"This is a Stencil Wall" - Gladstone Street/Enmore (Mon 15 Nov 2010)

"This is a Stencil Wall" - Gladstone Street/Enmore - Mon 15 Nov 2010 (picasa)
An amazing wall of Stencils/Graffiti.

You can see "Litte Red Riding Hood" (post here) below the TV featuring the quote "Sit Down, Shut Up".

Would be interested to know the history of this piece of Street Art - can I call it that?

Wall - Kyoto (Sat 15 Sep 2012)

Wall - Kyoto (Sat 15 Sep 2012)

Yarn Cart (2 of 2) - Agata Olek - Wall Street / New York (Fri 12 Aug 2011)

Yarn Cart (2 of 2) - Don't Steal From The Public - Agata Olek (*) - Wall Street / New York (Fri 12 Aug 2011)
It was great to have the Poliice car there.

On Intention - The Eye, Heart and Mind - StreetShooter (Thu 08 May 2014)

eljeiffel House (*) - Alexandria (Sun 04 May 2014)
StreetShooter (*) writes On Intent (*):

it’s very easy to adapt (*) the frame (*) to make a photo by moving but it’s more important to be where you are supposed to be and be using what you are supposed to be using because you want what your INTENT (*) wants to be as true to the EYE, HEART and MIND (*) as possible.

via May 8th, 2014 … Fuji X-Pro1 and 23mm May Be as Good as it Gets (*) by StreetShooter (*).

There was a rainbow (*) on the wall of the soon to be lounge room. I placed the camera on the wall and captured the photo above. I was interested to see how it came out. Must have placed the camera in the yellow part of the rainbow. Will experiment a bit more later ..

Favourite Photos: Wilson Street Newtown 2003 - Milk Crate Swingers

Wilson Street Swingers (Cropped) - Wilson Street/Newtown - Sat 01 Feb 2003 (picasa)
I had noticed this piece of graffiti for a while and quite liked it - always amazed how a few brushes and rolls of paint can be produce something so evocative (am I allowed to us this word for graffiti). Had my camera one Saturday morning (was well before my paddling days) and took a few photos of this wall and the surrounding area.

A few months later the wall was painted clean and I was reminded of the photo I had taken there. Prompted me to take another look at the photo (titled it 'Gone') which I straightened a little and cropped (see below - I felt the crop removed the distraction of the Garbage Bins, though when I look at it now I think I prefer the raw uncropped version - this often happens with photos with time) and put it up on my fledgling photo.net portfolio here.

Occasionally, I would receive a comment on my uploaded photos and it would take a few months to receive a comment for this particular photo. I was pleased to receive the following comment from Jonathan Walker:

'Oh, I do like this, largely because of the addition of the milk crates, which provide a quirky splash of colour and sense of depth to what would otherwise be a straight record shot. And in Newtown too (home of the quirky)!' jonathan w., December 08, 2003; 02:49 A.M.

Wilson Street Swingers (Full Image) - Wilson Street/Newtown - Sat 01 Feb 2003 (picasa)
The best thing about the Internet is that it connects you with people with similar interests (photography in this case) and you have the opportunity to learn new things very quickly. When I noticed Jonathan (he was a recently arrived English Academic working at the Uni of Sydney), I signed up so that I could see when he made contributions to photo.net. He had some great photos of Venice (not your usual ones, but they definitely appealed to my own way of seeing things) and other places. Most have now been deleted along with the great discussions they generated. I learnt much from his photos and words. There are some fragements of his writings remaining at photo.net.

When we decided that we would visit Venice for 4 days in September 2009 after our Prague Campaign, I decided to track down Jonathan, since he was a Historian with a great knowledge of Venice. Was pleased to find that he had his own blog - jonathanwalkersblog.com. and had republished many of his photos [I am a Pilgrim (more here), Venice, Let Us Burn The Gondalas - this work definitely helped me form my own photographic vision when in Venice in Sep 2009 - see here and here ] and thoughts on photography there. As well he had published a book - Pistols! Treason! Murder! - and is now just about to publish his first novel - Five Wounds.

In part, the purpose of this post and my photo above is to introduce Jonathan. I hope to write a little more about him, particularly when his first Novel Five Wounds is published in May 2010.

