Showing posts sorted by relevance for query white. Sort by date Show all posts
Showing posts sorted by relevance for query white. Sort by date Show all posts

Wednesday, December 12, 2012

On Black and White - Daido Moriyama

Hazelhurst Passageway - Monochrome - Gymea (Sat 08 Dec 2012)

Daido Moriyama (*) on Black and White:
Monochrome has stronger elements of abstraction or symbolism.

There is perhaps an element of taking you to another place.

Thats just the way I respond to things.

Black and white has that physical effect on me.
On Colour, he explains:
Colour is something more vulgar because the colour is making the decisions, it feels vulgar, and that seems to me to be the difference.
via Is Colour Vulgar? (Wed 05 Dec 2012) (*).

Hazelhurst Passageway - Colour - Gymea (Sat 08 Dec 2012)

Not exactly sure what he means by vulgar, but I think the above photos might help understand what he is trying to say, particularly about Black and White / Monochrome. I think colour creates different relationships in the photos where it is used effectively.

Thursday, December 13, 2012

On Photography - Minor White - LensWork Daily / Brooks Jensen (Tue 11 Dec 2012)

Red (*) #1 and #2 - Between 5th and 6th Step / Mt Fuji (Wed 19 Sep 2012)

Minor White (*) On Photography (*):
photograph not only what it is, but what else it is.
via Capitol Reef, 1962 by Minor White (*). Maybe I know what they mean, something to think about.

Sunday, March 30, 2014

On Black and White Photography - Mike Johnston (Sun 14 Mar 2014)

Rainbows everywhere - Alexandria (Sat 29 Mr 2014)

Mike Johnston (*) writes Black and White (*) and Colour (*):
doesn't everyone take it for granted that black and white is far richer, more communicative, and more nuanced as a medium for expressive photography than color is?
via What a Great Comment! (*) by Mike Johnston (*).

Sunday, April 18, 2010

Favourite Photos: Sydney Life 2002 - Trent Parke - Photo in a Photo

Sydney Life: Trent Parke Photo - Hyde Park/Sydney - Mon 22 Sep 2002 (picasa)

Sydney Life (in 2002 and 2003 it was known as Sydney Looking Forward) is one of the Events of the Art and About Festival held now in October each year. Sydney Life is an outdoor exhibition of large scale images featuring the work of established photographers alongside work from some newer photographers (occasionally a no name like myself is selected, but this is very rare).

As the blurb says The real Sydney is revealed in the everyday and everynight, captured by the photograhic artsts who live here. - This truly diverse selection of photographs will intrigue, delight and inspire you as you wander along the leafy central walkway of Hyde Park North, and see Sydney as you haven’t seen it before.

The above photo is a photo of Trent Parke photo from the 2002 Sydney Life Exhibition (might have been the first Sydney Life, definitely the first one I viewed anyway). The large 3x2m canvas printed photos are hung along either side of the northern walkway of Hyde Park, just across from where I work. Took my little IXUS digital camera with me one overcast Monday lunch time. Was aware of the work of Trent Parke - he was recently selected as the first Australian photographer to become a member of the famous Magnum Photographic Cooperative.

In taking this photo I decided to hover a little and wait for someone to be in the photo with their back to me like the backpack guy in Trent's photo. Thought it would raise it above a mere record of this photo. This guy with cap was already looking at the photo and I waited and hoped that a few other onlookers would move on. There was a nice symmetery when the others left and I took my photo. The guy with cap looked around and spoke to me. He said he felt that he was in the photo - the white shirt guy in shorts next to the street sign. He said he often walks past that location (Corner Market and George Streets). I've looked at this photo quite a few times since and I often convince myself that he is actually the guy in the photo.

Funny how things work out with photos. Always liked the little story that goes with this photo. I would see him again a few months later one Saturday morning in King Street Newtown at a bus stop barely 5 metres out of image and to the right of this previously discussed Favourite Photo. I actually had a copy of the above photo in my backpack, but was too shy to give it to him. Have not seen him since.

The following year I considered entering this photo in the 2003 Sydney Life exhibition and Leigh Perry (Leigh: thanks for the comment below) photoshopped a great Black and White version for me as well as printing a couple of beautiful prints. Thought it would be funny to look at a photo of photo from the previous years exhibition like some kind of infinite loop. I have played around with the photo and converted it to black and white. Also did a collage of some of the photos from the exhibition.

