Showing posts sorted by relevance for query Everything. Sort by date Show all posts
Showing posts sorted by relevance for query Everything. Sort by date Show all posts

Saturday, September 29, 2012

If this is it (Solo Acoutsic) - Newton Faulkner / YouTube (June 2009)

"If this is it" (*) by Newton Faulkner (*) [YouTube (*)]

Live at Cheltenham Town Hall - solo acoustic gig June 2009.

If this is it: Lyrics
No one move,
No one speak,
Please don't say that it's just me, it's not just me.
And even though I wont forget,
Just don't want this to end just yet, not just yet.

And if I had one chance to freeze time
And stand still and soak in everything,
I'd choose right now.
And if I had one night where sunshine could break through and show you everything,
I'd choose right now,

If this is it, all we have,
I know I've done all I can,
If this is it.
And we can't stop, and start again
We can't fast forward to the end
This is it.

And if I had one chance to freeze time
And stand still and soak in everything,
I'd choose right now.
And if I had one night where sunshine could break through and show you everything,
I'd choose right now,

I can take the slings and stones and fire,
Because I know you’ll make it all worth while,
Every time I fold, dissolve, I’m lying on the ground,
You drag me up again, and again,

Before the fears that I once had start coming back... again.
Oh please come back again... again,
Oh please come back again,
Oh please come back again.

And I'm so scared I might forget,
Just don't want this to end just yet,
Not just yet.

But if I had one chance to freeze time
And stand still and soak in everything,
I'd choose right now.
And if I had one night with sunshine to break through and show you everything,
I'd choose right now,
Before the fears that I once had start coming back... again.
Jenny - St George Private Hospital [11:48am (*) / Tue 23 Jun 2009 (*)]

Wednesday, January 30, 2013

On Change and Moving Forward - Kirk Tuck (Wed 30 Jan 2013)

Floorboard Cross Section - Kyoto (Sat 15 Sep 2012)

Kirk Tuck (*) talks On Change (*):
The thread that should run through everything though should be to honestly have fun with your work.

You don't have to love everything but you sure have to like the process.

But to fall back in love with the process you have to yield to the idea that everything changes.

It's always tough to stomach that change must include me...
via (*) by Kirk Tuck (*).

While Kirk abstracts the above from his working life as a professional photographer, it is a great way to understand the change proces, discontinuities in your life and whether you upto going with it or wallowing around in self pity for what once was (hope that makes sense).

Friday, April 26, 2013

Five One Hundredths of a Second - 500m Premier Opens Final - AusDBF Nats / Penrith (Fri 19 Apr 2013)

Five One Hundredths of a Second - 500m Premier Opens Final - AusDBF Nats / Penrith (Fri 19 Apr 2013)

Once, twice or, maybe three times (if you are fortunate enough and willing to take the risks) in a paddling career you do something unbelievable. Something you just can’ t explain, though sometimes it worth giving it a try. Here goes ..
You are happy you have made the major final. You know you are up against strong teams. The favourite, the team directly on your left, you have not beaten in three years. In fact you have not been within a boat length, over 500m, for the last two years. Against the odds, and your failing self-confidence, you still somehow believe that we can still get across the line first. To be part of of something great. There is always hope at the start. It is a chance to create who you want to be. You don't get your hopes up too high, as you have been disappointed in the past. You don't think about all of this too much at this point. The focus is putting your best race on the water and seeing how it compares to the others when you have all crossed the line. You are not overly nervous, but you are excited and proud to be there. A supportive and encouraging tap on the knee for those around you. Remember it is a 30 stroke start. Just focus on the first 3 strokes and take it one by one from there. Clean water. Hand out of the water. Blade buried. Make sure you feel and stay connected with the water with every stroke. The starter aligns us and we ready. "Paddlers, are you ready, attention please" .... the gun does not fire for some reason. This has happened a few time before over the years. Keep your focus, no distractions. We will be away soon. Refocus, lets do it again - 30 Start, first 3, deep and clean - feel the water. "Paddlers, are you ready, attention please" ... "GO". You Go on the "G". 1-2-3, up, up, .. 10, up, up, .. 20, up, up, ..7,..30, reach, reach, hinge, hinge. The boat is up and running and there is something there. We are hingeing and driving through the stroke. The boat is more than running, it is been driven through the stroke like it has felt in training over last few weeks, except this time it is race intensity, not level 4, Remember this Geoff, Remember this moment. We are there next to them, where usually they pull away here, but we talked about staying connected. Give it everything to the 250m and refocus. Somehow, we are sttil there at the 250m. Refocus and reinvent yourself, I think. Drive, Drive is the call, We are still there, connected. You have a 6th sense (and good hearing) and you know without looking that our drummers are side by side. Passing the 200m start hut and the little red lane marker buoy. There is something uplifting in our Sweep's voice - "you are doing it". The lane buoys turn to red - we are 100m out. We have done everything our training has given our bodies - it's amazing to find that something extra that the sport scientists say should not be there. Mentally, prepare for the lift home. This is the most crucial part of the race - they are probably a nose ahead. We are going to have to do something amazing - something the other teams have pulled on us often over the years. "do it for the gold (or was it girls?)" is the call. We lift. We lift. The rate comes up a touch and the boat becomes light as we surge forward with every stroke - narrowing the margin. It is all clear as day, those last few strokes. You give it everything you've got when there is nothing to give. You cross the line, you hear the finish horn blast away in succussion. You look across and you know you have done it. The look in your competitors faces tell you that they know you have also done it and you take a few quiet moments to take it all in, while some of the others around you show their elation more jubilantly. Gasping for air, you touch the same knees as you did before the start. This time the "ritual" tap is to acknowledge your team mates efforts and the fact that you have done something that does not happen that often in a paddling career. "Three cheers for the other crews" is the call from our Drummer - three "hip hip". and a breathless "hooray". We bring the boats in and we all get off. Back slaps and hugs all around. Not even a second thought who won that one as you make your way through the other 180 or so paddlers you have just competed against. You smile and for some reason laugh. This kind of win does not happen that often - "take it in", "take it in" you say to yourself. You see many familiar faces as you walk through the line. They are happy for you. Many you have experienced some amazing experiences around the world in Australian Campaigns past and you hope that the journey with them will continue. Somewhere along the way you hear that we did it by five one hundredths of a second. You know the course well and you smile that you can pick such a small amount of time moments after crossing the line. What a race. You think to yourself, "it's not that we won it, it is how we won it" – it's just not what was expected by many (including yourself) and that is the beauty of dragon boat racing - the randomness and uncertainty to some extent. The boat has never felt like that out of the start and into the transition. You think to yourself, you have never paddled like that before. You feel fortunate that you took the risk to be there, you did the training, the testing, you've put yourself on the line time and time again. You have been crushed by the ramifications of defeat and oddly enough, those one or two other once in a life time victories . At the end of the day you know that it is worth the sacrifices you make to do what you have done, do and hope to do. Maybe this is not the end, but a new beginning ..
I will leave this unedited. It’s just a stream of thought that came out of my subconscious in the last 20 mins. Hope it makes sense and it will be fun to read, many year’s into the future.

Five One Hundredths of a Second - 500m Premier Opens Final - AusDBF Nats / Penrith (Fri 19 Apr 2013)

Wednesday, December 31, 2014

Give it Everything - Cameron Wurf (Thu 25 Dec 2014)

PD's Open - Five Islands OC6 Regatta / Lake Illawarra (Sun 19 Oct 2014)

Cameron Wurf (*) writes on Giving it Everything (*):
give it everything you have to get the best possible result you can achieve. That way when you cross the line you have no regrets because you've given it all you have and you can now relax and enjoy what you've just done, win or lose.
via Socal ing with Cal! (*) by Cameron Wurf (*).

Happy New Year.

Tuesday, March 23, 2010

Photographer: Murray Fredericks

Murray Fredericks is an Australian Photographer. I was aware of him and his works from my foray into large format photography. I had bought a 4x5 inch large format camera in Shanghai in November 2004 (that's another story) and I needed to learn how to use it. Murray was offering a weekend workshop at a rural location in western NSW, near Oberon, and I had considered attending. With assistance of my friend Leigh Perry, I was able to work it all out and did not need to take Murray's workshop in the end. Some scans of my initial transparencies, by an Epson 4990 scanner, are here

I follow news regarding photography and photography exhibitions in Sydney - typically article written by Robert McFarlane who writes occasionally for the Sydney Morning Herald (just found he has a blog at ozphotoreview.blogspot.com). I have known of Murray since the time his work was exhibited at the Point Light Gallery in 2003. His initial SALT work was also reviewed by Robert McFarlane

When flying to Prague, on the flight to Prague from Helsinki on FinnAir, I was pleasantly surprised and delighted to read an English Newspaper (The Financial Times) that had a review of Murray's exhibition in London at the Hamiltons Gallery in Mayfair. I pulled out the page inflight and put it away with a mental note to make sure I would find the Gallery and view the Salt Exhibition when in London a few weeks later. Was very impressed to read that his photos were being compared to Turner paintings and that the largest and most expensive photo was being sold for 30,000 Pounds - pretty impressive for a humble landscape photographer who started his career as an Economist from Sydney University.

Blue Sky Thinking - Murray Fredericks - SALT II - A Newspaper Article found inflight between Helsinki and Prague - Sat 22 Aug 2009 - (picasa)

The day before the Great River Race, I had organised our seats on boats and I had time to do some sight seeing in London. I found the Gallery using Google Maps and made my way there on the Tube. I found the Gallery easily and chatted with the Gallery guy, who gave my a DVD of the SALT Documentary of his trip to Lake Eyre. Managed to sneak in a few photos before I left for the Photographers Gallery (yet another story), which was walking distance away (well maybe at least a couple hours rambling through the back streets of London).