Black Sofa / Red Wall - ICU Waiting Area / St George Private Hospital (Thu 30 Jun 2011)

Black Sofa / Red Wall - ICU Waiting Area / St George Private Hospital (Thu 30 Jun 2011)

We Salute You Jack - Chalk Wall / Nathan Phillips Square / Toronto (Tue 30 Aug 2011)

We Salute You Jack (*) - Chalk Wall (*) / Nathan Phillips Square / Toronto (Tue 30 Aug 2011)

Favourite Photos - Erskineville/Sydney June 2004 - Trees and Shadow

Trees and Shadow - Erskineville - Wed 16 Jun 2004 (picasa)
Just a very simple photo I like. Pass here each work day as I walk up Swanston Street to Erskineville Railway Station. In winter, when the trees lose their leaves, they project interesting shadows onto the wall of this Terrace House. The trees are now much bigger and the shadows produced are not quite the same. Have taken many shots of this wall over the years, but I have not been able to get a better shot than this first photo.

Have seen many interesting photos that play with shadows. A tribute article (9 Niv 2002) by Robert McFarlane for the late Ingeborg Tyssen helped me to start looking out for shadows. A quote from the article I liked was:

'Whenever possible I carry a loaded camera ... I react without too much thought. Rarely do I wait for a situation to resolve itself. Nor do I direct or provoke people. The important aspects are composition, texture and light.'

A nice way to look a photography and when I look at my own photographic evolution, I guess I have unknowingly tried to look for at least the same three points - 'composition, texture and light'.

Shortly after Ingeborg Tyssen death in 2002, the Art Gallery of NSW arranged a Memorial Exhibition of some her work. I was really impressed by the simplicity and effectiveness of many of her photos. Indeed, for the most part, it was about 'composition, texture and light'. I also have a copy of her book - Ingeborg Tyssen: Sydney photographs.

The following was one photo, I really enjoyed and was a great 'play' on the use of a shadow ..

Tree#55 (1983) from Tree Series (Ingeborg Tyssen)
Another photo reveals the framing trick employed ..

Tuscon/Arizona - 1982 - see here (Ingeborg Tyssen)
I can't really remember, but I expect these simple shadow photos, helped me to see many shadow photos that I have taken over the years. One humble attempt in 2007 follows:

Tree Shadow - Wilson Street/Newtown - Jul 2007(picasa)
Liked the positioning of the shadow of the tree trunk across the path segment - beautifully aligned for a random photo. Also the top of a real tree apparently growing out of a shadow and the position of the air vent. Nothing great, but I was happy and entered it in the 2007 Sydney Life photo competiion which closed a few days later (of course to no avail :-).

A few more random shadow related photos that I could easily find just now, follow:

Pyrmont Bridge - Darling Harbour/Sydney - Thu 31 Jul 2003 (picasa)

Tree Shadow - Perisher Valley - Tue 6 Jan 2004 (picasa)

Pole Shadows - Wellington/NZ - Tue 5 Nov 2002 (picasa)

Shadow (and Silohuette?) - Circular Quay/Sydney - 8 Dec 2002 (picasa)
I think one thing that has helped me think more about shadows in photography, is the strong Australian sunlight. I have found when travelling in the UK and Europe, the sun does not seem to shine as much and when it does it is not particularly strong, and the shadows don't seem to be as prevelant. In Australia, shadows are hard to avoid, so you need to work with the stronger Australian light or you just avoid taking photos at these times.

In writing this, I have just thought of photos that employ the use of the Silohuette. Will write something about this at a later stage as I have also employed the use of silohuette's in many of my photos over the years and is another aspect of photography I enjoy.

Lastly, a little Shadow Excercise I read about recently (in Paulo Coelho's 'The Pilmgrimage'). Often it is fun when walking around to look at a shadows and try and work out what it is that created the shadow. Most of the time it is reasonably obvious (as in these photos), but sometimes it can be difficult to work it out. Have fun ..

Street Art - Chippen Lane #2 / Chippendale (Wed 01 Jul 2015)

Street Art - Chippen Lane #2 / Chippendale (Wed 01 Jul 2015)

More on Art - The Art of the Street ..

It's everywhere if you take the time to look. Some more glaringly obvious than others. And some of amazing skill, talent, aesthetics and colour coordination, while others less so, just like the Art of the Gallary Wall. And some more engaging and meaningful than others. I see something new everyday on my walk to and from work through The Gallery of Street. Price of admission is a pair of shoes, an open mind, and good senses of observation and curiosity.

It is a global phenomena and the Art of the Street is everywhere I have travelled. It is no doubt a human instinct deeply embedded in us from the dawn of mankind, starting with the primitive scratchings on the cave wall. What makes it so engaging is its immediacy and the ability to address the issues of our lives in the here and now.