Sydney Life: Trent Parke Photo (BW) - Hyde Park/Sydney - Mon 22 Sep 2002 (picasa)

Sydney Life: Picasa Collage - Hyde Park/Sydney - Mon 22 Sep 2002 (picasa)

Thursday, March 18, 2010

Favourite Photos - Fowey Cornwall UK 2009 - Bookends of Fowey

Bookends of Fowey - Blue - Fowey / Cornwall (UK) - 09 Sep 2009 (picasa)

One my favourite photos from the trip to Europe in Aug/Sep 2009. Just a really simple photo that uses colour. I could not get my camera out fast enough when I saw the dog and it's blue vest with the blue walls of the Bookends of Fowey Bookshop.

Colour photographs have often been derided by the artists of the photographic community. A real photographer sees and shoots in black and white and the greyscales between (with a quick search I found this excellent blog post - Color Vs. Black and White by Do do doo Art Critique - yes there is more to it all than you think).

To me this photo shows the beauty and simplicity of colour photography. I also like the green fern pots in the top right and the image conforms to an old saying of my Grandmother - 'blue and green can't been without some white in between'

I love using my camera when traveling. After a few days you start to see as your camera would. You are the one who pushes the shutter. Scenes come and go - decisions are made in an instant or sometimes over a longer period - some situations and scenes you miss and some will be captured. Your eye is trained from all your past experiences using a camera as well as the knowledge you have gained from viewing other people's photos and paintings, as well as your readings on all things about photography. After a while you develop your own style and your eye is trained for the present moment to capture a photo using your photographic vision. The photo then becomes part of your future - this post being just one part of it for this particular photograph.

The theme of the past, present and future has come up a few times in the last 4 days. One from a quote from a photographer Nan Goldin from a TV Series titled The Genius Of Photography (better details here). A quote from Nan Goldin's experiences follows:

'As the memory of her sister started to become hazy, Goldin began to take pictures to preserve the present, and thus her fading memories of the past. She photographed her friends so she would never lose the memory of them, as had happened with her sister. Her photographs were her way of documenting their lives, and, in turn, her own.'

The other is from a blog post by Paul Coelho announcing the completion of his new book to be titled The Aleph (the title being inspired by a short story of the same name by Jorge Borges - English translation here). Paul Coelho writes about the book:

'Why did I take so long to write about this pilgrimage? Because it took me three full years to understand it. It is not a travel guide. Of course I describe what does it mean such a long trip in a train, but the main goal is the long trip to my soul, past, present and future.'

Definitely look forward to reading it when it is published here next year.

[Today - Saint Patrick's Day is my 30th Anniversary of employment. Like most anniversaries, I guess it is a day of reflecting on the past, present and future. I have been with the same company all that time - though it's name has changed 4 or 5 time and has become significantly smaller (gone from 13,000 to around 800 employee's). Obviously seen a lot of changes. I have learnt a lot and look forward to getting back to work in a week and a half, after a 3 month break.]

Tuesday, August 13, 2013

Red and Blue on White - Calle de Santa Isabel / Madrid (Sun 11 Aug 2013)

Red and Blue on White - Calle de Santa Isabel / Madrid (Sun 11 Aug 2013)

Spent the afternoon at the Museo del Prado (*) and was overloaded with masterpieces from through the centuries.

Francisco Goya (*) was my highlight. His The Dog (*) from the Black Paintings (*) being my favourite. As Robert Hughes said We do not know what it means, but its pathos moves us on a level below narrative.

After the Museum closed, I strolled through the nearby Park, I then wandered the back streets near our Hotel and stumbled across some more recent works (as can be seen above) on the streets of Madrid, not too far from where Goya created his own works over 200 years ago.

Tuesday, September 20, 2011

Bank of America - Red, White and Blue- 42nd St / New York (Sat 13 Aug 2011)

Bank of America - Red, White and Blue- 42nd Street / New York (Sat 13 Aug 2011)

I think he was trying to get a photo of her with the Chrysler Building (*) in the background. Just liked the colours and I had been trying to photograph pairs of people (*) - just visual game while traveling.

Sunday, May 13, 2012

Web - White on Green - Copeland St / Erskineville (Fri 12 Mar 2010)

Web - White on Green - Copeland St / Erskineville (Fri 12 Mar 2010)

Abstract and visually complex - just the way I like it.