Murray Fredericks: Salt Exhibition - Hamiltons Gallery / London - Fri 04 Sep 2009 (picasa)


Murray Fredericks: Salt Exhibition - Hamiltons Gallery / London - Fri 04 Sep 2009 (picasa)


Murray Fredericks: Salt Exhibition - Hamiltons Gallery / London - Fri 04 Sep 2009 (picasa)


SALT37 by Murray Fredericks - Sep 2009 (www.gosee.de)


Self Portrait in Lake Eyre - Hamiltons Gallery / London - Fri 04 Sep 2009 (picasa)

The ABC are showing his SALT Documentary tonight. There was a review in yesterdays Sydney Morning Herald titled - Searching for infinite space in extreme locations. An extract follows:

Murray Fredericks - Sydney Morning Herald 22 Mar 2010 - Searching for infinite space in extreme locations - Tue 23 Mar 2010 (picasa)

Having been "the guy with a camera" at high school who took pictures of sports teams, Fredericks was a serious photographer with commercial and artistic ambitions in his mid-twenties. He shot what he calls traditional coffee table-style photos until he realised he wanted more from his work.

"I reached the point where I went through everything and went 'there's nothing new here'. All I'm doing is finding new angles and new locations but the message itself - and the way the message is delivered - isn't changing'," he says.

"So I went through everything again and I thought 'which images affect me differently?' and they were the images that conveyed a sense of space."

That discovery has taken Fredericks 14 times to Lake Eyre in outback South Australia in the past six years. His aim was to photograph the flat salt plain with its low horizon and lack of distinctive features.

Hauling his gear to the location by bicycle, he spent up to five weeks by himself trying to capture the nothingness. And when things changed, he wanted to capture that too.

"Everything happens on the cusp, on the change,'' he says. ''It's the transition periods that are interesting because that's when the stuff you can't imagine or you can't expect happens."

Fredericks's shots of land and sky have proven so popular there are three galleries - in Sydney, Melbourne and London - waiting for his new work.


SALT 8 by Murray Fredericks


Found a nice review by Rebecca Wolkenstein who writes:

.. it wasn’t until I viewed his film SALT, that I decided my roster couldn’t live without him. The film and the work had a spiritual element I had never really understood before then. It sounds rather dramatic to be speaking this way, doesn’t it? When the film comes out [..], I highly recommend that you immerse yourself in the landscape. It’s full of surprises.

SALT 5 by Murray Fredericks


My friend Leigh Perry shoots very similar photos, but typically from the shore of Sydney's coastline - see his portfolios: Invariance and Peripheral Vision. Beautiful photos ..

Invariance #116011 - Reef by Leigh Perry


Invariance #332 - Lake. by Leigh Perry

Sunday, August 24, 2014

Be Audacious - Ravenna 2014

Home (*) - Blackwattle Bay / Sydney (Sun 24 Aug 2014)

Creature of habit, but I like this routine. Always go to Blackwattle Bay on the last Sunday before we leave to compete. I walk, take a few photos (*), read, think and reflect. And this time I wrote something, so here it is ..

I’ve been thinking lately about how every year seems to be different. It's natural. With time, things do change and I thought that this was the only reason things appeared to change. But you know what, even if everything did stay the same, it is still different, because you are different. You see things differently because you are a year older and all that goes with that, if you are doing something with your life.

With that rather random introduction (but I think there might be something in it), I thank everyone at Pacific Dragons for making Ravenna 2014 (*) happen.

How does such a small club get itself half way across the world to compete against the best clubs in the world?

It takes a thought, a dream, a goal, some intention, commitment and dedication. That's part of what it takes and the Club has lots of this and all the other things needed to be competing at our 4th consecutive World Club Crew Championships. I thank you all.

So with another candle on the cake, and with two sessions to go, I've come to love and appreciate this part of the campaign. I’ve been thinking lately:
  • You know you are being coached by the best in the world - I told the boys this at the AB when we met in Feb this year, that alone is a good enough reason to buy in on the campaign.

  • You feel fit and you know the effort is paying off – a conversion and gelling process is happening. After 70 or so water sessions, we are doing some really intense sets now. Things you just could not do, even a few months ago – and you thought were pretty good back then

  • It’s scary but you love it.

  • More so now, it’s not just what you are doing, it’s what you are thinking, what you believe.

  • It’s not just to do your best, but to go beyond that and to give it everything.

  • It’s not just for you, but for everyone who has loved, supported and helped you to get to this point.
Finally, going back to where it all began for most of us this campaign, I was asked in front of the Group, at the AB, that night back in Feb:
What is it like to be a World Champion?
I did not know what to say (and it was the reason I sent out that Five One Hundreths of Second (*) Post on FB after the meeting). And, I'm not sure that it is even the right question, but I did say something like this:
It's one step at a time. It is great to feel like you are in the game. You can’t expect to win, it’s not your fate or destiny to win and you definitely can’t just hope to win. You have to try. And you have to have confidence and belief in yourself, your support network and your team. [1]
and with that I concluded:
Be Audacious!!! [1]
And, so I am and so I think we all should be ..

