Richard Johnstone on Portrait Photography:
One of the great mysteries of portrait photography hinges on whether we can successfully read character and biography into a single image.
via Face time - Photography | Richard Johnstone reviews the finalists in this year’s Head On Portrait Prize by Richard Johnstone.
I think the portrait of Jenny captures her character perfectly. I had an A4 print made of it shortly after I took it on Christmas Day in 2006. Joanne bought a nice frame for it and we placed on her Coffin at her Funeral. What better photo to celebrate and reflect on her life.
Jason Langer on Photography and Authenticity:
the truest, most authentic self is only revealed in isolation. For me, the social self is a mask. The photographs collected here are, simply put, a record of my attempt to penetrate the mask and expose some glimmer of the mystery beneath.
via JASON LANGER: TWENTY YEARS by Aline Smithson.
I have also found that the true authentic self is often revealed in those raw moments in your life involving your Heart where something is lost - a relationship through a breakdown or a death. A Tear is often a manifestation of the true authentic self because there is nothing left - no masks, no filters. In those moments of loss, before, during and after, the true authentic self is most often revealed, as it should be. For it not to be, might show great resilience in character and [maybe] a Heart of Stone, but this will only magnify and potentially extend the grieving and bereavement process that should follow any significant loss.
There is a beauty (if you are prepared to look at life this way) to the process, it's rawness and what it reveals in character. It shows you are living and experiencing a meaningful life in all its extremes. I have thought that my photography could - and to some extent it has already (and when I think about it as I write these words, it is the very reason I bought my first small digital camera way back Dec 2000) - pursue this direction. They are often markers and important references in your life as you move forward. I have found great comfort in my photographs.
The Story of Telling on Words:
Our words communicate much more than the messages we want people to hear. How we use them shapes our thoughts and character—it shows people what we value and conveys the truth about who we are. Our every word has the power to provoke or reassure, draw people in or push them away. We get to choose how well and how wisely we use them.via The Weight Of Our Words by The Story of Telling.
[..] tips I would give street photographers would be the following:via Photographs are Everywhere: The Extra-Ordinary Street Photography of Haris P (Xaris P) (*) by Eric Kim (*).And if you find all these things– don’t be satisfied with mediocrity.
- Search for the light (*),
- Search for the place (*),
- Search for the character(s) (*),
- Wait for the moment (*)..
Not-ordinary photos are nice but not enough. Extra-ordinary (*) photos are your target.
Simply results (*) and perceptions (*) of performances (*) stick.. Good or bad ones last and seem to require more contrasting ones to change.via twitter (*) by Drew Ginn (*).
Art is partly about changing material into thought, but, for many artists, it is also about changing yourself through the process of making the art and moving past the limitations of your daily circumstances.via Myuran Sukumaran and Andrew Chan have earned a second chance by Matthew Sleeth.My heart goes out to Myuran and Andrew and their Families and Friends. Their story of transformation and support is inspiring and it is this that I will take from the pain and suffering we witness and feel in ourselves, as their imminent executions unfold before us:
Very few people ever materially change their lives; I mean really change their lives, not just fiddle around the edges. It's very difficult to do and takes a great deal of courage, support and time. [..] The definition of rehabilitation is becoming a better, changed person and both Myu and Andrew have achieved this through their own courage and the support they have received from their community.It is hard to know what to say in this time. All I think I can say is thank you Myuran and Andrew, your transformations and strength of character inspires me to be a better person in my own life. May you be blessed.
[..] They are snapshots and they are made in a very simple way. But the thing they see when they continue to look at the pictures, they start to see the closeness is one of the things they see. Some one is making pictures that are really close on the street and its that kind of taking the camera so close to the subject and making pictures and not in a studio way. in a flow of life on the street or field kind of way. And they see that closeness and that is the thing that gives the pictures there uniqueness and their agressive sort of character.A copy of Grim Street (*) is on the way.
When you make an exhibit of this work, you walk around in a room filled with it and you see all these strange pictures. You know there is a certain excitement to it, There is a certain quality in that room about an artists mind, and an artists work that comes from the pictures and touches the viewer in some way. That's why it works. I don't know why exactly it works. A lot of physcological reasons, sexual reasons. A lot of things are going on in those pictures.
It is not some kind of exact analytical science going on here, its right on the edge of meaninglessness, but its in there and that is what makes it so fascinating.
