Showing posts sorted by relevance for query access. Sort by date Show all posts
Showing posts sorted by relevance for query access. Sort by date Show all posts

Tuesday, November 5, 2013

On Looking - Jennifer L. Roberts / RoughType (Sun 03 Nov 2013)

Yellow - Amsterdam (Tue 20 Aug 2013)
Orange - Tokyo (Fri 21 Sep 2012)
Green - Seoul (Tue 11 Sep 2012)
Green - Lisbon (Wed 14 Aug 2013)
Blue - Tokyo (Fri 21 Sep 2012)
Blue / Black - Tokyo (Thu 20 Sep 2012)
Water (3 of 3) - Nyhavn / Copenhagen (Thu 22 Aug 2013)
Black - Sydney (Thu 24 Mar 2011)

Jennifer L. Roberts (*) writes On Patience (*):
just because you have looked at something doesn’t mean that you have seen it. Just because something is available instantly to vision (*) does not mean that it is available instantly to consciousness. Or, in slightly more general terms: access is not synonymous with learning. What turns access into learning is time and strategic patience (*).
via A lesson in strategic patience (*) by Nicholas Carr' (*).

Wednesday, July 20, 2016

If You Want To - Seth Godin (Tue 19 Jul 2016)

I want to .. I am .. - Library / Glebe (Wed 20 Jul 2016)

Seth Godin on If You Want To:

anyone with a $300 laptop can use the very same tools as the people at the top of just about any industry. [..]

If you want to learn, do research, make a ruckus... your local library has access to the same tools as you'll find in a skyscraper in a big company.

via The very same software by Seth Godin.

I've realised this for a long time and now I have the opportunity to make something of it here at the Glebe Library. Really making some great progress with everything that Seth mentions in his post - The very same software - and I am excited about what I am creating.

Saturday, March 9, 2013

Song Writing - Struggle and Empathy - Tim Levinson - Spectrum (Sat 09 Mar 2013)

Primitive Markings #1- Swanston / Erskineville (Jan 2013)

Tim Levinson (*) talks to Bernard Zuel (*) on Empathy (*) and Struggle (*) in creating in song writing:
''Part of who I am is, I think, I can empathise (*),'' he says. ''I used to think it was the most normal thing in the world but I realise it's one of the qualities I've been left with, for better or for worse.

''In songwriting, quite often you either come from a point of view of struggle … whether that be heartbreak or circumstances. That allows you to write with conviction.

''For me, I have often seen little windows of that struggle (*) or that heartbreak and it gives me an access point I don't necessarily fully understand. I look at those little cracks of light that come through as an invitation to look into it more.''
via 'The best music is written with conviction' (*) by Bernard Zuel (*).

Primitive Markings #2 (Erasure) - Swanston / Erskineville (Feb 2013)

Sunday, January 23, 2011

Using the Past - Some Advice from Ken Burns, Vern Gambetta and LottieP

The following three quotes are about the past and future, and how we might relate them to each other (if that makes any sense). There is some good advice in all three quotes and I thought that I put them here for future reference, so that they will become part of my past :-). Here they are:
As you pursue your goals in life, that is to say your future, pursue your past. Let it be your guide. Insist on having a past and then you will have a future.
Ken Burns - 2004 Commencement Yale Class Day Speech (as pdf)
Vern Gambetta wisely adds:
Be careful that you are not living in the past, learn from the past, use it as a reference point.
And finally, LottieP warns:
"nostalgia is the enemy of the future"
With the past in mind I thought I would dig into archive.org and drag out something from my past (it might explain the where eljeiffel came from). Here it is:
elj.com (Eiffel Liberty): Two Years On .. by Geoff Eldridge (04 Jul 1999)

Today is Indepedence Day in the USA which celebrates the 223rd birthday, being founded on 4 Jul 1776, with the signing of the Declaration of Independence. This also represents a time of reflection for myself with elj.com (Eiffel Liberty).

It is two years ago since I registered elj.com. The name Eiffel Liberty was easy to come up with. It represented a vision and a hope for Eiffel that somehow it might be liberated from its miserable place in the language landscape (I thought how could such a great contribution, be so categorically and overwhelmingly dismissed by the programming community). Also, Emma Lazarus's words struck a chord with me, particularly

Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost, to me,
I lift my lamp beside the golden door!
Just as America provided opportunity for many from other lands, I thought Eiffel could provide the same kind of opportunities for the syntactically and semantically battered from the other language landscapes :-)

Also, the name Eiffel Liberty made what a I thought was a nice connection between two famous landmarks that Gustave Eiffel had contributed to, being the Eiffel Tower and the Statue of Liberty "Eiffel undertook the challenge of creating the steel structure because of the enormous challenge it afforded him".

The 4 Jul 1997 was to be the launch date for the Eiffel Liberty Journal. However, I came down with a very bad cold (too many late nights preparing for the initial launch) and I decided to publish the launch issue of the Eiffel Liberty Journal, not from my newly acquired elj.com but from my progsoc web pages (this would remain the case for another six months).