Red - Keep the Wall Clean (2 of 2) - Darlinghurst (Fri 09 Mar 2012)

Red - Keep the Wall Clean (2 of 2) - Darlinghurst (Fri 09 Mar 2012)

All you have do is frame and click - Contact Sheets No.1 - William Klein (1988)

Picasa Contact Sheet - eljeiffel - New York (Fri 12 Aug 2011)
Picasa Contact Sheet - eljeiffel - New York (Wed 17 Aug 2011)
Just a couple of screen shots of some virtual contact sheets (*) from recent trip to New York. Will put a few more over the coming days as (the following youtube clip reveals) I think they reveal something about how I see when I travel.


From his film Contacts Vol.1 (*), William Klein (*) reveals some great insights into the working processes of a photographer.

It does not matter if you are great or unknown, if you care when you press the shutter to take a photo, we pretty much all go through the same thoughts and steps.

Some of the more interesting insights from the clip follow:

A sheet of contacts. 36 exposures. 6 strips of 6 photographs, taken one after the other. You read them from left to right like a text. It the diary of a photographer. You see what he sees through the viewfinder. His hesitations. His hits. His misses. His choices. He choses one moment. One angle. Another moment. Another angle. He insists. He stops.

You rarely see the contacts of a photographer. You only see the picture chosen. You don't see the before or the after like you do on proof sheet. [..]

Ok, the contacts. You see the before and after. Why one picture is taken rather than the other. And then why one is chosen rather than another. [..]

A wall in New York 20 years ago. Ciaro. Probably the name of a gang. Torn paper. A ready made photo. A kind of ??. All you have do is frame and click. You can do a hundread on that wall no sweat. It's there for the taking. There are pictures like that all over, you just have to look.

This picture is maybe better than that one. Or this one. Or that one.

Found the Klein clip from a Jonathan Walker (*) post (*). Always lots of good information on photography (*) there. Thanks Jonathan.

2011 Inspire Award - Pacific Dragons (Sat 16 Jul 2011)

Geoff, Lisa, Nicola and Joanne - 2011 Inspire Award Winners - Lisa and Nicola (Sat 16 Jul 2011)
Lisa, Jenny and Nicola - PD's Women Post Final Win Celebration - CNY 2008 - Darling Harbour / Sydney (Thu 06 Nov 2004)

Jo and I thank Pacific Dragons for Jenny's Memory to be remembered through the annual presentation of the Inspire Award (*).

Jo and I were honoured to present the 2011 Inspire Award (*) to Nicola Frowen and Lisa Green at the Pacific Dragons AGM held on Sat 16 Jul 2011.

My nomination for this award follows. As you will read, in many ways this award was a personal thank you to both Lisa and Nicola for the contribution they have made to helping me find my place in a new world.

From: Geoff
Date: 17 June 2011 1:21:04 PM AEST
To: "geoffeldridge@yahoo.com.au"
Subject: Inspire Award (*) Nomination ..

My nomination is for two people - Nicola Frowen and Lisa Green.

Why two people? I have thought about the nomination long and hard. For me, it came down to Lisa and Nicola, but when I started to write “why” for each of them, I found was virtually writing the same thing. As you will come to see, if you have not already realised – they are twins and that has meaning and implication.

Nicola and Lisa are actively involved in the running of the club, both from an administrative and paddling perspective. Both are long term committee members filling important roles, ensuring the short-term vitality and long term viability of the club. They are goal driven and process oriented, and constantly and consistently achieve results, through hard-work, effort and persistence. They are both adaptable and willing, and they will take on ad hoc and often difficult tasks at short notice. They are always approachable and fulfil the responsibilities in a collaborative and friendly way.

Lisa and Nicola have made vital contributions to the club as coaches and managers. Lisa and Nicola as OC6 Coaches – taking many club sessions and coaching the 2011 Takapuna Team. Nicola and Lisa have both helped with the Single Craft sessions. On the Dragon Boat side of things Nicola, with Lisa’s support managed the 2011 Macua bound PD’s Dragon Boat – they performed all the administrative tasks –before, during and after; arranged flights, accommodation, sponsorship, uniforms, etc. In my view we would not have left our shores, if it was not for Nicola and Lisa. The hardest thing about becoming World Champions in Macau, was not crossing the line first, it was actually getting there. Without Nicola’s drive, particularly, our world champion memories would still be just dreams. We cannot thank you enough.