It feels awkward for me to try to talk about my work, frequently. Once in a while I do it. I do a slide show and I describe how I take the pictures. Describe how I think they fit into things socially and formally, in the context of photography in America. Different kind of things.
You usually don't think about that kind of stuff. You dont think about that. You think about when you are taking pictures the most important thing is to get new pictures.
The pictures you already took, you already took those pictures. My main drive is to do something new. To make some new kind of picture. [..]
Inspiration (*) comes in many forms and from many sources. What I have learned (*) in doing architectural photography (*) is to be open to new ideas and to see the possibilities that present everywhere. [..] The ideas keep coming because inspiration (*) on its own may arrive in erratic bursts, but going after it consciously (*) day by day makes for a rewarding journey (*) and consistently better photography (*).via In Photography, Inspiration is All Around You (*) by Ellen Fisch (*).
GaudÃ's position in the history of architecture is that of a creative genius who, inspired by nature, developed a style of his own that attained technical perfection as well as aesthetic value, and bore the mark of his character.Thanks Ellen for making this so clear.
Eiffel History: Eiffel Liberty Journal (Feb 2006) at TeamEiffel
One of Eiffel's most prolific activists from the mid-90s to 2002 was Geoff Eldridge from Australia. He spent most of his spare time hanging out in places like comp.lang.eiffel spreading information to help people to use Eiffel.
After the demise of Eiffel Outlook magazine, Geoff decided that the Eiffel community still needed a magazine, but that it should be online instead of paper-based. With that in mind, he talked a dozen or so Eiffel notables into writing articles for the first issue, and he soon published it on a website at the University of Technology, Sydney.
The magazine was named "Eiffel Liberty", inspired by the fact that Gustav Eiffel had designed the framework for both the Eiffel Tower and the Statue of Liberty. The word Liberty also reflected that Geoff had visions of helping to "set Eiffel free" from the chains that were restraining it.
The first couple of issues of Eiffel Liberty were very popular, and Geoff moved them across to his newly-registered domain elj.com where he continued to publish a new issue every two months or so.
The increased webspace, and availability of scripting tools, allowed Geoff to expand the scope of the site considerably, and soon Eiffel Liberty was hosting a huge amount of content besides Eiffel Liberty Journal. Geoff's interest in Object Technology featured strongly, and as a result the site gained widespread readership beyond the Eiffel community.
As Geoff's interests broadened, he also covered scripting languages, methodology, functional programming, extreme programming, software quality and componentry. Geoff also latched on to the burgeoning interest in open source software and featured it strongly.
Despite these broadening interests, Geoff kept up the Eiffel content. He maintained GUERL, Geoff's Eiffel Resource Locator which had links to every possible resource useful to practitioners of Eiffel. In time, this overflowed into the OO Soapbox where links to other languages and technologies were featured.
As if this wasn't enough, Geoff also introduced ELJ Daily, a regular posting of the latest snippets relating to Eiffel and Object Technology. Today we'd call this a blog, but the word hadn't been invented yet. Indeed, Geoff was one of the world's first bloggers.
All this time too, Geoff was also writing open source Eiffel software and inspiring others to do the same. Talk about a powerhouse! He was also having to pay a sizeable chunk of his own cash for hosting costs and bandwidth. He never carried ads on the site.
As the site grew, Geoff and others referred to it good-naturedly by a number of alternative acronyms, including Extremely Large Jumble, which it had certainly become. It was a very useful and much-appreciated jumble nonetheless. The nickname caught on, and soon the homepage itself carried the new slogan.
But all was not well. Geoff felt that he wasn't getting much support from the Object community. He contrasted this with his other interest, photography, where he found the online communities to be highly engaging and supportive. His massive workload might have been getting him down too, and it wouldn't have helped that his girlfriend Jenny (later his wife) had cancer.
A major blow came in late 2000 after some people had strongly criticized the GUERL page as being full of disorganized rubbish. Geoff took this to heart, and erased the page, announcing that "This page has been retired ... I suppose no impression is much better than a bad impression". Many pleaded with him to restore the page, but it was not to be.
In a way, that was the beginning of the end. Although Geoff plugged away for a few more years, the zest was never there quite like it had been before, and Geoff was devoting more time to the newly-emerging hobby of digital photography. On 24 September 2002 Geoff took down the whole of elj.com.
No-one in the Eiffel community seems to know what Geoff is up to now - and quite a few of us have tried to track him down. The elj.com home page is still live, though it contains nothing more than an invitation to click through to Cetus Links. (Does Geoff realise that a three-character domain name can be sold for quite a lot these days?)