It was fun putting together the first issue as I received cooperation from all I contacted. These included:Also Bertrand Meyer's classic newsgroup posting from early May 97, Avoiding the second historic mistake (I remember Bertrand once referring to this as collective hypnosis :-) gave the opportunity to publish a few articles from the newsgroup thread that ensued - eg Jeffrey Stulin's If Eiffel is so great, why isn't it popular? and Thomas Beale's Eiffel: An Industry Experience.

I was delighted when Bjarne Stroustrup allowed me to publish Why C++ is not just an Object-Oriented Programming Language and Melier Page Jones allowed me to publish Object Orientation: Making the Transition

Two years on, elj.com has changed from a random journal to a daily random news update covering the Eiffel and related worlds. In many ways elj.com is really just a log of the links and resources I have stumbled across and that I might learn from (or even get a laugh from).

Eiffel certainly enjoys a wider exposure than it did back in 1997. I hope elj.com has helped in a small way. It is hard tell what impact elj.com has had as there is little feedback. However, occasionally I do get a note saying that elj.com helped someone get started with Eiffel, which seems to make it all worthwhile. I guess elj.com could have been much more effective but there is only so much time.

For a number of reasons I renamed Eiffel Liberty to elj.com Extraordinarily Large Jumble in Feb 99 (some of the reasoning behind this was that elj.com was and still is, an Extraordinarily Large Jumble of seemingly random links and more significantly there was little or no Eiffel news). Fortunately, there now appears to be more Eiffel news than I can handle/report manually and I am making efforts to address this through a more automated Eiffel news feed at elj-daily.

elj.com has amassed an incredible amount of links, quotes and resources relating to Eiffel and related worlds. The time has come for elj.com to be able to extract the information from this mass. A keyword/search facility is on the way.

I believe that for [open source] projects to thrive, information needs to readily at hand. I hope the new elj.com that you will see over the coming weeks/months (depends on how much time I get to work on this) will reflect the ability to provide this information efficiently and effectively.

Finally, I would like to acknowledge the support that Jenny has given me over the last few years. She has had to cope (in more ways than one) with more than anyone should reasonably have to tolerate.
Funny to read this after all these years. Shows how strongly I felt about the Eiffel programming language and method (and still do, but not just as visible). I even chose to start this blog with some posts on Eiffel - not the language, but it's inspiration, the Eiffel Tower and it's creator, Gustave Eiffel.

I had better stop here as I think I might be getting a bit nostalgic. Anyway, hoping all of this might help me find the inspiration to get a future project off the ground.

Wednesday, May 21, 2014

On Memory - Melting Asphalt (Tue 20 May 2014)

Hold Out - Barcelona (Wed 07 Aug 2013)

Melting Asphalt (*) writes On Memory (*):
[..] memories don’t seem to live ‘in’ the photographs. Instead, each photo is like a key, which triggers or accesses a memory (*) that actually lives in your mind. But without the photo to act as a key, there may be no other way to access the memory (*). What then? If a memory (*) is rendered inaccessible, it’s lost. Sometimes you lose memories by synaptic degradation; other times, by misplacing a photo.
via Your Oddly-Shaped Mind (*) by Melting Asphalt (*).

Friday, May 2, 2014

On the Humanities - Robert Heinlein / AthanasiusKircher / Slashdot (Fri 02 May 2014)

Street Portrait - Barcelona (Tue 06 Aug 2013)

Robert Heinlein (*) is quoted (*):
Whatever our calling, whether we are scientists, engineers, poets, public servants, or parents, we all live in a complex, and ever-changing world, and all of us deserve what's in this toolbox: critical thinking skills; knowledge (*) of the past (*) and other cultures (*); an ability to work with and interpret numbers and statistics; access to the insights of great writers and artists; a willingness to experiment, to open up to change (*); and the ability to navigate ambiguity (*).
via An MIT Dean's Defense of the Humanities (*) by AthanasiusKircher (*).

Monday, December 16, 2013

On Photography, Context and Meaning - Jorg Colberg / (Sun 15 Dec 2013)

Untitled - Oxford Street / London (Sat 17 Aug 2013)

Jorg Colberg (*) writes On Photography (*), Context (*) and Meaning (*):
Photographs need to be seen with context in mind. Many photographs are created with a very specific context in mind [..] But context can also be an anchor that prevents access. [..] [some] speak directly to us; many of them escape their context and talk of the human condition [..] these photographs show what happens when a master photographer sets up her or his camera: The results will stand the test of time and, inevitably, they will want to break out of whatever context they might have found themselves originally in.
via A few thoughts on Lewis Hine (*) by Jorg Colberg (*).

Hands (Detail) - Oxford Street / London (Sat 17 Aug 2013)

Thursday, March 21, 2013

On Photography - The Value of the Print - Kirk Tuck (Thu 20 Mar 2013)

Red and Yellow - Market Street / Sydney (Mar 2013)

Kirk Tuck (*) writes:
Can I suggest that you print out and save some of the digital images you currently take of family and friends? You may not always keep track of the digital work that we make these days but the sheer physical-ness of a printed object makes it a more valuable artifact. One that's easier to access and harder to throw away.

Amazing to me what power there is locked in a single image.
via Old School Instagram. We used to call them Polaroids (*) by Kirk Tuck (*).