As paddlers, they have excelled this year. Be it, in the Dragon Boat, OC6 or OC1, they have trained with dedication and purpose. This has resulted in PB’s in many areas and rankings in the top echelons of the various crews and craft. In this area they are twins again – often ranking within metres or seconds of each other in the various trials that are conducted for crew selections. In individual events, they are often on each other’s tail in the last metres of an OC1 race. They do all of this in a quiet, humble and modest way. I have seen them have draw confidence from their achievements and they have used them to keep improving – the best is yet to come for both.

It is easy to be inspired by their achievements as Club members. However, from a personal perspective, they have become role models to me – I see them as strong and independent people, and they have helped guide and inspire me as I try to find my place in the world without Jenny. Along with Joanne, both Lisa and Nicola have supported, guided and inspired me – they all already know this. I know Jenny would be touched by the time they have taken to listen to me, the advice they have given and the inspiration they have provided when I have questioned myself during times when I was completely lost in grief and the shock of Jenny’s passing.

When one becomes as actively involved in the clubs running, events and happenings (as Nicola and Lisa have), there are bound to be times that are difficult, and there have been a few such times. I know that they have each supported the other during such times and for that I admire them. For you see, being “twins” means they are best friends and I admire them for that and the “love” they have for each other.

I would like to think that Jenny would support me in my nomination and that the 2011 Inspire Award would be a worthy acknowledgement of Nicola’s and Lisa’s part in making Pacific Dragons what is today (and in the future), but also for helping me find meaning and direction in my life.

Lisa and Nicola - Great Wall / China (Thu 05 Aug 2010)
Jenny and Joanne - Great Wall / China (Thu 06 Nov 2004)

On Finding a Voice - Vandalog (Thu 26 Jul 2012)

Graffiti - Redfern St / Redfern (Fri 13 Jul 2012)
From Graffiti Underworld: Villains, Vandals and Visionaries — An Intimate Look at a Subculture (*)

Graffiti is the perfect opportunity to find a voice. Otherwise you would never find a voice

Reminded me of one of my earlier posts (*) about Graffiti in Venice:

While the oil-and-canvas masterworks hanging in the city’s galleries may reflect of Venice the Renaissance era, it’s what’s painted on the outside of the museum wall that reflects what Venetians — at least the ones wielding cans of spray-paint — are thinking now.

Red - Graffiti/Venice - Sep 2009 (picasa)

Bamboo Shadows - Alexandria (Wed 21 Nov 2012)

Bamboo Shadows (Detail) - Alexandria (Wed 21 Nov 2012)
Bamboo Shadows - Alexandria (Wed 21 Nov 2012)
Love the way the spot lit Bamboo (* leave shadows are projected onto the passageway wall. These underexposed photos really does not do it justice.

On Faliure, Success and Not Showing Up - Aline Smithson (Dec 2012)

Yoshi Jones (*) [1] - Bucknell St / Newtown (Mon 31 Dec 2012)
Aline Smithson (*) writes On Failure (*) and On Success (*):

It’s OK to fail.

You learn more from failure, than from success.

It becomes a time to take stock and reassess.

Success is fleeting anyway...it’s all about being true to yourself and making the best work possible.

And often, your best work rises from the ashes of failure, when you change directions.

where she adds:

It’s OK not to show up [..] to every opportunity.

via it’s ok to step back from the roar of the crowd (*) by Aline Smithson (*).

[1] Always something interesting on the side wall of Yoshi Jones (*). Have a few others here that I will link up with the Yoshi Jones Label (*), in my own time of course.

On Light - Rinzi Ruiz (Feb 2013)

The Wall - Berlin (Tue 09 Aug 2005)
Rinzi Ruiz (*) writes On Light (*):

Light (*) is essential to photography (*). [..]

I purposefully (*) and consciously see the light and chase it. [..]

It brought depth and mood to my images. It brought out the vivid colors (to some), and added shapes and geometry to my images. I search for light and also look for the shapes the shadows (*) make. [..]

I love (*) how light (*) reveals and how shadow (*) hides elements in the photograph.

via Chasing Light (*) by Rinzi Ruiz (*).

I have come to the same conclusion a long time ago. A great and passionate post about photography.

The Time of Your Life ..

Memories of Jenny - The Time of Your Life (youtube)

As many of you will know, I have another obsession in my life beyond paddling - Photography.

I started out buying a small digital camera for our Dec 2000 trip to the Cook Islands to visit Jenny and Jo's Meditation teacher, Barbara, who had moved there to help setup a refuge for women . We didn’t know a thing about paddling back then.