Geoff, if you're out there, why not post a comment and let us know what you're up to?
THanks for Roger Browne who wrote this. It brings back a lot of memories.
Joanne and I sent the following message to the Australian Dragon Boat Team on 18 Aug 2009, a few days before we left to participate for Australia at the IDBF World Dragon Boat Championships held in Prague in late Aug 2009. It is now history - an amazing experience for all of us, particular for Joanne and myself.
We just wanted to say thank you to everyone for helping us to celebrate Jenny's Life, and for your kind words and support for Joanne and I over the course of this campaign.
We also thank everyone for the lovely "Name-A-Star" gift that Amanda presented to us, on your behalf, at the 2nd Team Trial at Penrith. We have attached a copy of the documentation that came with the Sydney Observatory "Name-A-Star" catalogue. The star selected is in the constellation of Vela and has been named "In Memory of Jenny Petterson". As part of the gift, we will view the star at the Observatory on Jenny's and Joanne's Birthday, the 24th March 2010.
Jenny was an amazing person and she showed us all how to live life to full, even in the face of a life threatening illness such as advanced breast cancer, something she lived with for 12 years.
Paddling has become a constant in our lives and the irony is that we would not have found it, if Jenny did not have her cancer. Jenny would often say "what would we be doing if we did not start paddling?". We have travelled this state, country and the world as paddlers and wherever we have travelled we have met friendly likeminded people, no matter their culture or background. We feel we are better people because of our paddling experiences.
Jenny's life changed in 2004 when she nervously, yet humbly, co-featured in an episode of the ABC's "Australian Story" titled "In the Pink"
The episode was watched by more than 1 million people and helped expose Dragons Abreast Australia to many women. It told the true story of breast cancer and it did not shy away from the harsh realities of breast cancer. From then on wherever Jenny travelled, she would be "pulled up" by people in the street or at regatta's so they could talk to her about how the Aus Story Episode helped them to make positive changes to their life.
Following the airing of In the Pink episode, Jenny would often be asked to give a talk to various groups of people. She also became a speaker for the National Breast Cancer Foundation.
The last talk she gave was on the 1 April 2009 at the Riverview School in Lane Cove. The talk was given to approximately 200 Year 9 and 10 boys. They were mesmerised and inspired by her story of hope, courage and strength. She was also touched by the fact that the guest speaker they had a month earlier was Dr Chris O'Brien (of RPA Fame), a person she felt quite connected with. He made sense to her through his own public journey with cancer.
A copy of Jenny's Riverview Talk is now kindly hosted on the Dragons Abreast Australia Web site. It tells her (and indeed our story) in her own words with the last few pages giving an insight into her approach to life, and how she embraced her cancer and through it, felt empowered to live a wonderful and fulfilling life. The cancer helped to reveal her true inner spirit and character that she was born with.
Initially, unknowingly, and then later, humbly, she helped to inspire many people throughout Australia and the World to follow their hearts and achieve their dreams.
It was an amazing effort for Jenny to make the NSW State and Australian Teams this year. She was diagnosed with multiple tumors in her liver in early March and started a fortnightly cycle of chemotherapy and another drug. Through the encouragement of her "Support Team", she trained and paddled through all of her treatment and went on to paddle for her State and Club at the 2009 Nationals DB Championships at Kawana. It was with tears in my eyes that I witnessed Jenny, along with her team mates, paddle to Gold Medals in both 500m finals for her State and Club. The most amazing thing I have ever seen.
Finally, Jenny, Joanne and myself visited Prague in September 2005 after the World DB Championships held in Berlin. It is a beautiful City. Little did we know then that we would have the opportunity to compete for our country there in 2009. Jenny was selected in the Australian Team and was training up until early June. Joanne and I will now compete in Prague, with Jenny as our guiding light and inspiration.
Death may end a life, but our relationship will continue forever.
I have included a couple of photos from our trip to Prague in 2005 in our online photo album.
Don't wonder "What if?" - http://bit.ly/iKkog
With Thanks and Kindest Regards .. Geoff and Joanne
[ Jenny Petterson - Don't Wonder "What If?" ]
Be a Rebel,
Today_CREAte
Something Beautiful!
I FREAKIN'
Luv You u!!
The main character shows hope, he develops and grows quite a bit through the course of the film, and there is a very uplifting message, from Walt Disney himself, to keep moving forward.Made me think of this post from a year:
