Using the Past - Some Advice from Ken Burns, Vern Gambetta and LottieP

The following three quotes are about the past and future, and how we might relate them to each other (if that makes any sense). There is some good advice in all three quotes and I thought that I put them here for future reference, so that they will become part of my past :-). Here they are:

As you pursue your goals in life, that is to say your future, pursue your past. Let it be your guide. Insist on having a past and then you will have a future.
Ken Burns - 2004 Commencement Yale Class Day Speech (as pdf)

Vern Gambetta wisely adds:

Be careful that you are not living in the past, learn from the past, use it as a reference point.

And finally, LottieP warns:

"nostalgia is the enemy of the future"

With the past in mind I thought I would dig into archive.org and drag out something from my past (it might explain the where eljeiffel came from). Here it is:

elj.com (Eiffel Liberty): Two Years On .. by Geoff Eldridge (04 Jul 1999)

Today is Indepedence Day in the USA which celebrates the 223rd birthday, being founded on 4 Jul 1776, with the signing of the Declaration of Independence. This also represents a time of reflection for myself with elj.com (Eiffel Liberty).

It is two years ago since I registered elj.com. The name Eiffel Liberty was easy to come up with. It represented a vision and a hope for Eiffel that somehow it might be liberated from its miserable place in the language landscape (I thought how could such a great contribution, be so categorically and overwhelmingly dismissed by the programming community). Also, Emma Lazarus's words struck a chord with me, particularly

Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost, to me,
I lift my lamp beside the golden door!

Just as America provided opportunity for many from other lands, I thought Eiffel could provide the same kind of opportunities for the syntactically and semantically battered from the other language landscapes :-)

Also, the name Eiffel Liberty made what a I thought was a nice connection between two famous landmarks that Gustave Eiffel had contributed to, being the Eiffel Tower and the Statue of Liberty "Eiffel undertook the challenge of creating the steel structure because of the enormous challenge it afforded him".

The 4 Jul 1997 was to be the launch date for the Eiffel Liberty Journal. However, I came down with a very bad cold (too many late nights preparing for the initial launch) and I decided to publish the launch issue of the Eiffel Liberty Journal, not from my newly acquired elj.com but from my progsoc web pages (this would remain the case for another six months).

It was fun putting together the first issue as I received cooperation from all I contacted. These included:

• Bertrand Meyer who allowed to me publish some small extracts from OOSC2.



• John Potter (my Software Engineering Lecturer who introduced me to Eiffel in the spring of 1993) who specially wrote an article on
  Project Bruce: Translating from Eiffel to Java



• Victor Putz who wrote a great article titled Toymakers and tools: Why one game developer is switching to Eiffel. Victor is a game programmer by night and a helicopter pilot/instructor by day. I remember Victor making a special trip (about 30 km each way) to send me the article because of flooding in his area which made his normal internet access impossible. BTW, I have found that Victor shares and
  articulates (much better than I ever could) my own vision for Eiffel.

Also Bertrand Meyer's classic newsgroup posting from early May 97, Avoiding the second historic mistake (I remember Bertrand once referring to this as collective hypnosis :-) gave the opportunity to publish a few articles from the newsgroup thread that ensued - eg Jeffrey Stulin's If Eiffel is so great, why isn't it popular? and Thomas Beale's Eiffel: An Industry Experience.

I was delighted when Bjarne Stroustrup allowed me to publish Why C++ is not just an Object-Oriented Programming Language and Melier Page Jones allowed me to publish Object Orientation: Making the Transition

Two years on, elj.com has changed from a random journal to a daily random news update covering the Eiffel and related worlds. In many ways elj.com is really just a log of the links and resources I have stumbled across and that I might learn from (or even get a laugh from).

Eiffel certainly enjoys a wider exposure than it did back in 1997. I hope elj.com has helped in a small way. It is hard tell what impact elj.com has had as there is little feedback. However, occasionally I do get a note saying that elj.com helped someone get started with Eiffel, which seems to make it all worthwhile. I guess elj.com could have been much more effective but there is only so much time.

For a number of reasons I renamed Eiffel Liberty to elj.com Extraordinarily Large Jumble in Feb 99 (some of the reasoning behind this was that elj.com was and still is, an Extraordinarily Large Jumble of seemingly random links and more significantly there was little or no Eiffel news). Fortunately, there now appears to be more Eiffel news than I can handle/report manually and I am making efforts to address this through a more automated Eiffel news feed at elj-daily.

elj.com has amassed an incredible amount of links, quotes and resources relating to Eiffel and related worlds. The time has come for elj.com to be able to extract the information from this mass. A keyword/search facility is on the way.

I believe that for [open source] projects to thrive, information needs to readily at hand. I hope the new elj.com that you will see over the coming weeks/months (depends on how much time I get to work on this) will reflect the ability to provide this information efficiently and effectively.

Finally, I would like to acknowledge the support that Jenny has given me over the last few years. She has had to cope (in more ways than one) with more than anyone should reasonably have to tolerate.

Funny to read this after all these years. Shows how strongly I felt about the Eiffel programming language and method (and still do, but not just as visible). I even chose to start this blog with some posts on Eiffel - not the language, but it's inspiration, the Eiffel Tower and it's creator, Gustave Eiffel.

I had better stop here as I think I might be getting a bit nostalgic. Anyway, hoping all of this might help me find the inspiration to get a future project off the ground.

knowing how powerful it is not to know - Bono / Brooklyn (22 Nov 2004)

Thomas, Grant, Betty, Lynn and Grace - Manahattan bound - I don't know who was more excited - Grace or me (and I was not even going along) - Departure Gate / Sydney International Airport (Sun 19 Dec 2010)
Recently posted a video clip of a U2 Performance of the City of Blinding Light at the foot of the Brooklyn Bridge in Empire - Fulton Ferry State Park.

In the preamble to the performance, Bono becomes quite nostalgic.

In my previous post back on Sat 16 Apr 2011, I included a snippet of his little talk which I have thought about a lot recently.

This is what Bono said in full:

Look at this. That is wild. What a sight. Wow look at that. [Bono pointing to the Brooklyn Bridge]

Sometimes you forget why it was that you wanted to be in a band. So going into this we reminded ourselves of why we wanted to be in a band.

We listened to the albums that excited us when we wanted to be in a band [..] the music and what it felt like to arrive here in the United States. To come over the [Brooklyn] Bridge into Manhattan. Snow was on the ground. It was:

"an amazing magical time in our lives when we did not know how powerful it was not to know".

This is a song about innocence, naivety and it is called "City of Blinding Lights".

The chorus is set in New York City looking at Brooklyn.

I feel that these words are quite profound and the feelings he is trying to describe are universal and generic. They can be applied to not only rock and roll superstars, but mere mortals like myself who progress through life little steps at a time.

I have always recognised the importance of acknowledging your past and to reflect on your past (though it might be painful at times) - it is something I have spent a bit of time on lately. It will help you understand who you have been, who you are now and where you are heading.

Here is the video again ..

City of Blinding Lights / U2 - Empire - Fulton Ferry State Park / Brooklyn Bridge / Brooklyn Bridge / New York (22 Nov 2004 - youtube)
Bono's words make me think of some similar words that have captured my imagination, these words coming from Ken Burns (e) a little bit earlier in that year of 2004 at his 2004 Yale Commencement Speech:

As you pursue your goals in life, that is to say your future, pursue your past. Let it be your guide. Insist on having a past and then you will have a future. [..]

Insist on heroes. And be one. [..]

Travel. Do not get stuck in one place. [..]
Whatever you do, walk over the Brooklyn Bridge.

Ken Burns - 2004 Commencement Yale Class Day Speech (as pdf)

I drift back a little back into my past - 1990. Jenny and I had been going out for about six months and she encouraged and inspired me to achieve one of my Dream's - to run the New York City Marathon ..

Geoff - New York City Marathon - Nov 1990 - Brooklyn (picasa)
I look into my eyes above and I see an innocence, naivety, wonder and hope that Bono talks about above through his own experiences as musician. It all seemed to be in front of us back then and it was.