From One Day at a Time (*).

Friday, May 6, 2011

Intersection - London (May 2009) / Shanghai (Sep 2010)


Intersection - Nanjing Road - Shanghai (Mon 03 May 2010)

Intersection - Southwark Bridge - London (Fri 04 Sep 2009)

These two Intersection photos seem to go together nicely with the red, white, blue and black of the Bollard's, and the white and yellow lines on the bitumen. Ultimately though, it is all about the bikes or lack thereof (there are two in the London photo if you look close enough or three if you count the sign).

Saturday, October 9, 2010

Intersection - Airport Tarmac / Lyon - Mon 7 Sep 2009

Intersection - Tarmac (Lyon Saint-
Exupéry
Airport) / Lyon - Mon 7 Sep 2009 (picasa)

Walking across the tarmac to board our EasyJet Flight from Lyon to Toulouse. Could not help but get my camera out and take this photo. Drawn to the green pedestrian strip and the red and white chains and witches hats. Don't think I had come across a green and white pedestrian strip before.

Tuesday, September 11, 2012

Sunday, February 12, 2012

Bamboo Leaves - Green on White with Blue - Alexandria / Sydney (Sun 29 Jan 2012)

Bamboo Leaves - Green on White with Blue - Alexandria / Sydney (Sun 29 Jan 2012)

Sunday, August 19, 2012

Walking the Dog - Stuyvesant Square / Lower East Side / New York (Thu 18 Aug 2011)

Walking the Dog - Stuyvesant Square (*) / Lower East Side / New York (Thu 18 Aug 2011)

Walking the Dog - Stuyvesant Square (*) / Lower East Side / New York (Thu 18 Aug 2011)

A little exposure trick to make the dog glow - was reminded of a Trent Park photo (*), particularly when it is converted to black and white.

A beautiful small park just to the east of it's bigger and more well known neighbours - Washington Square and Union Square. Not many people here and the lady walking her dog was one of the few I saw. Definitley a park for the locals. I sat here for an hour or so in the shade of some trees. It was hot and I was sweating, and it was not long before I nodded off into a dreamy sleep. It hardly seems a year ago.

Wednesday, October 6, 2010

The Cole Classic by Steve Christo - Sydney Life 2010

The Cole Classic by Steve Christo - Hyde Park/Sydney - 29 Sep 2010 (picasa)

Funny how photos (like music) take you back in time and in your memories. Recently saw the above photo at the 2010 Sydney Life Exhibition in Hyde Park.

Occasionally I hear or read about The Cole Classic, typically around the time of year which it is run (Jan/Feb). It was originally held at Bondi, but it moved to Manly some years ago.

Graham Cole was the founder of the The Cole Classic (see end of this post for more details). He was Sydney Solictor and a very keen swimmer. He was also the Landlord of the first house that I moved into when I had finished my University Degree in late 1982. Robyn, Mal and I moved into a 3 bedroom two storey terrace in Ebley Street, Bondi Junction in Jan 1983.

The move to Bondi Junction was a big change from the sheltered and idyllic surrounds of Wesley College where we had all spent 3-4 years living and studying. It also marked the beginning of our careers in our chosen professions. We enjoyed the change and having a place to live outside of the University. The Eastern Suburbs Railway had recently been completed and with a 5 minute walk to the Bondi Junction Railway Station, it was a quick trip to Town Hall and then a short walk to where I worked (almost 30 years later I still work in the same building but there have been plenty of moves and changes along the way).

Every month I paid the rent and I would wander down to the then P&O Building to give Graham's Secretary a cheque. He would often come out of his office and we would have a chat. In these chats I did get to hear some swimming stories and that he loved surfing at Bondi. At some stage he did mention The Cole Classic (in 1983 the first Cole Classic was swum with 101 swimmers participating).

He was always a very accomodating Landlord and he allowed us to do some wallpaper removal and painting to one of the rooms (the Red and White striped wallpaper a previous tenant had put up, was a bit much for Robyn, whose room it was). Around the same time he indicated he needed to paint the railings of the balcony to the front upstairs bedroom. He said he would come round one weekend to get it done. Mal and I gave him a hand and the job was done quickly over a couple of weekends.

Ebley Street - Bondi Junction - 30 Sep 2010 (picasa)

Moving forward just over 27 years ..