Regards .. Geoff

[1] the essence of these thoughts came from a great blog post (*) I had just read at that time by a Canadian Olympic Kayaker, Adam Van Koeverden (*). For me, he is Canada’s Drew Ginn (*), both who are inspirations to me.

Saturday, December 12, 2009

Thank You: RPM ..

I started RPM (an interval based stationary bike programme with 7 cherographed training tracks) at Sydney University's Aquatic Centre's RPM Studio on Fri 11 May 2007. I was so "pumped" and I can still remember calling Jenny almost straight after the session to say that it was everything (plus more) that I hoped it would be. Jenny and Jo had told me about their "Spinning Classes" and how much they enjoyed it. I had finally found the same thing - thanks Jenny and Joanne.

RPM Studio - Sydney Unit Aquatic Centre (Mon 30 Nov 2009)

I had been toying with the idea of doing some Group Fitness at the Sydney Uni Gym. My membership at the time allowed me to use the Gym equipment only. The previous weekend I had successfully trialled for the Australian Senior Open's Dragon Boat team to participate at the 2007 IDBF World Dragon Boat Championships. I was looking for something new and thought I needed to try something different, to compliment the running I was doing for my cardio.

I was a little nervous about the joining the Group Fitness Programmes and in my normal way, I put it off until I read a blog post by Drew Ginn titled:

I had been following Drew's Blog for a few months. I had really connected to his writing style (particularly the grammatical and spelling errors :-) and found all his articles to be very motivating. Being a Rower, his articles could easily be translated and related to my world of dragon boating [in actual fact, I have felt that I have almost lived a parrallel life, though not quite at the same level :-) ]

Vincent and Geoff - RPM Sydney Uni Aquatic Centre (Fri 27 Nov 2009)


Heart Rate - First RPM Class - Fri 11 May 2007 (Vincent)


The Ridden into the ground and loving it post was a motivating story, but it was the following quotes that really caught my eye:

[..] The remarkable thing is each time I go into this place, into this zone I find something special, something new. [..]

[..] The pleasure is in the relationship the lies within the range and scope of extremes. The vastness of feelings marks a cycle. Not just the one we ride but the one that is ever present inside us. [..]

These were the feelings I wanted to explore more. Maybe RPM could accelerate what I had already learnt in the boat.

RPM has turned out to be one of the best decisions I have ever made regarding my development. It has been everything I hoped it would be, plus more.

What have I found in RPM? I have found many things: discipline, the cherography for each track requires a mental discipline. A sense of timing and feeling: the music and tracks require a feeling for the beat and rythym - much like the feeling you need to find when paddling. The interval based workout requires a measured approach to your effort. On top of all of this you become very fit.

Ali and Geoff - RPM Sydney Uni Aquatic Centre (Mon 30 Nov 2009)


When I first started I would hide in the middle of the class and try not to be noticed as I do with most things. As my confidence and understanding grew, I bought a pair of bike shoes with clips (the 2007 Tour de France really motivated me there). With the new shoes, I had to move upto the front row where the bikes with toe clips were. It was a great move. It helped me with my dragon boating (even more), where I had just started to stroke (i.e. sit in the front seat). I started to develop a sense of feeling the energy, and timing behind and around me - it is very similiar to stroking a boat.

Loulou and Geoff - RPM Sydney Uni Aquatic Centre (Tue 01 Dec 2009)


One of the bests parts of RPM for me has been the people. Vincent is the head instructor at the Gym and has worked (and still teaches instructors across Australia) for Les Mills (an Auckland based company) who run and develop the RPM Programme worldwide. James has been an instructor for years and is probably one of the best instructors in Australia - he brings his mountain bike experiences to the class. I have seen both Ali (she started the same time as me) and Loulou go from participants to intructors who run amazing classes and bring their own personalites to each session. Vincent has taught them well, it has been a delight for me to watch their progress and development. As I said, this has been one of the best parts of RPM for me and they have inspired me in my own endeavours.

James and Geoff - RPM Sydney Uni Aquatic Centre (Wed 02 Dec 2009)


These people have contributed significantly to make me the person and athlete I am and I can't thank them enough. Just recently I personally thanked each person and gave them a copy of Jenny's Gold Medal story with a big thank you for their part in my development. Also took the chance to get a photo.

Thank you Vincent, Ali, Loulou and James and all the RPM team at Sydney University Aquatic Centre.

Geoff

Sunday, February 23, 2014

On Trying - Adam Van Koeverden (Wed 19 Feb 2014)

Pacifc Dragons Premier Mixed Crew - CNY / Darling Harbour (Sat 08 Feb 2014)

Adam Van Koeverden (*) writes:
Trying to be the best in the world is innately audacious. That’s what makes these competitions so insanely exciting. Our athletes are willing to put themselves on the line, and do the most admirable thing. Try. They will sweat, bleed, gasp and cry, to try and get our maple flag up on the top spot and have them play our national anthem.

When our athletes win, it won’t be fate (*) or a fulfillment of any destiny (*). The Canadian Olympic team has what it takes and they give their everything, everyday. They’ll win because they tried, and were the best.