Jenny and I (and of course Joanne) had an amazing life together and though Jenny is not a part of our physical lives anymore, I would like to think that Jo and I have continued to live an amazing, wonderful and fulfilling life in Jenny's absence. It is my hope that I still have a touch of the same innocence and naivety, that I can see above, as I move forward in my life.

Street Band - 1990 New York City Marathon - Sun 04 Nov 1990
This post is dedicated to my niece Grace and nephew Thomas. To travel and spend time in Manhattan as you did for Christmas 2010 will be a formative experience for you. Use the experience to help guide you as you progress through your life.

Now that's a Snowball - Grace and Thomas (my niece and nephew) - Central Park / Manhattan (Mon 27 Dec 2010)

Favourite Photos - Fowey Cornwall UK 2009 - Bookends of Fowey

Bookends of Fowey - Blue - Fowey / Cornwall (UK) - 09 Sep 2009 (picasa)
One my favourite photos from the trip to Europe in Aug/Sep 2009. Just a really simple photo that uses colour. I could not get my camera out fast enough when I saw the dog and it's blue vest with the blue walls of the Bookends of Fowey Bookshop.

Colour photographs have often been derided by the artists of the photographic community. A real photographer sees and shoots in black and white and the greyscales between (with a quick search I found this excellent blog post - Color Vs. Black and White by Do do doo Art Critique - yes there is more to it all than you think).

To me this photo shows the beauty and simplicity of colour photography. I also like the green fern pots in the top right and the image conforms to an old saying of my Grandmother - 'blue and green can't been without some white in between'

I love using my camera when traveling. After a few days you start to see as your camera would. You are the one who pushes the shutter. Scenes come and go - decisions are made in an instant or sometimes over a longer period - some situations and scenes you miss and some will be captured. Your eye is trained from all your past experiences using a camera as well as the knowledge you have gained from viewing other people's photos and paintings, as well as your readings on all things about photography. After a while you develop your own style and your eye is trained for the present moment to capture a photo using your photographic vision. The photo then becomes part of your future - this post being just one part of it for this particular photograph.

The theme of the past, present and future has come up a few times in the last 4 days. One from a quote from a photographer Nan Goldin from a TV Series titled The Genius Of Photography (better details here). A quote from Nan Goldin's experiences follows:

'As the memory of her sister started to become hazy, Goldin began to take pictures to preserve the present, and thus her fading memories of the past. She photographed her friends so she would never lose the memory of them, as had happened with her sister. Her photographs were her way of documenting their lives, and, in turn, her own.'

The other is from a blog post by Paul Coelho announcing the completion of his new book to be titled The Aleph (the title being inspired by a short story of the same name by Jorge Borges - English translation here). Paul Coelho writes about the book:

'Why did I take so long to write about this pilgrimage? Because it took me three full years to understand it. It is not a travel guide. Of course I describe what does it mean such a long trip in a train, but the main goal is the long trip to my soul, past, present and future.'

Definitely look forward to reading it when it is published here next year.

[Today - Saint Patrick's Day is my 30th Anniversary of employment. Like most anniversaries, I guess it is a day of reflecting on the past, present and future. I have been with the same company all that time - though it's name has changed 4 or 5 time and has become significantly smaller (gone from 13,000 to around 800 employee's). Obviously seen a lot of changes. I have learnt a lot and look forward to getting back to work in a week and a half, after a 3 month break.]

On Time and The Past - Tim Winton / The Turning

Geoff - "an early start for the first day of the rest of my life - 'where do you start?'" - Alexandria (7am Wed 01 Jul 2009)

Tim Winton on Time and the Past:

When a wave breaks, the water is not moving. The swell has travelled great distances but only the energy is moving, not the water. Perhaps time moves through us and not us through it ... the past is in us, and not behind us. Things are never over.

via The Turning by Tim Winton.

These words are so touching. Not really sure how to say what they make me feel - this photograph of me the day after Jenny died, might say it all? Maybe time did move through me and I am still there - I don't know really, but this photo makes it feel like it - one of those reference points in life. It also reminds me of who I was, who I have become and want to be, which when I think about is the same thing. Not sure what I'm trying to say or how (nothing unusual there). Gladly, it is never over. I have a past, it is who I am. And thankfully, I've stopped trying to be anything else.

On Nostalgia and Retromania - RoughType / Nicolas Carr (Wed 02 Oct 2013)

Untitled - Split / Croatia (Tue 30 Jul 2013)
Nicholas Carr (*) writes On Nostalgia (*) and Retromania (*):

nostalgia (*) is rooted in a sense of the past (*) as past, retromania stems from a sense of the past as present.

via I believe in yesterday (*) by Nicholas Carr (*).

What I think about when I think by the side of the River Charles - Boston (Mon 22 Aug 2011)

Jogging Path (1 of 5) - Charles River / Boston (Mon 22 Aug 2011)
Jogging Path (2 of 5) - Charles River / Boston (Mon 22 Aug 2011)

Jogging Path (3 of 5) - Charles River / Boston (Mon 22 Aug 2011)
Jogging Path (4 of 5) - Charles River / Boston (Mon 22 Aug 2011)
On a whim, I recently bought myself a copy of Haruki Murakami's (*) book, What I Talk About When I Talk About Running (*). As I read it, I was quite taken by the following passage ..

It's been 10 years since I lived in Cambridge [Boston]. When I saw the Charles River again, a desire to run swept over me. Generally, unless some change takes place, rivers always look the same, and the Charles River in particular looked totally unchanged. Time had passed, students had come and gone, I'd aged ten years, and there'd literally been a lot of water under the bridge. But the river has remained unaltered. The water still flows swiftly, and silently, toward Boston Harbour. The water soaks the shoreline, making the grasses grow thick [..]

Maybe because it's the home of the Boston Marathon, Cambridge is full of runners. The jogging path along the Charles goes on forever, and if you wanted to you could run for hours. The problem is, it's used by cyclists, so you have to watch out for speeding bikes whizzing past from behind. At various places, too, there are cracks in the pavement you have to make sure you don't trip over, and a couple of long traffic signals you can get stuck at, which can put a kink in your run. Otherwise, it's a wonderful jogging run.

I sat beside the River Charles. It was late afternoon on the last day of our 4 days in Boston. We had arrived on the Friday from a week in New York. Here are a few photos from my time sitting by the River Charles.

We had already been away for a day short of 4 weeks and it would be another 3 weeks before arriving back home. I was enjoying the trip but was thinking a lot about all the changes that had been occurring in my life - I was without a car and I had moved back to Kirrawee while I waited for my house, I had never really planned or contemplated to live in, to become available while I was away. Tried not to think about these things too much from a far, as I had no control over them. Instead, I just sat myself down on a seat bench by the River Charles and tried to think of other things.

I sat there in the beautiful afternoon sun, I thought of many things. I thought of all the other times I had been to Boston, what took me there and what I did while I was there. I also tried to remember who I was and what I was doing in my life around the time of each trip.

September and October 1988 was the first trip, and it would be just under a year before I would meet Jenny for the first time.

I reflected on the two years since Jenny had left us and all the things that happened since that time. In some ways, it was just sitting there by the River Charles, that I finally stopped and had a chance to clear my thoughts and to really think about things.

I had really kept myself busy and distracted since Jenny's passing (*) - it was one way of coping with the enormity of Jenny's loss. In some ways, I was starting to forget things - who I was, the things that we had done and what I thought I was going to do with my life.

As I sat there by the River Charles, I watched the walkers, runners and bicycle riders go past. Their long shadows, created by the late afternoon sun, are what struck me and this is what kept me interested as I captured these photos. I wondered who these people were, what had brought them to Boston and whether one of them was the future creator of the next social media craze.

A couple of rowers set off from near where I sat and I wondered if they were the Winklevii (*) of Facebook fame (*).