Coincidently, the day after I took the above Sydney Like 2010 Photo, I had to go to Bondi Junction for an appointment. Decided after the appointment I would go around to the old place (it was not far), have a look and take a couple of photos.

Not much has changed from the outside except for a new coat of paint - it was a dark green in the early 1980's. The Balcony railing was still there, I remember that weekend we painted it way back in the late summer of 1982/1983.

The Waverley Tower still hovers over Bondi Junction and Waverley, but it now has a lot more antenna's - mobile phones were certainly not mainstream public technology in the early to mid 1980's.

Ebley Street - Bondi Junction - 30 Sep 2010 (picasa)

Sadly, I remember reading in 2000 that Graham had died of a heart attack while swimming at his beloved Bondi Beach. From the Sydney Morning Herald dated the 06 Dec 2002 in an article titled At the Cole face:
He was 72 and had been told by his doctor to take things easy after developing a heart murmur. "But the surf called," says his son. "He went out, had a good surf, was talking to his mates on the beach, had a heart attack and died on the beach. It was unexpected. The guy was fit and robust. But it was a perfect way for him to go. He orchestrated it well."
I also remember reading this article in the Sydney Morning Herald in February this year. It gives an insight into how much The Cole Classic has grown.

It is such a long time ago now, I have trouble remembering much more than heading down to Bondi Beach after work to catch some waves on a newly purchased bogey board.

However, the most obvious memory for me of the place is the phone call I received there from my Mother in Wagga Wagga on the evening of Sunday 24 Jul 1983 to tell me my father had died of heart failure that evening at our Family Doctor's surgery after playing a game of hockey that afternoon. He was just a few months past his 47th Birthday. He lived just a couple weeks longer than Jenny.

Funny the things you remember when you see a photo.

From the History page of the www.coleclassic.com ..

How it all began

Graham Cole was a keen ocean swimmer, regularly swimming and body surfing at Bondi Beach. In 1981 he travelled to Hawaii with a team from the Tattersals Club to swim in the Waikiki Roughwater. He returned with a desire to establish a similar event in Sydney, reasoning that Australian beaches and strong beach culture were deserving of such an event and that it should be open to all members of the community who had done the necessary training. In 1982 Graham wrote;
The event is not a race but a challenge to all persons to stretch themselves in body and mind to swim a reasonable distance through surf. It will, I hope, be an incentive to persons to involve themselves in the self-discipline required to get fit; obtain confidence in their ability through swimming, to achieve a pride in having performed something that is, perhaps slightly above average, and finally to receive (in the form of an appropriately prepared Certificate or medal) some recognition of their accomplishment.
In 1983 the first Cole Classic was swum with 101 swimmers participating.

Sunday, November 29, 2015

Knowing you, knowing me - Urbanbites / King Street / Newtown (Sun 29 Nov 2015)

Knowing you, knowing me - Urbanbites / King Street / Newtown (Sun 29 Nov 2015)

Up early for a big day. Decide to go get a coffee, but the local coffee shops wont be open until 8am, so decide to go up to the coffee shop you lived in for the first six months after Jenny's passing. It was frequented many times in the subsequent years and many fond memories with family, friends and mostly, myself, in my thoughts that the place nurtured. If I could write, I could write a book about the place and what I felt and experienced there. Many of the early blog posts implicitly encapsulate this, so I am glad to have made the effort.

It is over 12 months since I have been here and when I arrived just after 7 this morning, I sat and noticed the small changes that a prolonged separation facilitates and makes so obvious. I noticed the staff. Many were the same, which says a lot for the place which becomes incredibly busy later in the day and night.

I am served by a young waiter I know by face. He has been here for as long as I can remember. We don't know each others names but we know each enough to know each other even after 12 months of not seeing or even thinking each other.

You are touched when he remembers to ask before I can say what he is just about to say "large flat white?". "Thanks, that would be perfect" I said, "you remembered". He smiled and then proceeded on his way to make sure my coffee arrived to please me as best he could.

This is the second time in a week you have experienced something like this. And you wonder how and why?

You've walked through life trying your hardest not to be noticed, for that is where a shy person finds refuge and comfort. However, it's moments like this that make you realise that you do exist and in some ways touch people. Maybe it is because you touch people by just being there in the corner, trying your hardest to not be noticed ...

"Knowing you, knowing me" as the ABBA Classic goes ..