So, I’m making a pledge. I am dispensing with any predestined expectation (*) and prediction (*), but I’m going to do a heck of a lot more than hope (*). I’m putting my confidence (*) in them. And I hope that helps.
via Hope, Pressure and Expectation: Finding a Winning Combination (*) by Adam Van Koeverden (*).

A post (*) I will read again and again. It gives so much clarity to everything around trying to do something.

Thursday, August 21, 2014

Doing the best I can - Seth Godin (Thu 14 Aug 2014)

Doing his everything - Sacre-Coeur / Montmartre / Paris (Aug 2005)

Seth Godin (*) writes on Doing our Best (*):
Doing the best I can

...is actually not the same as, "doing everything I can."

When we tell people we're doing the best we can, we're actually saying, "I'm doing the best I'm comfortable doing."

As you've probably discovered, great work makes us uncomfortable.
via Doing the best I can (*) by Seth Godin (*).

Saturday, March 8, 2014

Same Same but Different - Jason Kottke (Sat 08 Mar 2014)

Space Needle - Seattle Center (Sun 10 Apr 2014)

Jason Kottke (*) writes:
Everything was the same as it was before, except that everything was different. Does that make sense?
via When Kurt met Courtney (*) by Jason Kottke (*).

I flew into Seattle from Sydney on the day that Kurt Cobain's (*) body was found in the loft of his Garage on the shores of Lake Washington. The first I heard of the sad news was on the radio when I woke the next morning in my room of the Seattle Youth Hostel I was staying.

I would wander the streets of Seattle and ride a bike along the shores of Lake Washington the next few days randomly viewing the sights as I have always done. I even attended an impromptu memorial for Kurt Cobain at the Seattle Center a day later. I did not know about it but just stumbled upon it at the early stages.

It was eventful few days in Seattle, I was at the Boeing Production Site in nearby Everett to witness the maiden test flight of a Boeing 777 in the colours of El Al Airlines. To finish it off I would watch a game of Basketball in the same Stadium as Bill Gates. I would almost walk into him as we all the left the Stadium post game, and I mean literal walk into him :-).

I had forgotten about all of this until I read the few words above at kottke.org

Wednesday, January 26, 2011

'England' by The National on Q TV (youtube)

'England' (High Violet) by The National on Q TV (youtube)

England

Someone send a runner
Through the weather that I'm under
For the feeling that I lost today
Someone send a runner
For the feeling that I lost today

Someone send a runner
Through the weather that I'm under
For the feeling that I lost today
Someone send a runner
For the feeling that I lost today

You must be somewhere in London
You must be loving your life in the rain
You must be somewhere in London
Walking Abbey Lane

I don't even think to make
I don't even think to make
I don't even think to make corrections

Famous angels never come through England
England gets the ones you never need
I'm in a Los Angeles cathedral
Minor singing airheads sing for me

Put an ocean and a river
Between everybody else,
Between everything, yourself, and home
Put an ocean and a river
Between everything, yourself, and home

You must be somewhere in London
You must be loving your life in the rain
You must be somewhere in London
Walking Abbey Lane

I don't even think to make
I don't even think to make
I don't even think to make corrections

Famous angels never come through England
England gets the ones you never need
I'm in a Los Angeles cathedral
Minor singing airheads sing for me

Afraid of the house, stay the night with the sinners
Afraid of the house, stay the night with the sinners
Afraid of the house, 'cause they're desperate to entertain


[ Thanks to LottieP yet again for a recent Facebook Entry and National Velvet (11 Jun 2010).

Nice to find some new music. After listening and watching some Youtube videos, bought National Violet and Boxer and now have them on my iPhone. Brilliant Band.

I will try to write what this song means to me at some stage. Particularly the line You must be somewhere in London. In some ways I have already started.]

Friday, July 6, 2012

My Island Home (Acoustic Version) - Christine Anu

My Island Home (Acoustic Version) - Christine Anu

A beautiful version of this song, even with this low-resolution YouTube version.

Three years ago today this song was the one I chose to play as the first song as we left the Service for Jenny's Farewell. I will never forget the first few notes of this version of this song - each note is like a pin dropping and a kind of an awakening to the reality of Jenny's loss. I felt at the time, and even now, that Jenny has found her Island Home.

It's a long story how this song ended being played, but it seemed right at the time and it still does.

I remember a lot about this day and I seemed to be in control of everything even though everything was out of control. I could tell a few stories about what could have gone wrong but was avoided through a sense of calm and control I have rarely felt throughout my life.

I know everyone remembers the amazing Sunset as we left the Chapel and people still talk about it even today.

It was only at the end of the day when I finally arrived home that evening after the "Get Together" following the Funeral, that I broke down alone in the darkness of the room where I had written my talk for Jenny's Eulogy earlier that day.

It's been a long and hard road since then but I keep moving forward as Jenny would have I wanted.

