It comforts me a bit that even if nobody pays attention to my work [..] during my lifetime, there might be a place for it in an archive. It is a humble end, but I find the prospect of being stored for future sifting by researchers or scholars immensely appealing.
I suppose this blog (*) will be my archive, my legacy, if there was to be a legacy, along with a beautiful old house (*), just maybe. And of course there is archive.org (*) - elj-daily (*) and GUERL (*). Amazing looking back at all of this just now. I've forgotten so much. What I do remember is how exciting it was to be connecting to people from all over the world. These were the early days of the World Wide Web and somehow I was part of it.
Tom Williams (*) with Father and Daughter on a Bicycle - Sydney Life 2004 (*) / Hyde Park (Wed 13 Oct 2004)
Went to photograph the large scale photos in the Park at lunchtime and saw Tom hovering around the area. I knew who he was as i had seen him speak about his photograph the previous Saturday. The filtered light through the trees was magnificent and I asked to Tom to pose in front of his photo. He was a bit bemused but was kind enough to agree to my request and positioning instructions (how bold was I back then). This is what turned out. I like it, particularly the light. This photo has been siting in the archive for over eight years now and I am glad I did have a look through it the other day.
The Eiffel Tower - The first time I saw the Eiffel Tower - Paris (Wed 24 Aug 2005)
Jenny and Geoff - Paris (Thu 25 Aug 2005)
It all started with this little challenge (*) by Seth Godin (*) on the Tue 24 Feb 2009 to celebrate his 3,000th blog post:
if you'd like to celebrate this milestone (there won't be another like it for three years or so) please go ahead and start a blog. If you already have a blog, please go ahead and post something really interesting today.
A few days later I would take up the challenge and I posted my 1st blog post here at eljeiffel (*) titled Getting Started (*). Since I had been blogging (the term had not been developed back then) for the period between 1997 and 2003, I looked to my experiences back then and I started again with a small quote (*) from Gustave Eiffel about essentially function and form.
I won't go on as I think I touched on what I have learnt about myself and life, over the last 4 or so years, in my 1,000th blog post (*) back in Aug 2012. All I will say is that it has been challenging, rewarding and interesting for me, at least, and I am glad I took up Seth's challenge back on Thu 26 Feb 2009. The act of creating, editing and the resulting archive (*), seems to give me some comfort and a way to reflect on who I was, who I am and (maybe an inkling to) who I hope to be.
Geoff - A Small Statue / Sculpture of Gustave Eiffel - He designed the structural skeleton for the Statue of Liberty - Liberty Island / New York (Mon 15 Aug 2011)
The Sydney Morning Herald published an article last week indicating his widow, Liz, has just "sold his archive of 3000 images to the National Library of Australia".
"He used to get physically exhausted by the emotional effort he put into his photos,'' she says. ''Apart from the artistic composition, Peter used to say you can't take a good photograph if there's not part of you in it."
"he excelled at sweeping landscapes and intimate detail shots"
Memories of Jenny - The Time of Your Life (youtube)
As many of you will know, I have another obsession in my life beyond paddling - Photography.
I started out buying a small digital camera for our Dec 2000 trip to the Cook Islands to visit Jenny and Jo's Meditation teacher, Barbara, who had moved there to help setup a refuge for women . We didn’t know a thing about paddling back then.
I had bought the camera hoping I would be able to capture our memories. It was a tiny digital camera by today’s standards, 1 Mega Pixel and it cost $1600 duty free and a 64 MB compact flash memory cost more than $300.
I did not flinch and I thought it was all worth it, as my credit card was swiped at Ted’s Pitt Street Camera Store the day before we flew out. 15 years later I can tell you here that it was one of the best things I ever did.
My motivation for the camera came from that fact that Jenny had 11 tumours in her lungs and I did not really know how long we would have together. In the end we had just over 9 years of married life. Given Jenny’s condition, a miracle really ..
We were married on 30th April of that Sydney Olympic year and we honeymooned on Lord Howe Island for 10 glorious days in May 2000. Jenny had a film camera and she took many photos.