Friday, December 7, 2012

On Photography - I love to make portraits - Kirk Tuck (Fri 07 Dec 2012)

Grandpa (Eric) [1] - John Sharman (*) Gallery / Mogo (Sun 07 Dec 2003)

Kirk Tuck (*) writes about the beauty the wonderful relationship he has with photography in (*):
I love to make portraits.

I love that not all of my subjects are required to smile.

I love that we can spend time talking about life while we're making portraits.

I love to work in black and white but I don't fear color.

I love light that can be both dramatic and flattering.

I love the contrast of dark shirts against light skin.

I love longish lenses and continuous lights.

I love going back and looking at old contact sheets to look at the "paths" not taken and then re-scanning and reprinting to see if my tastes have grown or changed since we last peeked into the contact sheets and made our choices.
Another amazing piece of writing about photography by a professional photographer. Got to love that. Thanks Kirk.

[1] Random Recollection - This is a photo of my Grandfather (my Father's Father). My brother, along with my Aunt took him on a drive and at my Aunt's suggestion we ended up at John Sharman's Art Gallery. My Aunt knows him well and she has a few of his paintings. John had also made some paintings from the cliff on the edge of my Grandfathers property at Malua Bay. One of the paintings is the unframed painting behind my Grandfather. This is a nice reminder of my childhood days spend at Malua Bay with my Grandparents.

I have a few more portraits from that day which I will publish here at some stage.

Saturday, December 17, 2011

Mural - Downtown / Montreal (Thu 25 Aug 2011)

Mural - Downtown / Montreal (Thu 25 Aug 2011)

For some reason this photo really works for me. The mural and it's colour and composition. Next the red and white barriers and their one sided support seem so delicate. The empy space of the road in the middle and foreground. Also the light is very even as it a cloudy late afternoon.

Thursday, May 17, 2012

With Erica - Breakfast - Glebe Deli (Thu 17 May 2012)

With Erica (1 of 2) - Breakfast - Glebe Deli (Thu 17 May 2012)

With Erica (2 of 2) - Breakfast - Glebe Deli (Thu 17 May 2012)

Erica is my Aunty and was my Father's younger sister. She lives just outside of Batemans Bay and owns and operates a 2nd Hand Book Store called the Batehaven Book Exchange (*). She is in Sydney for some medical scans and arrived in from Perth yesterday after spending a week with her 3 week old Grandson, Alex.

Not exactly High Tea at the Ritz (where I am constantly reminded that my late younger brother Tim took her) but the Glebe Cafe is my favourite cafe at the moment. Due to the scans, vegemite on white toast and black tea for Erica today. She loves animals and books, and tells a great story and never forgets a fact or detail. She is the Family Historian on my Father's side of the Family.

Good Luck with the scans Aunty Erica.

New series, titled and labelled With (*), of portrait photos of family and friends as I sit across from them at local cafes and restaurants. Will try to use my Canon S95 with available light.

Thursday, September 19, 2013

2013 Senior B Australian Dragon Boat Squad - Auruoas Team Dinner - Gyor / Hungary (Sun 21 Aug 2013)

2013 Senior B Australian Dragon Boat Squad - Auruoas Team Dinner - Gyor / Hungary (Sun 21 Aug 2013)

The team:
Sue Beith, Loretta Lewis, Blair Gamble, Serghei Cucsa, Alfred Pawlicki, Alison Mourant, Andrea Trappes, Anita Riikonen, Annie Richardson, Brett Bartholomew, Carmen Que, Chris Rathbone, Dave Brugioni, Deb Hirst, Denise Sundercombe, Desma Smith, Dianne Coyle, Emiliia McDonald, Fran White, Gail Richardson, Geoff Eldridge, George Dimech, Gordon Waycott, Jennifer Brown, Jennifer Reilly, Jo Petterson, John Grech, Kaizer Austin, Linda Robinson, Lyn Payne, Lynne Pearson, Lynne Richardson, Marco Celenza, Martin Hirst, Martin Turner, Maryanne Picker, Michael Higginson, Michele Moroney, Paul Langley, Peter Teichmann, Pia Mitchell, Robyn Woollcott, Steve Clinch, Steve Clinch, Susan Pidgeon, Zillah Dunton
Thank you all, it was an amazing experience and I have so many fond memories from the campaign (*).