I had bought the camera hoping I would be able to capture our memories. It was a tiny digital camera by today’s standards, 1 Mega Pixel and it cost $1600 duty free and a 64 MB compact flash memory cost more than $300.

I did not flinch and I thought it was all worth it, as my credit card was swiped at Ted’s Pitt Street Camera Store the day before we flew out. 15 years later I can tell you here that it was one of the best things I ever did.

My motivation for the camera came from that fact that Jenny had 11 tumours in her lungs and I did not really know how long we would have together. In the end we had just over 9 years of married life. Given Jenny’s condition, a miracle really ..

We were married on 30th April of that Sydney Olympic year and we honeymooned on Lord Howe Island for 10 glorious days in May 2000. Jenny had a film camera and she took many photos.

On our return flight to Sydney, I remember a conversation we had at the Departure Terminal with an older couple from Whyalla who congratulated us on our marriage. We had briefly met them at dinner at one of the small restaurants on the Island.

They told us they had been married for many years and the trip to Lord Howe Island was a way of creating another experience in life and expanding their memories. Better than [running a busy business or] sitting at home and watching the Telly, they said.

This conversation and piece of simple worldly wisdom has stuck with me and I remind myself of it constantly. It was my main motivation to buy that small expensive digital camera for our December 2000 trip to the Cook Islands.

I took many photos that trip to Cook Islands, even of the Outrigger Canoes on the shore of Muri Lagoon - we had no idea what they were – who would guess our future.

Shortly after our return, Jenny and Jo found Dragon Boating. And over the ensuing years many experiences and memories were created, dutifully captured by our cameras.

I documented the many dragon boat campaigns here and abroad, and ensuing holidays that followed each event.

In the process of this documenting I came to realise the power of photography, not only its visual power, but its ability to record our experiences and remind us of things we have done and who we were. We were doing selfies before the term was even invented. We called them “Holdouts” and I think this might be the main cause of Jo’s shoulder injury.

In those last few weeks at St George Hospital in Jun 2009, I captured the last moments of our lives together. They are the best I ever made.

After Jenny’s passing, It took me a while to pick up a camera again. I had lost my purpose and will. I was hurting and numb all at once but paddled through for a year or two – it helped a lot to be busy and in the company of friends. New experiences were created and I even smiled [for] a little [while].

Lost in the enormity of what had happened so quickly, though it was not a surprise, I found my first moments of comfort and hope, when I decided to start looking at some of the photos from our lives together. It made me cry, but it also made me smile. I was so happy that I had this archive of bits and bytes to remind me of Jenny, Joanne, myself and who we were.

It was only after Jo told me to organise my photos and my Mum said I should start making photos again, that I started to move forward. I was completely broken but I took up their advice and kept myself busy again, organising and photographing again. I am still broken but I live with it better now, it is part of me and who I will always be, but I am happy, optimistic, naïve and creating more experiences.

So I guess what I am trying to say is that we have to go out there and make our memories through the experiences we create for ourselves.

In our lives we have loss, grief and bereavement. It is a part of living. You make a choice when it knocks on your door. And we have chosen to live in the Afterglow of our loss of Jenny – to remember and honour and be guided and inspired. Accept it and live with it and make the most of it, even let it inspire and motivate you. And that is what Jo and I have done, I would like to think.

“Believe in Hope” as the graffiti’ed wall in Cleveland Street said for a few weeks in July 2015.

Believe in Hope - Cleveland Street / Chippendale (Wed 29 Jul 2015)

Seven year ago today.

We remember Jenny. She (as they all do) lives on through our memories.

London Bridge - You must be somewhere in London - London (Sun 28 Aug 2005)

London Bridge - "Take 2" - You must be somewhere in London - London (Sun 28 Aug 2005)
Recently wrote about the above photo here (8 Dec 2010) and here (21 Dec 2010). I have always had some regrets about the full size version of the above photo. Henri Cartier-Bresson talked about these kind of post event regrets in his book The Minds Eye, specifically here (27 Sep 2010). Decided to crop the original photo (don't tell anyone though) and the above is the result - certainly a much stronger street photo. Certainly regret not capturing this on the day. In doing this, I am reminded a recent post on Shadow Photos (02 Jul 2010), specifically the photos of the Ingeborg Tyssen.

Finally, decided to look at all the photos that I took that day and found the photo below, which I had forgotten about. Seems an obvious photo to take and the above photo clearly shows the "Bull's Eye" effect - it is almost as if the horizontal and vertical lines of the wall slabs form a "crosshair" aim right through the heart of our little dragon - and btw the photo is uncropped.