On our return flight to Sydney, I remember a conversation we had at the Departure Terminal with an older couple from Whyalla who congratulated us on our marriage. We had briefly met them at dinner at one of the small restaurants on the Island.
They told us they had been married for many years and the trip to Lord Howe Island was a way of creating another experience in life and expanding their memories. Better than [running a busy business or] sitting at home and watching the Telly, they said.
This conversation and piece of simple worldly wisdom has stuck with me and I remind myself of it constantly. It was my main motivation to buy that small expensive digital camera for our December 2000 trip to the Cook Islands.
I took many photos that trip to Cook Islands, even of the Outrigger Canoes on the shore of Muri Lagoon - we had no idea what they were – who would guess our future.
Shortly after our return, Jenny and Jo found Dragon Boating. And over the ensuing years many experiences and memories were created, dutifully captured by our cameras.
I documented the many dragon boat campaigns here and abroad, and ensuing holidays that followed each event.
In the process of this documenting I came to realise the power of photography, not only its visual power, but its ability to record our experiences and remind us of things we have done and who we were. We were doing selfies before the term was even invented. We called them “Holdouts” and I think this might be the main cause of Jo’s shoulder injury.
In those last few weeks at St George Hospital in Jun 2009, I captured the last moments of our lives together. They are the best I ever made.
After Jenny’s passing, It took me a while to pick up a camera again. I had lost my purpose and will. I was hurting and numb all at once but paddled through for a year or two – it helped a lot to be busy and in the company of friends. New experiences were created and I even smiled [for] a little [while].
Lost in the enormity of what had happened so quickly, though it was not a surprise, I found my first moments of comfort and hope, when I decided to start looking at some of the photos from our lives together. It made me cry, but it also made me smile. I was so happy that I had this archive of bits and bytes to remind me of Jenny, Joanne, myself and who we were.
It was only after Jo told me to organise my photos and my Mum said I should start making photos again, that I started to move forward. I was completely broken but I took up their advice and kept myself busy again, organising and photographing again. I am still broken but I live with it better now, it is part of me and who I will always be, but I am happy, optimistic, naïve and creating more experiences.
So I guess what I am trying to say is that we have to go out there and make our memories through the experiences we create for ourselves.
In our lives we have loss, grief and bereavement. It is a part of living. You make a choice when it knocks on your door. And we have chosen to live in the Afterglow of our loss of Jenny – to remember and honour and be guided and inspired. Accept it and live with it and make the most of it, even let it inspire and motivate you. And that is what Jo and I have done, I would like to think.
“Believe in Hope” as the graffiti’ed wall in Cleveland Street said for a few weeks in July 2015.
Believe in Hope - Cleveland Street / Chippendale (Wed 29 Jul 2015)
Seven year ago today.
We remember Jenny. She (as they all do) lives on through our memories.
I had been to the Dendy Cinema to see a movie a few days earlier and was struck by the light and this scene when I left around 6pm. The late afternoon light in Sydney is beautiful this time of the year - interestingly enough it is almost 3 years ago to the day this photo was taken. Unfortunately I did not have my camera with me at this time, so I made a mental note to come back at some stage in the near future - which would turn out to be just a few days later.
On the day this photo was captured, I had taken a half day off work, in the afternoon, so that I could attend one of Jenny's medical appointments at St George Hospital. I was in my car on the way to meet Jenny and Joanne for the appointment when Jenny called to say that the appointment had been cancelled due to unforseen circumstances and that we should meet at Dragon Boat training that night back in the City.
I had a few hours to spare, so I thought I would go back to Newtown and have a coffee at Urban Bites (a favourite haunt for me, but the opposite end of King Street to the Dendy) for a coffee. When I was there I remembered the photo I wanted to take and I realised I had my camera. Decided to take the 10 min walk back to the Dendy to take this photo which had similar lighting to what I had seen a few days earlier.
I guess what I like about this particular photo is the composition. I only took a couple of photos and really did not look at it closely until I downloaded it to my computer. There I could see all the detail - things I really had not noticed when I took it.