Thinking of the leading three or four acoustic guitar notes of My Island Home, in the silence of the Chapel, at the end of Jenny's Funeral, always puts a tingle up my spine and is one of the defining memories of that day and my Life.

Today I remember, 7500 km away from where she rests ..

Jennifer Joy Petterson - Three Years On - Woronora (Sat 30 Jun 2012)

Saturday, November 3, 2012

On Life Purpose - Hands Clean - Alanis Morissette / Live from Abbey Road (YouTube)

Hands Clean - Alanis Morissette (*) / Live from Abbey Road Live (*) [Youtube (*)]

At the end of the first song Hands Clean (*), Alanis gives this amazing calm and lucid insight into fame and her life purpose. Here it is:
[On] Fame. At this point I would say that it is a planetary value - wealth, fame, power at the cost of everything else.

So I think that value being shared around the planet creates in people this thought that if I am famous, I will be happy.

And what I have come to see is that fame only amplified that which was there already.

So if I was depressed or I if I was insecure or if I was angry or whatever it was it just amplified it.

It made everything bigger and it did not sort of give, give me what it had been sort of purported to be able to give.

And so there was this great disillusionment.

[On Life Purpose] At this point in my life I am clearer that I share music because it is part of my life purpose.

To write it is, the act of writing it is for me and the act of sharing it is so that other people can make it their own - they can derive comfort, inspiration or whatever they want to derive from it.

So it becomes an offering of some kind and because of that I can do it and I can work really hard.

If I were singularly doing it to just be in the public eye for gratuitous reasons, than I would probably last about an hour.
This was recorded sometime in 2008, I am guessing. I saw it late one night on the ABC in February 2009 (*).

It was a rather random viewing and because I knew of Alanis' music, I decided to record her segment of the show on my PVR.

Over the ensuing months I would watch it repeatedly, often in the middle of the night, when Jenny had fallen into a deep sleep. I was mesmerised by Alanis' voice, the musicians that supported her and the live performance. In some ways this video takes me back to those last few months with Jenny and the sense of innocence (*) we all had with what we were about to confront (*).

Alanis' words, reflects the the depth of her experience and her delivery touched me back in 2009, and they touch me even more now because of the memories they evoke three years on, as well as her insights into life purpose, something that I have had to grapple with when you feel you have fulfilled your purpose in life.

This recording takes me back to those nights before Jenny's passing where I would watch this video safe in the comfort that she was in the next room, breathing and still with us.

Tonight, I have captured this part of my life here - I tried to add it to my blog back in early 2010, but it was too hard back then. For some reason it seems right to add it now, though I have not been able to fully explain here why. I just think it is amazing.

Thursday, June 27, 2013

On Calm and Focus - Adam van Koeverden (Mon 07 May 2012)

my fingers are calm and gentle on the paddle - Adam van Koeverden (*)

Adam van Koeverden (*) writes on Calm (*) and Focus (*):
Kayaking for me demands a very nice balance between calmness (*) and focus (*).

It's funny, because you are super calm and focused, at the same time there is a lot going on in your body.

Things are starting to break down and hurt.

At the same time my fingers are calm and gentle on the paddle.

It's pretty meditative.
via On Giving Your Everything - Adam van Koeverden / YouTube (*).

On Giving Your Everything - Adam van Koeverden / YouTube (*) (Mon 07 May 2012)

Saturday, February 9, 2013

On Performance - Drew Ginn (Mon 24 Dec 2012)

Uniform Top Swap Buddy - The racing was done and the "high pressure" uniform swapping process was in full swing. They had paddled with the USA U23 team and were from Philidelphia. His 16 year old twin brother had already made a swap for an Australian top, so I was more than happy to make sure he did not miss out / one of those great moments in life and paddling for someone like me, who has been around a while - 2011 World Dragon Boat Championships / Tampa (Sun 11 Sep 2011)

After a 16 year career of international performance, the recently retired Drew Ginn (*), made a summary of his personal views On Performance (*). He starts out with the a succient and general summary of his learnings (*):
to compete there needs to be a certain level of conditioning reached through quantity and targeted intensity while maintain integrity of movement effectiveness and harmony.
From which he expands:
Now there is heaps in all that but suffice to say if you do the work, row effectively and are ready for the event then it becomes easier.

Thats not to say its easy to do but rather the flow, process and deliver can be uncomplicated and then the depth of effort can be reached which can put athletes into that state. The state where it takes everything they have while the realisation emerges that it was less hard and not as difficult as previously thought or perceived.

So simply work to make it easier. Focus to help it flow and push to let it happen. Under do it and you feel guilty, over do it and frustration appears and so to get it just right is the key. The flexion point between effort and ease, tension and relaxation, concentration and letting go, its all a fine line and to learn & master is where art form meets science.

Finally then with out the work your not in the game. With out the efficient your unable to make the most of the opportunity. Then with out being ready for the nature of the big event all can be lost in the blur and intensity of what rises on the day. To seize the day requires all three elements to be developed, stimulated and firing.
Been following Drew's Blog (*) since March 2007 and through it I have watched him through two Olympic Games, three World Championships, back surgery after Beijing, a short and successful bike road racing career and his comeback to rowing.