MIT / TIM - Charles River / Back Bay / Boston (Mon 22 Aug 2011)

As I sat there I could see tiny sail boats, standup paddle boards and wind surfers. One wind surfer was fairly inexperienced and a more experienced wind surfer went to his aid, if only to provide advice and moral support, in the knowledge of just being there.

The small sailing boats were from MIT, which is just across the River, and it was only when I saw through the transparent sails, that I realised that in reverse, MIT, spells TIM, my late Brother's name - so I thought about him for a little while. He had been to Boston a few times also, so I thought about all the same things for Tim. Maybe he had sat here and pondered some of the same things, 25 years earlier? I also wondered why I had never made the MIT to TIM connection. Or thinking about it now, I think I may have thought about it a long time ago, but maybe I had forgotten remembering the connection.

Have been to Boston four times prior to this trip and I have visited it on each of my trips to the USA. The last time was just over 17 years earlier in April 1994, where I had hoped I might be able to run the Boston Marathon (*).

Now as I sit here and think about the things I thought about by the River Charles in Boston that late afternoon on Mon 22 Aug 2011, I can now see where Haruki Murakami's (*) ran along the side of the same river on the very path he captured in words above and I have captured in the photos on this page. I also now have an appreciation and can imagine where he found part of the inspiration to write What I Talk About When I Talk About Running (*), which I am now reading and enjoying.

That will do for now. Just leave it here.

Jogging Path (5 of 5) - Charles River / Boston (Mon 22 Aug 2011)
A bit of ramble to mark my 700th Post here.

Photo: Wilson Street Lock - Newtown (Sun 14 Apr 2002)

Wilson Street Lock - Newtown - Sun 14 Apr 2002 (photo.net)
The above photo was taken at the entrance door of an Anitque Factory called Original Finish (thanks Charlotte) on Wilson Street in Newtown.

I drive past here on days I do outrigger training. Often walk past here on weekends, as the area has unlimited parking and is convenient to the Cafes and Shops of King Street Newtown.

I had seen quite a few photos of this type on photo.net, and for some reason I noticed the lock and decided to photograph it up close using macro mode. It seemed to be more interesting cropped to a square format.

Surprisingly, a few days after uploading it to photo.net, I noticed that it seemed to be getting more views than my typical photo uploads. Normally, I would get the occasional viewer and would be lucky to get 20 to 30 views in the first week and hopefully a couple of comments. Somehow this photo found itself rotating on and off photo.net's home page and this explained the surge in views.

When I looked at this photo tonight after many years [1], I was surprised to see that it had reached almost 63,000 views. This has to be my most viewed photo on photo.net. Not a lot by popular photo.net photographers standards, but good for some one like me.

Some memories follow. I bought a small digital camera in Decmeber 2000 just before we went to the Cook Islands for a Holiday (see picasa). It was an original Canon IXUS. It cost $1,600 duty free and was all of 2 Mega Pixels (1,600 by 1,200 pixels). A small, cheap and out of date mobile phone camera would easily surpase this IXUS's pixel capabilities.

It was a great little camera and I used it to capture our memories.

I did not know anything about photography. When I overheard someone at Lunch talking about a web site called photo.net, I quickly found it and after I had figured out how the site worked, I joined up as member on Fri 16 Mar 2001. The site was a community that allowed the uploading of photos for comments, rating, and written critiques. There were also forums to discuss all things about photography, cameras, accessories and technique. It was the original photo sharing community. I can recall even the founders of flickr being ordinary members of photo.net just like me. They created flickr to develop a community that photo.net struggled to move to.

I met some great people. Also learnt a lot there and had just as much fun.

[1] I have not been really active on photo.net since late 2004 - ran out of quota to upload photos, but still lurk there.

Past, Present and Future - Winston Churchill

Saw this Winston Churchilll Quote at the Kennedy Library and Museum in Boston last Monday.

If we open a quarrel between the past and the present, we shall find that we have lost the future.