I saw all the signs - things telling us what to do (the "No Stopping" and "No Entry" signs [1], "One Way" and parking signs), and the signs that identify things. For instance the Map of Africa and all the countries identified, the graffiti tag and the nice frame around the Map, the number plates that identify the motor bikes and scooters, etc.
A couple of other things I liked were the:
Pole Poster where you see the word "Pixels" - the smallest element of each digital photo - you can see it between the "No Entry" Sign and the white pillar (might have to look at the large version to notice).
Person in the centre of the photo - particularly his position and the shadow area of the background he fills as well his position between the foreground shadows. I also love the tattoos on his arms and legs, and the fact that he is communicating with someone using his Mobile Phone. His T-Shirt and bag have some text and logos on them. Also like how the shadow of the Bike Rack just catches his foot - I did get lucky [2] in many ways, as there is no way I could have planned all of this.
As you can see, many things can found in a simple photo that is captured in a fraction of a section. It is also interesting how circumstances sometime conspire to allow a photo to be taken.
I entered this photo in the 2007 Sydney Life Competition (unfortunately can't find an archive of the official page though I found a media release here). I always try each year to make an entry to the competition as it is open to all photographers, though it is virtually impossible for non-established photographers to make the final 22-26 images. Will keep trying though :-)
There is another story about this location which will come in another favourite photo at a later date.
[1] I would always say to Jenny a good photo always has a little bit of red in it and this is a theme you will see in many of my photos.
[2] Also would often tell Jenny, there was a lot of luck in taking photos (though like all things involving luck, you often make you own luck) and that if you take enough photos you are bound to end up with a few your like (i.e. keepers).
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Sydney Looking Forward (2003)
This large format photographic exhibition, displayed along the central walkway of Hyde Park North, creates an open air gallery against the leafy backdrop of the park.
Twenty six photographic images have been selected from the over six hundred entries, to create an impressive visual experience reflecting on Sydney - its mood, vitality and environment.
After the outstanding response to last year's Sydney Looking Forward exhibition, I am delighted to curate this second exhibition in Hyde Park, which is like a natural gallery amongst the trees.
Once again, the work of both emerging and established photographers sit comfortably alongside each other, creating a vibrant portrait of Sydney as a unique and dynamic place.
Photographers were asked to portray both the physical and cultural makeup of the city in a positive way by selecting images using unusual colour and light. Images were also chosen for their uniqueness and for the way they reflected a contemporary historical moment.
Sandy Edwards, Curator Sydney Looking Forward
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Trent Parke - Google Blog Search Result - My Google Reader - Fri 17 Dec 2010
Most days I will get one or two alerts come through on my Google Reader. Normally, they don't lead to anything interesting or something I don't already know about him. However, I received an alert that quickly drew my attention. It was titled:
A bit of a ramble to follow. I have known of Geoff Dyer for sometime. At least since around the time of the publication of his book, the The Ongoing Moment (Guardian Review - 16 Oct 2005). A novel and rather modest approach to writing about photography - he claims that he does not even own a camera:
"I am not a photographer ... I don't even own a camera."
I enjoyed the book and appreciated his knowledge of photography. In particular I enjoyed his writing style and the metaphors he used to get his ideas across - you will see this in his article on Trent.
[on writing about the book, The Seventh Wave] The surface of the sea is a film separating two worlds, that of water and that of air. Though absolute the distinction is perpetually on the brink of dissolving, melting away. People fly through the water as if suspended in a turbulent sky, or float through great clouds of aquatic light. That’s what water is for Parke and Autio – liquid light. Forms dissolve, blur, swim into and out of focus. Quick and silver, the water is a flash-flood of mercury.
On to Trent Parke. I have followed his progress since he was photographer with the Sydney Morning Herald back in the early 2000's. He had two photos in the first Sydney Looking Forward Exhibtion back in 2002. I wrote about one of the photos here. Indeed the post is one of the more popular pages residing in my little blog.
In 2003 I bought two copies of the two books he had published at that stage:
Both books appear to be long out of print, by the looks of the Amazon Used Books prices.