London Bridge - "Bulls Eye" - You must be somewhere in London - London (Sun 28 Aug 2005)

Forgotten Years - Midnight Oil (1990) (youtube)

Forgotten Years - Midnight Oil (1990) (youtube)

Who can remember, we've got to remember


Norm (a few weeks before he suddenly passed away), Jo, Margaret, Geoff and Jenny - Graduation - Masters Degree in Accounting - Town Hall / Sydney (May 1992)
Anzac Day here in Australia. Jo and I have just been for a long paddle in the rain under and around the Anzac Bridge.

Always think of this song on Anzac Day. I remember hearing this back in the early 1990's. Whenever I hear it now, I think of Jenny and Joanne's Father, Norm. I was always invited around to the Petterson Home for lunch on Anzac Day (I would have three Anzac Days with Norm before he passed away suddenly in June 1992) and there would always be Anzac Biscuits with a tea or coffee for afterwards. Joanne has made a batch for today, so the tradition continues.

Norm - Woranora (Wed 22 Dec 2010)

Random Recollection follows: Was lucky enough to hear Midnight Oil play this song live in April 1990. I was the only member of the audience ..

I played hockey for most of my life and back in the late 1980's and early 1990's we started playing on a synthetic surface, rather than the traditional grass. The only fields in Sydney at the time were at Homebush (the site and surrounding area would host the Sydney 2000 Olympics).

The only other sporting facility at Homebush at time was the State Sports Centre which had a number of sports halls for playing basketball and many other indoor sports.

After finishing a week night training session with my club, Sydney Uni, I could hear live music being played in one of the sports hall. It was early in the season and it was still warm. The doors to the Hall adjoining the hockey field was open, so I had a look.

At the far end of the Hall was a band playing - it was Midnight Oil rehearsing for an upcoming tour. I sat down, leant against the wall. They appeared to not notice me or did not care. As the lone audience member, I just sat back, thought how lucky I was, and watched and listened to Midnight Oil rehearse a number of songs.

This song, the Forgotten Years was one of them. It stood out to me and I liked it immediately (still do). It was the first time I had heard it and I remember telling Jenny about my good fortune and hearing all their big hits of the time (eg Beds are Burning). I told her about this song, which I had not heard before.

I don't know exactly when, but I know this song started to get some air play and I saw the above film clip which seems to give the song even more meaning.

Here are the lyrics ..


Forgotten Years Lyrics

Few of the sins of the father
Are visited upon the son
Hearts have been hard
Hands have been clenched into fists too long

Our sons need never be soldiers
Our daughters will never need guns
These are the years between
These are the years that were hard fought and won

Contracts torn at the edges
Old signatures stained with tears
Seasons of war and grace
These should not be forgotten years

Still it aches like tetanus
It reeks of politics
How many dreams remain?
This is a feeling too strong to contain

The hardest years, the darkest years
The roarin' years, the fallen years
These should not be forgotten years
The hardest years the wildest years
The desperate and divided years
Our shoreline was never invaded
Our country was never in flames
This is the calm we breathe
This is a feeling too strong to contain

Still it aches like tetanus
It reeks of politics
Signatures stained with tears
Who can remember, we've got to remember

The hardest years, the darkest years...
Forsaking aching breaking years
The time 'n' tested heartbreak years
These should not be forgotten years

The blinded years, the binded years
The desperate and divided years
These should not be forgotten years
Remember

As someone said ..

This is simply a song about remembering the sacrifice made by all soldiers during war.

What do you give when there's nothing left to give? - Drew Ginn (Sun 15 Jul 2012)

Directional Sign - Nathan Road / Kowloon / Hong Kong (Sat 07 Jul 2012)
Drew Ginn (*) gives some insights in Training Update: IN the ThiCk of iT (*)

So when I have thought 'No More' I have simply asked, why?

and he adds (*):

With this I have also opened my eyes wider, opened my mind, and opened my body up to experience what needs to happen to improve.

And there is more (*):

With 'no more' comes 'knowing more' and its only through getting stuck that we can appreciate getting un-stuck.

We must hit a wall to know whats its like to pass or over come one.

We must be without an answer or solution to realise what its like when we can find a way.

Being in the thick of it is critical to success as its in the times of stress, loss, thickness and heaviness that we can learning, realise and appreciate another state, way or experience.

Typical Drew at his abstract and convoluted best. A great read which takes a few times to digest.