Winston Churchill

Graffiti - Manhattan Bridge / Brooklyn (Wed 17 Aug 2011)

One Stroke by Drew Ginn (29 Apr 2008)

Gondala/One Stroke - Venice - Sep 2009 (picasa)
One Stroke by Drew Ginn (29 Apr 2008):

[..] So what is it to be engaged fully in that one stroke?

After the fact it is difficult to isolate the experience of one stroke from the others. It is challenging to gain clarity on exactly one stroke because it happens in a flow of many more. [..] the dilemma is not just identifying the one, but ensuring it is pure and uncontaminated by the past one’s and future one’s.

The joy of performing the one stroke and immersing in it is challenged by the accumulated nature of the cyclic or repeated experiences. [..]

[W]hat is it to be fully engaged in one stroke[?] Knife-edge comes to mind. [..] the sense of being on a knife-edge is a great description. Less so from the perspective of balance or even match up, it has an essence that finds a cord within that is about effort, ease, maintenance and fatigue.

In fact to see it clearer I notice that the one, perfect one that I see is one of edgy contrast.

It is in a position of precarious, pointedness with a subtle oscillation between more than one element and more then one stroke including the past, present and future.

The elements involve self, team-mates, equipment, water, movement, harmony, mismatch, load, flow, hardness, relaxation, sequences, positions, focuses, emphasis, location, energy, strain, surge, comparison, connection, separation, isolation, effort, ease, understanding, knowledge, risk, exposure, confidence, doubt, poise, purpose, clarity, mistakes, errors, forgiveness, acceptance, love, joy, fear, ambiguity, tension, dynamics, leverage, struggle, difference, compliments, coaching, thoughts, distractions, intentions, actions, results, exchange, change, habits, confusion, satisfaction, uncertainty [..]

One stroke is so hard to describe, I know it when I feel it and some times I know it when I see it. Maybe the one is not perfect but we make it so because we like the idea of it being better than it really was.

The experience of rowing fascinates me because it has so many things it relates too. What I do know is that when I am engaged things change. The world looks and feels different and it gives me hope. Giving in to it, but not letting it get the better of you is critical. That may sound strange but there is something about being part of the boat, the movement, the other person, and the surroundings that makes so much sense of everything. [..]

Accessing the moment is not just about rowing, but I find it palatable to articular the action of rowing in a way that means something. One stroke at a time is a cliché and like one shot at a time it has meaning if you connect with it in some way. [..]

One stroke then is like every other stroke and they in turn they are like the days of life we live. It is just an experience how I choose to judge it or them is my choice. Years ago I watch a video the Searle Brothers made about their 1992 Olympic Games success in the coxed pair. In the video Greg spoke of a simple activity they did which involved calling out better or worse as a measure for each stroke they rowed. The idea I guess was to have more, better strokes and as such you develop accountability and improvement.

One stroke means different things and the reasons are varied. What enables full engagement in one stroke or in the moment is also varied. [..] One stroke unfolds and expands. Its meaning is huge and the vastness of experience is inspiring. Being at one in one is the art to rowing I suppose which really isn’t anything new, but repeated. So you see, like me, a cliché can mean so much which it does. [..]

Another Favourite Blog Post from Drew Ginn. A truly amazing description of rowing[/paddling] and as is usual with Drew's writings I can relate to in many ways.

I always find the strokes from the start to transition are the easiest to remember. Darren calls them the "glory strokes" and in many ways they set the boat up for the rest of the effort. Get it right and you are on the way. Get it wrong and you are on the back foot trying to recover. Can also remember some lift calls in various efforts over the years.

Love the description of 'Knife-Edge' and 'Edgy Contrast'. I often feel that when the effort is such that things seem to be edgy, that is where we need to be. Always wary of that that perfect feeling.

On Vivian Maier - Naomi Cass / Andrew Stephens (Sat 04 Oct 2014)

Street Portrait - Valletta / Malta (Sun 21 Sep 2014)
Andrew Stephens (*) writes on Vivian Maier (*):

the almost magical appearance of Maier's work, as if it had been conjured, has not only inspired much further creativity and contemplation about the nature of photography, it has also shown how their own interests and approaches have crossed paths with Maier's.