Looks like I have done alright with these purchases (they were about $50 each from the Stills Gallery). I could not help myself other than to buy two copies of each. They were just beautiful. I have a soft/weak spot for photography books. I can remember catching the train after work, upto Kings Cross and then walking into Paddington to the Stills Gallery. I took quite a few photos with my litte IXUS. Must drag them out of the archive to find out the exact date of purchase of the books. A job for another day.
I will close with a quote from Geoff Dyer's article on Trent:
Later works will continue but intensify the Dream/Life vision so that, at its most extreme, Sydney becomes a kind of ghost city, in the process of being annihilated by light. A passer-by will be transformed into an accidental super-hero: Solar-man, a bleached absence of pure radiance! (Part of the fascination of this picture is of the photographer-as-magician kind: how did he do that? The difference between magic and photography is that the spell remains unbroken even when the technical explanation - which, in any case, I cannot recall - is forthcoming. [GeoffE: maybe some discussion here will help: How is this done? (Trent Parke) at photo.net - 31 Mar 2004)]
White Man, 2001 - Circular Quay/Sydney (GeoffE: at guess!) - Trent Parke
An article by the Sydney Morning Herald's Tim Clayton giving some background to the working environment that Trent Parke evolved.
Larry Towell (*) writes on Photography (*) and Editing (*):
Photography is not just about seeing and taking pictures, it’s also about making sense of the photograph and making sense of it is what editing does, .. You take a series of photographs, you tell a story (*) with them and many pictures fall between the cracks in the process. [..]
When you’re editing you’re editing towards a certain end, and when that end is met you forget about the pictures that didn’t make it, .. What this Magnum project has done is allowed us to go back and re-edit. There isn’t enough re-editing being done today.
via Magnum’s Archive of Once-Orphaned Photos (*) by James Estrin (*).
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Sydney Life 2005 (4-23 Oct 2005)
Sydney Life is one Sydney's most successful art projects. The leafy main boulevard of Hyde Park North provides a superb backdrop for these large-scale photographic slices of Sydney Life that offers insights and delight to Sydneysiders and visitors, day and night.
Selected by a panel of judges from an open submission, Sydney Life is both a prestigious and democratic exhibition, giving the opportunity for both experienced aand emerging photographers to have their work displayed. Twenty-six artworks have been selected from almost 900 images by 450 photographers. The image judged the best is awarded the $5,000 City of Sydney Photography Prize.
The selection this year is a tad more serious than in previous ones. A mood of surprise and eccentricity contrasts with the images of recreation and water that have dominated the exhibition in prior years.
As curator, I believe such developments reflect the growing strength and longevity of this wonderful project. I would like to thank the City of Sydney for their ongoing support of photography and artistic endeavour. I would also like to thank the photographers for their visions of the City we know and love. It is their commitment to portraying our world which creates the iamges that become etched in our collective memories.
Thank you also to my fellow judges, Pat Corrigan AM (Art Patron) and Russell Storer (Curator, Museum of Contempory Art).
Sandy Edwards, Curator Sydney Life
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The Photographers and their Photos
Robert Billington - The Last Tanners of Sydney Cherine Fahd - Looking Glass, Luna Park 2 Geoffrey Day - The Last Stand Moshe Rosenzveig - Yasmina Jim Anderson - The Quick and the Dead Fiona Morris - Fair Day Tara Johns - Mujtabas Dinner John Ogden - West meets East Anni Payne - James the Shark Alina Gozin'a - Old Timers Joshua Glenn Heath - Breathing City Lights David Hancock - Rose and Lance, La Perouse, June 2005 Andre Martin - Homebush Bay Hill Petrina Hicks - Deb Peter Rae - Returned Mother and Her Child Vera Hong - Daniel, Liverpool City Motel, the Home of Sweat Dreams Therese Sweeney - Simon packs Coriander Ingvar Kenne - Tempe Plane Spotting Dean Sewell - Hillsdale Alan Tan - Boxing Hayley Craig - Ani Preparing for her Wedding Ruby Davies - Athletes 1 (Pegasus) Neil Bailey - Reptile House Martin Mischkulnig - Danny Willian Yang - Rainbow Angels, Sydney Gay and Lesbian Mardi Gra, 2003 Tim Barker - Donald
Good advice for someone who has spent his whole life feeling guilty about being alive, about his good fortune in life, to have felt the things he has felt, to have been to the places he has been, to have seen what he has seen - to have experienced life the way he has and hopes to have. Maybe these thoughts of guilt show a humility that I had not recognised in myself and that I should not feel guilty about that (guilt - it's an endless loop, you see :-)). It just might show a humbleness and a clarity of purpose on a life being well lived.
