy.

Lastly, a little Shadow Excercise I read about recently (in Paulo Coelho's 'The Pilmgrimage'). Often it is fun when walking around to look at a shadows and try and work out what it is that created the shadow. Most of the time it is reasonably obvious (as in these photos), but sometimes it can be difficult to work it out. Have fun ..

Sydney Life 2012 Collages - The Finalists plus a few Pretenders - Art and About 2012 / Sydney (24 Aug 2012)

Sydney Life 2012 Collage - Red Pretender - The Finalists plus a few Pretenders - Art and About 2012 / Sydney (24 Aug 2012)
Sydney Life 2012 Collage - Black Pretender - The Finalists plus a few Pretenders - Art and About 2012 / Sydney (24 Aug 2012)
Above - a few variations of a Picasa Contact Sheet Collage of this year's upcoming Sydney Life (*) Finalists, plus my own two unsuccessful entries (Red and Black) at the end. Just dreaming - think I have too much time on my hands..

Now the real selection, with my initial favourite as the background:

Sydney Life 2012 Collage - Rabbits - The Finalists - Art and About / Sydney (24 Aug 2012)
Photographer and photo details:

1. Adrian Cook (*) / blog (*): Dog Day Afternoon. Winner of the Wenty Park Mongrel Cup 2011.


2. Marco Bok (*) / SMH:Tue 10 Jan 2006 (*): Lifesavers Bondi Beach. Candid photo of a lifesaving exercise. From a large unpublished series on Bondi Beach made whilst living there.


3. Garry Trinh (*) / Google (*): Super Size Hamburger. A re-examining of everyday life in Sydney.


4. Graham Monro (*) / blog (*): Modern Family. A typical Sydney family in 2012, everyone is connected, but no one is talking.


5. Jennifer Blau (*) / blog (*): It’s time to wake up and become sustainable. Walking in the bush opposite her home on Sydney’s North Shore, Robyn calls for a more sustainable life.


6. Maylei Hunt (*) / Google (*): Let Them Eat Wedding Cake. Sydney residents have been taking the streets to protest for the Equal Rights for Gay Marriage in Australia. It’s time.


7. Ingvar Keene (*): Cormac Malabar Pool. Last light and last swim after a long hot summer day.


8. Louise Whelan (*) / Google (*): By the Pool. Kira Hula Hoops beside the pool for the 75th Anniversary of North Sydney Pool.


9. Lyndal Irons (*) / blog (*): Wash n’ Wax Ronaldinho. Youths spend Saturday night playing football at a late night carwash in Concord. From the series Parramatta Road.


10. Jenny Evans (*) / Google (*): Above Sydney. Dudley Page Reserve in Dover Heights provides a stunning view of Sydney Harbour.


11. Hugh Peterswald (*) / Google (*): Celebrity Wave Sydneysiders crowd to see US television celebrity Oprah as she leaves from her lunch in Bondi.


12. Matt Kaarma (*) / Google (*): Contact. Whilst Sydney parties, dines and dances, soldiers stationed on the outskirts of the city train hard for war.


13. Tamara Dean (*): Chelsea & Caroline Hibernian House. From my new series depicting images of young contemporary Australian women within their environments.


14. Daniel Gibbs (*) / blog (*): Secret Women’s Business. Girls on a school excursion in Botany Bay National Park huddle around an Aboriginal Elder to learn some secrets; I was excluded!


15. Roman Balla (*): Winter Sunseekers. My mother is 86 this year. On sunny winters days she tries to warm herself and her guinea pig "Squeek".


16. Richard Payne (*): Women Shopping in Auburn. Sydney is a diverse city and I wanted to show the diversity of life through an image of an every day activity.


17. Sally McInerney (*) / Google (*): Shark in pool, Dover Heights. Someone had added a shark to an estate agent’s auction sign overlooking the ocean.


18. Alex Davies (*) / Google (*): Hubub. Justin Shoulder drifts through Hyde Park as Hubub during APEC protests Sydney.


19. Ann-Maree Moodie (*) / Google (*): Bunnies on the Line. Sometimes there is such a thing as too much lovin’ and intervention is required – warm, soapy water and a day in the sun hanging from the quintessential icon of the Australian backyard.


20. Bryce Watanasoponwong (*): We look great. Three Sikh followers view their self-posed image, taken on a mobile phone, during the Vaisakhi festival at Martin Place.


21. Cassandra French (*): Historic Chinese Market Gardens. I would love to see these heritage gardens protected and preserved. They are under serious threat from the neighbouring cemetery which is looking for more land for burial plot


22. Deb Kent (*): Cake on a Hot Summer’s Day. On a sweltering hot summers day the rosy cheeked party girls stand watching their cakes melt away.

Looking forward to it as usual. It is just across the road from where I work. It is fun to see the photos in situ amongst the trees and how they play with the early morning and mid afternoon light and shadows. More when the exhibition begins.