Naomi Cass (*) expands Vivian Maier (*) Influence (*) on the Past (*), Present (*) and Identity (*):

We always need to think of a way of activating the past with respect to the present. We couldn't assume Maier to have had an influence on contemporary practice, however all the artists in this exhibition are acutely aware of not just her work but the complexity of her identity.

via Maier's portraits are an unexpected gift (*) by Andrew Stephens (*).

A great article and probably the most interesting I have read on Vivian Maier (*). Her work has become well known and her influence is expanding into interesting and diverse areas of the art world.

An Ending (Ascent) by Brian Eno - 1983 (youtube)

An Ending (Ascent) - Apollo: Atmospheres and Soundtracks by Brian Eno (1983) / Video by tracerprod (youtube)
Just another random music video which I stumbled across just now, after following a Jeremy Rolleston Blog post (BTW, take a look, it is a great post). For me I liked the music, water theme of the video and some of the comments:

• This song really makes me think of my past, the past memories, locked away in my brain.


• You could float away listening to this song. Utterly peacful and tranquil in everyway.

Quite moved by this and I know that Jenny would have loved this for sure as it reminds me of a lot of the music she played as she meditated.

Our Future is Greater than our Past - Ben Okri - Memorial Gates / Hyde Park Corner / London (Sun 18 Aug 2013)

Our Future is Greater than our Past (*) - Ben Okri (*) - Memorial Gates (*) / Hyde Park Corner (*) / London (Sun 18 Aug 2013)

On Photography and Nostalgia - Jorg Colberg (Tue 04 Mar 2014)

Untitled - Madrid (Sun 11 Aug 2013)
Jorg Colberg (*) writes Nostalgia (*):

Photography is the medium of nostalgia (*): any photograph by construction shows us the past (*).

This is a time of nostalgia: regardless of where you look, we have become backwards looking, rehashing what was there in all kinds of ways [..]

We can’t let go of the past because we can’t stand the present (*).

Is that what it is?

via PROJECT PROFILES: Juan Aballe’s Country Fictions (*) by Jorg Colberg (*).

On Love and Loss - Joel Meyerowitz (Fri 20 Jun 2015)

Jenny and Geoff - St George Private Hospital (Fri 20 Jun 2009)

Joel Meyerowitz on Love and Loss:

All is being lost and yet there is nothing to do but love and care for them while watching the decline.

via All is being lost (Fri 26 Jun 2015) by Joel Meyerowitz.

Some might say I am stuck in past. But I don't really care about those thoughts. It's too hard to be anything other than who I was. These are my memories and they all I have now.

The power of photography to remember. They are all about the past from the very moment they are taken. So maybe all I am now is just a photography of love, loss and a life that was well lived.

On Confidence - Drew Ginn (Tue 17 Mar 2009)

Five One Hundredths of a Second - 500m Premier Opens Final - AusDBF Nats / Penrith (Fri 19 Apr 2013)
Drew Ginn (*) talks On Confidence (*):

iNflating or deFLating confidence happens all the time. Do you notice how others can have such and influence on your own confidence, and that is not to mention how much your own self talk can magnify what others say and do. [..]

I have reflected on moments during my life when someone has said something that has boosted my confidence and when someone has drained my confidence with something they have said.

via Confidence Balloons(*)o by Drew Ginn (*).

I did a great RPM class (*) today and for some reason i came out of the class and thought of this post that Drew made way back in March 2009. Vincent gave us so much today and for me it was mostly about giving us the confidence to push ourselves past our perceived maximums and achieve new levels of fitness, no matter who we were or why we were there.

I also know this thing about confidence to be true based on my paddling experiences.

When I first started out at PDs in 2005, I received an email from one of the coaches welcoming me to the club and team, adding that they felt I would make a positive contribution. It was only a couple of words but it helped motivate me to be the best I could with the limited experience I had at the time.

Eight years on now, and I am always surprised what a few words can do to lift my failing self-confidence. It happened a couple time this year and the people who boosted my confidence probably had no idea how much they contributed to help push me on.