Not sure where these words came from and again they might appear a little self-indulgent for a so-called humble person. I love it when a few well crafted words, like those above by Notes to Inspire, take you on a small journey to a place you didn't even know a few minutes earlier. Thanks Notes to Inspire, I appreciate your daily emails and Words of Wisdom.
The following three quotes are about the past and future, and how we might relate them to each other (if that makes any sense). There is some good advice in all three quotes and I thought that I put them here for future reference, so that they will become part of my past :-). Here they are:
As you pursue your goals in life, that is to say your future, pursue your past. Let it be your guide. Insist on having a past and then you will have a future. Ken Burns - 2004 Commencement Yale Class Day Speech (as pdf)
With the past in mind I thought I would dig into archive.org and drag out something from my past (it might explain the where eljeiffel came from). Here it is:
Today is Indepedence Day in the USA which celebrates the 223rd birthday, being founded on 4 Jul 1776, with the signing of the Declaration of Independence. This also represents a time of reflection for myself with elj.com (Eiffel Liberty).
It is two years ago since I registered elj.com. The name Eiffel Liberty was easy to come up with. It represented a vision and a hope for Eiffel that somehow it might be liberated from its miserable place in the language landscape (I thought how could such a great contribution, be so categorically and overwhelmingly dismissed by the programming community). Also, Emma Lazarus's words struck a chord with me, particularly
Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost, to me, I lift my lamp beside the golden door!
Just as America provided opportunity for many from other lands, I thought Eiffel could provide the same kind of opportunities for the syntactically and semantically battered from the other language landscapes :-)
Also, the name Eiffel Liberty made what a I thought was a nice connection between two famous landmarks that Gustave Eiffel had contributed to, being the Eiffel Tower and the Statue of Liberty"Eiffel undertook the challenge of creating the steel structure because of the enormous challenge it afforded him".
The 4 Jul 1997 was to be the launch date for the Eiffel Liberty Journal. However, I came down with a very bad cold (too many late nights preparing for the initial launch) and I decided to publish the launch issue of the Eiffel Liberty Journal, not from my newly acquired elj.com but from my progsoc web pages (this would remain the case for another six months).
It was fun putting together the first issue as I received cooperation from all I contacted. These included:
Victor Putz who wrote a great article titled Toymakers and tools: Why one game developer is switching to Eiffel. Victor is a game programmer by night and a helicopter pilot/instructor by day. I remember Victor making a special trip (about 30 km each way) to send me the article because of flooding in his area which made his normal internet access impossible. BTW, I have found that Victor shares and articulates (much better than I ever could) my own vision for Eiffel.
Two years on, elj.com has changed from a random journal to a daily random news update covering the Eiffel and related worlds. In many ways elj.com is really just a log of the links and resources I have stumbled across and that I might learn from (or even get a laugh from).
Eiffel certainly enjoys a wider exposure than it did back in 1997. I hope elj.com has helped in a small way. It is hard tell what impact elj.com has had as there is little feedback. However, occasionally I do get a note saying that elj.com helped someone get started with Eiffel, which seems to make it all worthwhile. I guess elj.com could have been much more effective but there is only so much time.
For a number of reasons I renamed Eiffel Liberty to elj.com Extraordinarily Large Jumble in Feb 99 (some of the reasoning behind this was that elj.com was and still is, an Extraordinarily Large Jumble of seemingly random links and more significantly there was little or no Eiffel news). Fortunately, there now appears to be more Eiffel news than I can handle/report manually and I am making efforts to address this through a more automated Eiffel news feed at elj-daily.
elj.com has amassed an incredible amount of links, quotes and resources relating to Eiffel and related worlds. The time has come for elj.com to be able to extract the information from this mass. A keyword/search facility is on the way.