For myself, he has inspired me through three World Dragon Boat Championships, two Asian Dragon Boat Championships, and three World Club Crew DB Championships and countless Local and National events. I think I have just about experienced everything in paddling, though I am not so sure (*) on that - which is something I have learnt from life and I think is a good thing.

His writings make sense to me and I can relate to much of what he has written and shared with us. In short, he is a role model to me and I think he has helped shape who I am as a paddler and a person. He has influenced me in how I train, race, and behave on and off the water. In fact, it was Drew's blog [along with Vern's (*), who is someone Drew can learn from as he moves forward with his coaching career] that helped me get started (*) here almost four years ago.

The above piece of writing at the end of his long and successful career as a rower, is a brilliant summary of what it is all about. He will take all of this into his new career as a coach. All the best Drew.

With thanks .. Geoff

Saturday, March 16, 2013

When all is lost - The moment of highest leverage - Seth Godin (Tue 12 Mar 2013)

Keep Moving Forward (*) - John F. Kennedy Presidential Library and Museum - Boston (Mon 22 Aug 2011)

Seth Godin (*) writes about what I think is about Letting Go (*) when all seems lost and pointless:
It doesn’t happen often, but when it does, don’t waste it.

You’ve already won (or you’ve already lost). Right now, you can choose to do what’s in your heart, you can bring your real work to the world, instead of a lesser version, a version you think the market wants. After all, what do you have to lose?

When it feels like it’s hopeless or when it appears to be a lock, why not?

So you bring your true self to the work, your unadulterated effort, without negative self-talk and the sanding off of the interesting edges. Instead of compromise, you bring us vision.

Of course, when we see that reality, the kamiwaza of what you’re able to do when you’re not second guessing or giving up, the odds of transformation go way up. In fact, you haven't already lost, because your magical, vulnerable work changes everything.

You won’t get this chance again soon (unless you choose to). So go.
via The moment of highest leverage (*) by Seth Godin (*).

I experienced this in Prague (*) and the lead up campaign in which we lost Jenny (*).

Somehow,just 4 days after we farewelled Jenny (*) and 10 days off training, I "pulled" the best water trial of my career and found myself one of the top ranked paddlers in the Australian Masters Mixed Team, a first (and only time) for me. A week later I would come down with the flu and a nasty sinus infection which lead to me having a 10 day break from paddling and at one stage I thought the campaign was all over for me, as I could not "shake" the infection. As it was I should have had a bit more of a break, but I did not want it "toss it in"

In this time off, I lost my usual seat in the boat and after a bit of "soul searching", I forgave all, including myself (mostly) and just decided to let go (*) of everything and just go with it.

Had the time of my life and this little snippet of wisdom from Seth resonates most when I think of that Prague (*) Campaign just under 4 years ago now.

I tried to explain some this here (*) and here (*) a long time ago, but I like what Seth has written here.

I hope Seth will one day write more about how to accept the result of rare moments like these (but I suspect that this is the "winning" way of responding to Seth's post), something which has not been easy and I struggle with even to do this day (and maybe the reason I wrote this unplanned and unexpected post).

Friday, March 26, 2010

The warrior of light needs time to himself ..

The Warrior and the Soul of the World ..

The warrior of light needs time to himself. And he uses that time for rest, contemplation and contact with the Soul of the World. Even in the midst of a battle, he manages to meditate.

Occasionally, the warrior sits down, relaxes and lets everything that is happening around him continue to happen. He looks at the world as if he were a spectator, he does not try to add to it or take away from it, he merely surrenders unresistingly to the movement of life.

Little by little, everything that seemed complicated begins to become simple. And the warrior is glad.

From the Manual of Warrior of Light by Paulo Coelho - (more here).

And so that is that .. Geoff.

'The warrior of light needs time to himself.' - Chippendale - 5 Jan 2010 (picasa)


'And the warrior is glad.' - Newtown - 11 Feb 2010 (picasa)

Wednesday, June 5, 2013

A few ways to increase your connection to your photography - Kirk Tuck (Thu 23 Feb 2012)

A3 Prints - New York - Aug 2011

Kirk Tuck (*) writes:
To do what you like in your work, separate from the buzz. [..]
  • slow down [..] If you slow down and concentrate on the kinds of images that bring you real joy you'll find a tighter bond with your own work.

  • Stop looking at all the sharing sites - When you turn off the outside influences and sit quietly with your own thoughts about art and photography you begin to understand the way you like to see and share art. That's valuable. Everything else is unconscious imitation.

  • Do a project - Consistency of vision and subject are worthwhile goals for all artists. Set yourself to the task of creating a body of consistent work. Choose a subject that you love and explore it in depth. Ignore everything else.

  • When you choose to do a project have a a goal - Wouldn't it be great if it changed some lives? But no matter where it ends up I will have met interesting people who've taken charge of their own lives and excelled. What fun role models. And the art will be my souvenir of my time spent with them. The prints will be part of the sharing.