Another occurrence this year was in the AusDBF National Premier Opens 500m Final (*) where Darren our sweep calls with 150m to go, that you are doing it (*). An amazingly appropriate and uplifting call to make when we were a nose behind and the last part of the race to finish off. Without those four words I am sure it would have been a different result. They gave us the confidence to know that we were there and he believed in us to take It home and to nudge our nose across the line first.

I always try to be positive and as realistic as the situation allows, and I hope that I have helped raise the confidence of a few others over the years. I guess in some way that means I might have more self-confidence than I give myself credit for :-). Hey, nice positive self-talk Geoff.

I am just also reminded of this little incident (*) which was one of the highlights of the USA 2011 Trip (*).

On the other side of the coin I also have learnt what deflates confidence and contributes to a "sub-optimal" performance. I know and remember these times and try to ensure that if they do occur again, that they don't affect me as much as they have done in the past.

On Photography and Understanding - Colin Pantell (Fri 20 Nov 2015)

An Angel's Wing over my Right Shoulder - South Cronulla (Mon 02 Nov 2015)

Colin Pantell on Photography and Understanding:

the act of photography [can be a] form of personal understanding of [our] own past

via Dear Japanese: A genuine struggle with the past by Colin Pantell.

I have felt a presence greater than myself, over my right ahoulder, twice in my life. Both times were since Jenny's passing. Will write about it and another moment one day. Have tried not to understand it beyond acknowledging that there is soemthing beyond me that I will probably never quite comprehend or understand. Just happy that I had someone looking over my shoulder when It counted. As the song goes Riding on the Wings of an Angel. Nice photo Rachel.

Self Portrait - South Cronulla (Mon 02 Nov 2015)

On Letting Go - Jeremy Rolleston (Mon 13 Jan 2014)

Portrait - Amsterdam (Tue 20 Aug 2013)
Jeremy Rolleston (*) writes On Letting Go (*):

Give up the past (*). We’ve all been hurt, we all [..] made mistakes (*), we’ve all had challenges (*) and faced our own battles (*). But don’t let your past define your future (*). Our background and circumstances may have influenced who we are, but they don’t define our future – we are responsible for who we become and for our own happiness (*).

via Are you happy ? … 10 things to give-up in exchange for happiness (*) by Jeremy Rolleston (*).

Red - PACT - Railway Parade / Erskineville (Dec 2010)

Red - PACT - Railway Parade / Erskineville (Dec 2010)
Have often photographed this roller door at the PACT Theatre which is just around the corner from where I stay at Alexandria. Drive past it most days. The building has recently been painted to this brown colour, after many years as a blue, with the roller door featuring many colours from a rainbow.

For this photo, the position of the late afternoon sun cast interesting shadows (I like shadows) on the wall and roller door. When I noticed the red haired lady running past, I waited until she was in the perfect position under the red A and in front of the shadow cast by the bricks on the right hand side of the roller door.

On Memories, The Past and Moving Forward - Claire Monneraye / Hiromi Tango (Sat May 17 Aug 2014)

Untitled - Alexandria (Wed 28 May 2014)
Claire Monneraye (*) writes On Memories (*) and Moving Forward (*):

emotion (*) and pain (*) and memories (*) can’t be put aside, [..] But new memories can be created by reusing and rebuilding the past (*). [..]

Hiromi Tango (*) adds:

Art has helped me to recover from certain times when I was having difficulties and has helped me cope with memories and emotions,

via Hiromi Tango finds relief from postnatal depression in her craft (*) by Andrew Taylor (*).

On Photography - Past, Present and Future - Joel Meyerowitz (Tue 27 Oct 2015)

School Holidays - Camera in Hand - Canberra (late 1960's)

Joel Meyerowitz on Photography and the Past, Present and Future :

We can never imagine the work we might make in the future – that’s part of the wonder of all art making – but when we are in the present and can look back, as I can, over 50 years of work, there seems to be a continuous path that unwinds in a way that sometimes seems inevitable.

via A Full House by Joel Meyerowitz.