I believe that for [open source] projects to thrive, information needs to readily at hand. I hope the new elj.com that you will see over the coming weeks/months (depends on how much time I get to work on this) will reflect the ability to provide this information efficiently and effectively.
Finally, I would like to acknowledge the support that Jenny has given me over the last few years. She has had to cope (in more ways than one) with more than anyone should reasonably have to tolerate.
Funny to read this after all these years. Shows how strongly I felt about the Eiffel programming language and method (and still do, but not just as visible). I even chose to start this blog with some posts on Eiffel - not the language, but it's inspiration, the Eiffel Tower and it's creator, Gustave Eiffel.
I had better stop here as I think I might be getting a bit nostalgic. Anyway, hoping all of this might help me find the inspiration to get a future project off the ground.
It's that time of the year where the northern walkway of Sydney's Hyde Park becomes an outdoor gallery for 22 large scale 3x2m canvas printed photographs. The exhibition is now called Sydney Life and is part of the month long Art and About Festival. The exhibition has been held annually since at least 2002 (that is my first recollection at least). Unfortunately, the web site for each years exhibition is overwritten by the coming years exhibition. Would be nice if there was a permanent archive, though I do have the programmes for each years selection.
Collage - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
On the afternoon of the second day of the exhibition (Fri 24 Sep 2010) I took a wander along the walkway to see what had been selected for this years exhibition. It was not a surprise to see Tamara Dean and Dean Sewell featuring again with another couple of stunning photos.
I always photograph all the photos in position in the Park, and this year I used my iPhone and sent the photos to a folder in my picasa account.
I often think some photos have been selected because they fit so well into the location and the framing each position along the walkway provides. In the morning the photos along the eastern walkway are backlit and in the afternoon the west side photos are backlit.
Lynn Smith's photo of an abandoned Industrial Warehouse seems to be beautifully framed by the branches of the trees in the backgound. They interact with the rafters on the warehouse's roof.
The Judges choice for this year exhibition was Nick May's black and white photo of a Bondi beach scene. They said:
"It was a difficult choice for the judges with many fine photographs to choose from but we were drawn to Nicholas May's timeless and unforgettable image showing Sydney as an almost mythic place of relaxation on Australia Day. It's a sculptural, deeply unsentimental observation of Australians at play and the cultural ambiguities found on Sydney's most famous beach."
Apart from Lynn Smith's photo, I also enjoy James Hill's elevated view of the Five Ways in Paddington using a large format camera. There is a lot going on in the photo and I will go back to look at it in more detail.
Finally, I think Tamara Dean's photo, The Pack, from her Series This Too Shall Pass is a beautifully delicate photo, which is a signature element in many of her photos. Must admit I don't really understand it, but it is beautiful to look at in the afternoon before the sun disappears early behind the city sky line. It really did stand out.
Will take a walk to see what the light does to the photos in the morning.
[Post note: A great article on last year's Sydney Life - Sydney Life, 1 October 2009 - not obvious which photographer it was who put this together. Would like to see the documentary. ]
Proof Sheet - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Nick May - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Geoff Harvey - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
James Hill - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Lynn Smith (flickr) - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Paris Spellson - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Tamara Dean (more) - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Gregory McBean - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Tom Williams - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
Steve Christo - Sydney Life 2010 - Hyde Park/Sydney - Fri 24 Sep 2010
history is an opportunity to learn from the wisdom of others so that we don't have to make their same mistakes;
history is a background that informs our work.
via Our Place in History (*) in Random Thoughts (*) by Brooks Jensen (*).
Brook has a way with words and these caught my attention when looking through his Random Thoughts Archive (*) today. I have a few photos that remind me of history and the photo above is one of the most powerful of the incomprehendible. At least for me anyway. On Hiroshima, I can't put it any better than Beth Nicholls (*) who writes (*):
It doesn’t bear thinking about, and yet it is something we all need to think about it. The Hiroshima Memorial Museum is a painful eye opener that I wish every single one of us could visit. It is hard to think that we were ever at war with Japan, but even so, it is one history lesson we must not forget.”