  • Start thinking beyond the screen - [..] When you slow down and do your art try to go through the whole process of bringing an image to life before you rush out the door to fill up more memory cards and hard drives.

  • Really explore the images in front of you. Edit them down. Make them perfect and then print them large [..] Print them till you love them. And learn from the process of presentation. Learn what you like to see, big. The art becomes both portable and present when you pull it off the screen and onto paper. Be sure to go through the whole process so you understand in your gut what you've really created. It will slow you down [..] and focus it on doing work that makes you smile. You are the first audience.

  • Finally, forget the online critiques - Find people in your own town, city, region whose work you admire and approach them about forming a sharing circle. Just like a writer's group.
Having a project will move you to take chances. [..] You'll need to discipline yourself to do the [..] And you'll need to learn how to finish.

Having a goal for your work gives it extra meaning.

Sharing the work with live people standing in front of you builds real confidence in the work. Having real critiques is painful but helps engender real growth. Helping real, human, non-virtual friends succeed with their own art is part of a rewarding virtuous circle. Embrace it.
From A few ways to increase your connection to your photography (*) by Kirk Tuck (*) - Thu 23 Feb 2012.

Friday, May 11, 2012

On Giving Your Everything - Adam van Koeverden / Youtube (Mon 07 May 2012)

On Giving Your Everything - Adam van Koeverden / YouTube (*) (Mon 07 May 2012)

Thursday, September 26, 2013

Adam Goodes Talk - Auroras 2013 Team Captains Announcement - Bank Street / Pyrmont (Sat 29 Jun 2013)

Auroras 2013 Team Captains Announcement - Adam Goodes Talk - Dragon Boat YouTube (*) Bank Street / Pyrmont (Sat 29 Jun 2013)

Adam Goodes (*) talks to the Sydney based Australian Dragon Boat Team Members, the 2013 Auroras.

It was a few weeks before we flew out to Hungary for our final training camp in Gyor (*) and then onto Szeged (*) a few days later, for the World Championships.

It was an amazing moment. To think that Adam would come down to say a few words to us.

You knew it was special at the time. But today, looking at this video, it made me realise how special it was. Thanks Adam. You are a Gentleman, a Champion and represent everything that which we aspire to as people and paddlers.

Following Adam's Talk, Kel announced the 2013 Aurora Divisional Team Leaders and overall Team Captains. As each was named, Adam presented the Sydney based Leaders and Captains with a Plaque which acknowledges each persons achievements in being selected to their position.

Finally, Kel thanked Adam for making time to see us, following which he was presented a plaque to remember his time with us. Needless to say, Adam was more than happy to spend a bit of time speaking to us individually and to make a few photos. See below.

Here is my humble efforts to transcribe what Adam said..
Kel suggested I come down here to see you guys who are going off to represent your country which I think is fantastic.

I do like to give back to community as much as possible and thought this was great opportunity.

You know this is not a sport that I am involved with. A sport which I have never tried before, but

[.. from the crowd .. we have got a spare seat. ]

I would hate to kick somebody out of their spot.

It is a fantastic thing, whether, you know, it's your first time representing Australia or whether you have been doing it for so many years as a Master. It is always the same. You have got that Green and Gold.

I have played for Australia four times, I have captained Australia in 2011 over in Ireland at the International Series there.

I didn't really feel what it was like to be a patriot to my Country until I represnted Australia. To see the Americans and how patriotic they are about the flag and everything.

It's not until you represent Australia and you are going away from Australian shores to do it that you actually feel how proud I am about the Country I come from, the Country I am representing and the people that we are.

Look at how diverse we all are just looking at us right now.

It is fantastic that we can go away and represent Australia and give our best. I think that is what being Australian is all about is giving our best.

You are also doing it for ..

The main reason I wanted to come down here today for you guys is to give you a pat on the back. Wish you good luck.

You know it is a fantastic opportunity to ..

You know I have never been to Hungary before. It is a great opportunity to see a different Country. Embrace their culture. Learn somehting new. But also, let them embrace our culture as well. Let them see what Australian people are like.

Have fun. You know, win, lose or draw, you are over there to enjoy yourself.

Get to know people on a different level. Travel together. I know the boys don't like travelling with me because I am a bit of a snorer.

[.. from the crowd - much laughter ..]

I dont have a problem with it, ..

but enjoy, have fun and go and do us proud.

That is the great thing about representing your Country.

It is what it is all about. Good luck.

[.. from the crowd - applause.]
Here are a few photos from the day. Thanks Adam and of course, Kel, for asking Adam.
Adam - Bank Street / Pyrmont (Sat 29 Jun 2013)

Adam - Bank Street / Pyrmont (Sat 29 Jun 2013)

Adam and Sydney-based Auroras 2013 Leadership Team - Bank Street / Pyrmont (Sat 29 Jun 2013)

Adam and Jo - Bank Street / Pyrmont (Sat 29 Jun 2013)

Adam, Jo and Geoff - Bank Street / Pyrmont (Sat 29 Jun 2013)